ROBERTA FLACK QUIET FIRE ULTRA-RARE ORIG '71 ATLANTIC TEST PRESSING GEORGE PIROS
$
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WE CURRENTLY HAVE MORE THAN 300 LISTED ITEMS
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· ROBERTA FLACK (WITH CISSY HOUSTON, RON CARTER, SELDON POWELL, BERNARD PURDIE AND OTHERS) – QUIET FIRE – RARE ORIGINAL 1971 ATLANTIC RECORDS STEREO LP SD-1594 (NO NUMBER; ALBUM IDENTIFIED BY THE CATALOG NUMBER WRITTEN ON THE PLAIN WHITE, GENERIC, COVER)
· ORIGINAL U.S. PRESSING
· ULTRA-RARE TEST PRESSING
· PLAIN, WHITE, GENERIC PRESSWELL RECORDS, ANCORA, NJ TEST PRESSING LABEL WITHOUT ANY IDENTIFICATION MARKS WHATSOEVER
· THIS TEST PRESSING COMES IN ITS GENERIC, PLAIN, WHITE COVER WITH HANDWRITTEN ARTIST NAME AND MATRICES , INDICATING THAT THIS IS A TEST PRESSING OF ATLANTIC TITLE SD-1594
· The record has a George Piros’ initials (GP) clearly stamped or hand-etched in the trail-off vinyl (dead wax)
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· THICK, HEAVY VINYL PRESSING
· CLEAN, WEAR-FREE LABELS
· PLEASE NOTE: THE MATRIX NUMBER IN THE TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD IS CONSISTENT WITH THE ORIGINAL, FIRST, 1971 PRESSING OF THIS ALBUM; THIS IS NOT, REPEAT: NOT A TEST PRESSING OF ONE OF THE SUBSEQUENT REISSUES OR REMASTERS.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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Amazing !!! An unbelievable piece: What we have here is an unheard-of TEST PRESSING of this great early '70s Soul masterwork and simply one of the most critically important Roberta Flack recordings (we could easily vote for this as her masterpiece). While many test pressings often have alternate or demo- versions of known, later released songs, and while it is possible that this particular test pressing contains demo or alternate versions of some of the tracks, please do not assume that it does: we simply don't know for sure.
PLEASE NOTE: THIS TEST PRESSING APPARENTLY NEVER HAD A CUSTOM COVER; THE ALBUM WILL BE SHIPPED IN A PLAIN, GENERIC [WHITE] CARDBOARD COVER. TEST PRESSINGS ARE RARELY – IF EVER – FOUND IN CUSTOM (STOCK) COVERS
***
Quiet Fire proves to be an apt title, as Flack's MOR-informed jazz and gospel vocals simmer just below the surface on the eight sides here. Forgoing the full-throttled delivery of, say, Aretha Franklin, Flack translates the pathos of gospel expression into measured intensity and sighing, elongated phrases. There's even a bit of Carole King's ashen tone in Flack's voice, as manifested on songs like "Let Them Talk," Van McCoy's "Sweet Bitter Love," and a meditative reworking of King's "Will You Still Love Me Tomorrow." The album's other high-profile cover, "Bridge Over Troubled Waters," features the ideal setting for Flack's airy pipes with a tasteful backdrop of strings and a chorus featuring soul songstress Cissy Houston (Whitney's mom). Switching from this hushed sanctity, Flack digs into some groove-heavy southern soul on "Go Up Moses," "Sunday and Sister Jones," and an amazing version of the Bee Gees hit "To Love Somebody" (this perennial number has been done by everyone from Rita Marley to Hank Williams, Jr.). Flack finally completes the modern triumvirate of southern music, adding the country tones of Jimmy Webb's "See You Then" to the Quiet Fire's stock of gospel and soul. And thanks to top players like guitarist Hugh McCracken, organist Richard Tee, bassist Chuck Rainey, and drummer Bernard Purdie, the varied mix all comes off sounding seamless. One of Flack's best.
(EXCERPT FROM AN ONLINE REVIEW BY STEPHEN COOK, ALL MUSIC GUIDE /ALLMUSIC.COM/)
For additional historical information on this album, including track listing ►CLICK HERE
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
COVER : This reference pressing comes without any custom jacket, and will be shipped in its original plain, generic, white cardboard cover with a Presswell pressing plant sticker attached (NOT GRADED SEPARATELY, BUT IN A NICE CONDITION OVERALL)
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