RAY CHARLES & MILT JACKSON, Soul Meeting? mono UK 1st pressing EXCELLENT- LP
$
50
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Sound clips are not from the actual item for sale - they are provided for customers to investigate the music contained on the record.
Hallelujah, I Love Her So
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Ray Charles & Milt Jackson ?– Soul Meeting Label: London Atlantic ?– HA-K 8045 Format: Vinyl, LP, Album, Mono Country: UK Released: 1961 Genre: Jazz Style: Soul-Jazz Tracklist Hide Credits A1 Hallelujah I Love Her So 5:27 A2 Blue Genius 6:38 A3 X-Ray Blues 7:01 B1 Soul Meeting 6:03 B2 Love On My Mind 3:45 B3 Bags Of Blues Bass – Oscar Pettiford 8:49 Companies, etc. Printed By – James Upton Ltd. Credits Bass – Percy Heath (tracks: A1 to B2) Drums – Art Taylor (tracks: A1 to B2) Guitar – Kenny Burrell (tracks: A1 to B2) Liner Notes – Gary Kramer Photography By [Cover] – Lee Friedlander Piano, Electric Piano, Saxophone [Alto] – Ray Charles (tracks: A1 to B2) Recorded By – Tom Dowd Supervised By – Nesuhi Ertegun Vibraphone [Vibraharp] – Milt Jackson (tracks: A1 to B2) Written-By – Milt Jackson (tracks: B1, B3), Ray Charles (tracks: A1 to A3, B2)
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UK MONO DEEP GROOVE LABEL FIRST PRESSING VINYL ALBUM IN FRONT LAMINATED FLIP-BACK SLEEVE WITH ORIGINAL POLY-LINED INNER SLEEVE.
MATRIX: SIDE A: AML-2236-2B / SIDE B: AML-2237-1E.
MOTHER / STAMPER: SIDE A: 1 / B. SIDE B: 1 / U.
SLEEVE: VERY GOOD+, JUST LIGHT SHELF, CORNER, EDGE AND RING WEAR. INNER SLEEVE VERY GOOD+ WITH NO SEAM SPLITS.
DISC: EXCELLENT MINUS. NO MARKS OR SCRATCHES. CLEAN LABELS. DISC DOES NOT LOOK PLAYED MORE THAN A FEW TIMES.
Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl. Why experience the worse elements of both formats? These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared. They are nearly always compressed with murky transients and a general lifelessness in the overall sound. There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.
First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider. Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive. Inner details are clearer.
On first and early pressings, the music tends to sound more ‘alive’ and vibrant. The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.
1. USA BY MEDIA MAIL IS $5.99 FOR ANY AMOUNT OF LPs PURCHASED AND PAID FOR AT THE SAME TIME.
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