Powell LADYHAWKE Soundtrack LP Matthew Broderick Rutger Hauer Michelle Pfeiffer

	£		35
	$		46

US 1st release import of the original motion picture soundtrack to "Ladyhawke" (1985, dir. Richard Donner) with a fantastic original score by Andrew Powell.
A defining score of the 1980s that cleverly mixes electro-synth with rock and rich neoclassical themes. A superb main title. Brilliant stuff!

The movie starred Matthew Broderick, Rutger Hauer, and Michelle Pfeiffer.
Andrew Powell & The Philharmonia Orchestra ?– Ladyhawke (Original Motion Picture Soundtrack) (1985)

Condition (refer also to notes at bottom):
Vinyl: VG-EX. Superbly clean on visual inspection. Just two short hairline nicks on side 2, with no obvious marks, scuffs or hairlines elsewhere. Played just pre-listing and sound clarity is very good throughout. Some light surface noise at start of each side and during fadeouts/quieter cues. Plays with no skipping, jumping or sticking. A very enjoyable listen.
Outer sleeve (cover): VG. Thick card. Colours remain unfaded and bright. A few creases infrom sides and disc ring outline. Very light scuffing to edges. Spine crinkled with one or two dents but text readable. Edges have mild wear and some slightly buckled. Aperture shows minor nicks and dents. Reverse side has scuffing along top centre and light creasing. Some residue marks along left of top edge initially thought to be part of back cover photo. Overall a decent example.
Inner sleeve: EX. Original Atlantic. White and cream paper with curved corners and record label logo on each side. Minor creasing/folding but intact.

Label: Atlantic ?– 7 81248-1-E, Atlantic ?– 81248-1-E
Format: Vinyl, LP, Album, Import
Country: US
Released: 1985
Genre: Stage & Screen
Style: Soundtrack

Tracklist
A1. Main Title. 2:58
A2. Phillipe's Escape. 1:36
A3. The Search For Phillipe. 2:25
A4. Tavern Fight (Phillipe). 2:06
A5. Tavern Fight (Navarre). 2:38
A6. Phillipe Describes Isabeau. 1:11
A7. Navarre's Ambush. 4:50

B1. The Chase, The Fall & The Transformation. 3:02
B2. "She Was Sad At First…". 2:03
B3. Navarre Returns To Aquila. 1:35
B4. Navarre's And Marquet's Duel. 4:35
B5. Marquet's Death. 1:55
B6. Bishop's Death. 2:23
B7. End Title. 4:54

Companies, etc.
Phonographic Copyright (p) – Atlantic Recording Corporation
Phonographic Copyright (p) – Atlantic Records
Copyright (c) – WB Music Corp.
Published By – WB Music Corp.
Published By – Rewind Music, Inc.
Mastered At – Sheffield Lab Matrix – ?9382
Pressed By – Specialty Records Corporation – 21051
Pressed By – Specialty Records Corporation – 21052

Credits
Bass Guitar – David Paton
Composed By [Music], Orchestrated By, Conductor – Andrew Powell
Drums, Percussion – Stuart Elliott
Guitar [Guitars] – Ian Bairnson
Keyboards – Andrew Powell, Richard Cottle
Orchestra [Performed By] – The Philharmonia Orchestra
Producer, Engineer – Alan Parsons

Notes
Cat# is printed as 7 81248-1-E on the spine, and as 81248-1-E on both the sleeve reverse and the center labels.

[labels]
All compositions published by WB Music Corp. / Rewind Music, Inc., ASCAP.
? 1985 Atlantic Records
Mfg. by Atlantic Recording Corp.

[sleeve]
All compositions published by WB Music Corp., ASCAP.
? 1985 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
© 1985 WB Music Corp.
Printed in U.S.A.

SLM ?" in the runout etching indicates that the lacquer disc was processed at, and the metal parts used to manufacture the record were made at Sheffield Lab Matrix.

An "E A S T" embossed around the center hole (sourced from metal parts that were originally made for use at Allied Record Company based on the etchings). Often the "T" is the most visible.

Barcode and Other Identifiers
Barcode: 075678124815
Barcode (Text): 0 7567-81248-1
Matrix / Runout (Side A label): ST-A-855639-SP
Matrix / Runout (Side B label): ST-A-855640-SP
Rights Society: ASCAP
Matrix / Runout (Etched A side (a stamped)): STA-855639-D a B-21051-D SLM ? 9382 1?-?2? SP 0-1 SH-SP
Matrix / Runout (Etched B side (a stamped)): STA-855640-D a B-21052-D SLM ? 9382-X SP 1?-?2? 0-1 SH-SP
Other (Embossed on A side label): E A S T



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ITEM CONDITION - items are graded according to Record Collector definitions - see below:

MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.

VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.

FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.

POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

BAD: The record is unplayable or might even be broken, and is only of use as a collection filler.