RARE FIRST PRINTING OF TOOL Ænima VINYL EXCELLENT CONDITION
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RARE FIRST PRINTING OF TOOL Ænima VINYL!!! EXCELLENT CONDITION! CHECK OUT THE PICTURES! DONT MISS OUT ON THIS RARE FIND!!!
Upon its release, Ænima was met with generally favorable reviews by mainstream music critics, citing the band's innovation and ambitions within the album's sound. Jon Wiederhorn of Entertainment Weekly said that it was "one of 1996's strangest and strongest alt-metal records", while USA Today's Edna Gundersen wrote that "Tool moves to the front of the alterna-metal shop on its third and best release". Los Angeles Times writer Sandy Masuo found that the band had successfully incorporated exotic instrumentation and sampling into their "raw, gripping rock" to give it "an even more exhilarating edge".[48] David Fricke of Rolling Stone said that Tool "shove their iron-spike riffing and shock-therapy polemics right up the claustrophobic dead end of so-called alternative metal in the name of a greater metaphysical glory", calling the album "very admirable" and "even a bit impressive". In a retrospective review of Ænima, AllMusic writer Rob Theakston stated that on the album, "Tool explore the progressive rock territory previously forged by such bands as King Crimson. However, Tool are conceptually innovative with every minute detail of their art, which sets them apart from most bands".
Among mixed reviews, Chuck Eddy of Spin found that while Jones had progressed as a guitarist, Keenan's vocal range remained limited: "[He] only knows how to get intense by turning ugly; his vocals stretch only toward bullying low notes. In his upper register, instead of soaring, he settles for just mumbling blandly". Greg Kot, writing in The New Rolling Stone Album Guide, found it inferior to later Tool albums: "With Ænima, the band's ambitions nearly get the best of them. The increasing density of their relentlessly downcast music, augmented by occasional electronic noises, begins to feel ponderous. 'I've been wallowing in my own chaotic insecure delusions,' Maynard James Keenan mutters, and the music indulges him. The claustrophobic production doesn't help."
The album appeared on several lists of the best albums including that of Kerrang! and Terrorizer. The track "Ænema" won the Grammy Award for Best Metal Performance
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