RCA VICTOR Promo Disc 1179 Spike Jones Asks Georgie Rock “Did You Really See Mom

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Odd/Scarce RCA VICTOR Promo Disc 1179 Spike Jones Asks Georgie Rock “Did You Really See Mommy Kissing Santa Claus”/Georgie Rock Reminds You” 15 days till Christmas-all away down to one day before Christmas. E- Visible Condition, a few scratches and pops otherwise a very nice vinyl 78 RPM promotional disc made by Radio Corporation of America, on a very cool label. Play is very good however each individual seven second reminder must have the needle of your record player moved slightly into those grooves. I have no idea the Georgie Rock was but he sounds like an adult trying to sound like a kid and he is and Spike Jones talk about Christmas-and there are 15 individual seven second reminders that Christmas is coming.

Jones was born in Long Beach, California, and received the nickname “Spike” from his father’s employment with the Southern Pacific Railroad. Jones played the drums in high school, during which he formed his first band. That group, The Five Tacks, eventually found itself on radio programs. Jones attended college for a time after high school, but left in 1931 to pursue jobs in music. Throughout the 1930s he played a variety of gigs in clubs around Southern California, eventually becoming a regular on Hollywood singer Bing Crosby’s radio show. In the late 1930s Jones was active as a studio musician; he performed on recordings for Crosby and then-popular vocalists Judy Garland, Lena Home, and Hoagy Carmichael. Not satisfied with the back-seat role of studio musician, however, Jones wanted more autonomy and exposure in his music career. One of his hobbies was collecting junk items that made interesting noises. In the late 1930s he joined a group of musicians similarly disenchanted with their music careers and began rehearsing novelty songs, experimenting with sounds and doing parodies of musical classics and standards of the day. The band eventually emerged in the early 1940s as The City Slickers, with Jones as the leader.

The City Slickers gained wide recognition in 1942 with their rendition of “Der Fuehrer’s Face,” a musical spoof that became a favorite of radio disc jockeys and soon after, a national hit. On the crest of the song’s success, Jones and The City Slickers launched a nine-week “Meet the People” national tour in 1943, for which they added musicians and vaudeville performers to their lineup. “In addition to five or six shows a day,” Young noted, “the band played for bond rallies, toured factories and otherwise made a spectacle of themselves.” In 1944 The City Slickers traveled to Europe to entertain U.S. and Allied troops.

Among the band’s favorite hit parody recordings at this time were “Cocktails for Two,” which included a chorus of hiccupping, and “You Always Hurt the One You Love,” which listed a series of “hurts” that included shootings, hangings, and poisonings. Jones was renowned as “The King of Corn” and in 1946 launched a two-hour stage extravaganza called “The Musical Depreciation Revue,” which included jugglers, roller skaters, and other vaudeville acts. Throughout the 1940s Jones and The City Slickers were active making hit records, appearing on radio and in movies, and touring with their live act.

Young depicted the “sheer lunacy” of Jones’s “Musical Depreciation Revue”: “At the hub of the chaotic goings-on was Spike himself, manipulating an ensemble of homemade instruments he affectionately called ‘the heap.’ The contraption—which looked like nothing so much as the loot from a hardware store robbery-consisted of sleigh bells, beer bottles, soup cans, a telephone, a Greyhound bus horn, a locomotive whistle, a gong and other necessary props…. Jones, who sometimes accompanied his harpist on the latrinophone —a toilet seat strung with wire—got some of his best laughs by choosing the unlikeliest of batons. He conducted the band with a .38 caliber pistol, a mop, an umbrella, a nightstick, and frequently a toilet plunger.”

Born Lindley Armstrong Jones, December 14, 1911, in Long Beach, Calif.; died of emphysema, May 1, 1965, in Trousdale Estates, Calif.; son of Lindley Murray (a railroad company depot agent) and Ada (a schoolteacher; maiden name, Armstrong) Jones; married Patricia Ann Middleton, September 7, 1935 (divorced, 1947); married Helen Greco (a singer; professional name, Helen Grayco), July 18, 1948; children: (first marriage) Linda Lee; (second marriage) Spike, Jr., Leslie Ann, Gina Marie. Education: Attended Chaffey College, Ontario, Calif.

