ROCKIN' THIS JOINT TONITE, JSP NM/NM Ace Holder / Kid Thomas / Floyd Dixon
$
21
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Description
Condition: To my NON US customers, do NOT ask me to alter / change the declared value of your purchase for purposes of avoiding taxes in your country. I will NOT do so.
Various ?– Rockin' This Joint Tonite
Label: JSP Records ?– 1002 Format: Vinyl, LP, Compilation, RedCountry: UK Released: 1980 Genre: Funk / Soul, Blues Style: Harmonica Blues, Rhythm & Blues
Tracklist
A1 –Kid Thomas Rockin' This Joint Tonite A2 –Kid Thomas You Are An Angel A3 –Kid Thomas Wail Baby Wail A4 –Kid Thomas Lookie There A5 –Kid Thomas Cozy Lounge Blues A6 –Kid Thomas Five Long Years B1 –Floyd Dixon Don't Leave Me Baby B2 –Floyd Dixon Late Freight Twist B3 –Floyd Dixon Me Quieres B4 –Floyd Dixon Tell Me, Tell Me B5 –Ace Holder Leave Me Woman Alone B6 –Ace Holder When You Are Around B7 –Ace Holder Happy Anniversary B8 –Ace Holder Wabba Suzy QCompanies, etc.
- Printed By – Senol Printing Ltd.
- Mastered At – Trident Studios
- Marketed By – John Stedman Promotions
- Published By – John Stedman Music Publishing
- Published By – Copyright Control
Credits
- Artwork [Sleeve Design], Coordinator – Shanny Stedman
- Baritone Saxophone – Bob Tate (tracks: B5 to B8)
- Bass – Dillon McNeeley (tracks: B5 to B8)
- Drums – Carl Brown (13) (tracks: B5 to B8)
- Guitar – Joe Bennett (tracks: A5, A6), Johnny Guitar Watson (tracks: B1 to B4), Marshall Hooks (tracks: A3, A4), Rudie Brown (tracks: B5 to B8)
- Mastered By – Ray Staff
- Producer – Walter Douglas (2) (tracks: B5 to B8)
- Reissue Producer – John Stedman
- Saxophone – James Curry (2) (tracks: B5 to B8)
- Vocals, Harmonica – Ace Holder (tracks: B5 to B8), Kid Thomas (tracks: A1 to A6)
- Vocals, Piano – Floyd Dixon (tracks: B1 to B4)
Notes
Dates and venues:A1, A2: Los Angeles, 1960.
A3, A4: Los Angeles, 1965.
A5, A6: Los Angeles, 1968/9.
B1 to B4: Los Angeles, 1962.
B5 to B8: Los Angeles, 1962.
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GOLDMINE GRADING
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.
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