Played drums in various club bands throughout the 1930s; studio drummer in late 1930s; formed comedy band The Feather Merchants in late 1930s, which evolved into The City Slickers; led The City Slickers, early 1940s-1965; City Slickers band members during the 1940s included Don Anderson (trumpet), Carl Grayson (violin), Frank Leithner (piano), Del Porter (clarinet), Luther Roundtree (banjo), John Stanley (trombone), and Country Washburne (tuba). Made numerous radio appearances in the 1940s and 1950s; had radio program The Spike Jones Show, CBS-Radio, 1949. Had four television series, all under the name The Spike Jones Show, airing on NBC-TV, 1954, and CBS-TV, 1957, 1960, and 1961; served as host of NBC-TV program Club Oasis, 1958; made numerous guest appearances on television in the 1950s and 1960s. Appeared in the film Thank Your Lucky Stars, 1942; music featured in other films in the 1940s.

Although the 1940s were the heyday of Jones and The City Slickers, they continued to work through the 1950s, and even into the 1960s. In 1954 The Spike Jones Show aired on NBC television on Saturday nights with several new band members. The show, which enjoyed moderate success, featured Jones’s second wife, Helen Grayco, who had been a singer with the band since the late 1940s. In 1957 a reconfiguration of The Spike Jones Show aired on CBS television along with a new name for the Slickers: The Band That Plays for Fun.

Jones’s recordings continue to maintain a dedicated following and several have become collector’s items. Simon commented on the lasting impression of Jones’s talent: “His true genius had been revealed in his ability to make his countrymen smile when there wasn’t much to smile at.”

If possible we gladly combine shipping items to lessen postage. PLEASE don?t use eBay auto pay. I will invoice you for general shipping costs which will be easier and cheaper for you: insurance added for all items $10+ or at your request. We will pack securely ? but are not responsible for shipping company damage if uninsured.

1 record - $4.70 ? Add $1 for each additional record (+ insurance if required). (USA ONLY) (Int?l use eBay calculator and I will adjust to get cheapest rate)

E++, Visibly nearly new with no visible signs of wear or damage.

E+, Looks and plays like new with only few signs of handling and play.

E Still very shiny, near new looking, with slight visible signs of wear and a few nearly inaudible scuffs and scratches

E- Still shiny but without the luster of a new record, few scuffs that have little or no effect on play, some light scratches.

E- - Mostly shiny but with even less of the luster of an E- record, more scuffs than E-that have little or no effect on play, light scratches with some light noise.

VG+, Slightly above average condition 78 in which scuffs and general use has dulled the finish somewhat. Wear is moderate but playing is generally free from distortion. Surface noise not overly pronounced.

VG, An average condition 78 - moderate wear throughout, but still very playable and enjoyable. Surface somewhat dull with noise and scratches audible but not intrusive.

VG-, Quite playable still, but with some distortion and may have some graying in loud passages. Music remains loud in most passages. Surface noise and scratches well below music level.

VG- - Quite playable still, but with distortion and most have some graying in loud passages. Music remains loud in most passages. Surface noise and scratches noticeable and may be loud at times.

G+ Quite worn and scratched, but music level is still higher than surface noise. Grey may be throughout but still serviceable. Music begins to sound muffled.

G Not so good. Wear and scratch damage extensive. Listening can become uncomfortable as music and surface noise probably blending. Lowest level music can be understood.

G-, Music barely audible over surface noise & listening is uncomfortable. Record is borderline unplayable.

P Used only for high dollar space fillers like Black Patti, Okeh blues, etc. Music covered by surface noise, scratches, and needle digs, label may be trashed, & listening is almost if not definitely impossible. Record is basically unplayable. What you keep because you can?t bear to toss ? while you look for that E+ copy of Robert Johnson on Vocalion at the local flea markets for $1 (Good Luck!)

See Description, A wildcard grade that can be used when standard grading does not apply or when a record (or item) has special attributes (or defects) that can affect how the item is assigned a grade.