ROCKIN' THIS JOINT TONITE, JSP NM/NM Ace Holder / Kid Thomas / Floyd Dixon

$

20

Various ?– Rockin' This Joint Tonite

Label:

JSP Records ?– 1002

Format:

Vinyl, LP, Compilation, Red 

Country:

UK

Released:

1980

Genre:

Funk / Soul, Blues

Style:

Harmonica Blues, Rhythm & Blues

Tracklist

A1 –Kid Thomas Rockin' This Joint Tonite

A2 –Kid Thomas You Are An Angel

A3 –Kid Thomas Wail Baby Wail

A4 –Kid Thomas Lookie There

A5 –Kid Thomas Cozy Lounge Blues

A6 –Kid Thomas Five Long Years

B1 –Floyd Dixon Don't Leave Me Baby

B2 –Floyd Dixon Late Freight Twist

B3 –Floyd Dixon Me Quieres

B4 –Floyd Dixon Tell Me, Tell Me

B5 –Ace Holder Leave Me Woman Alone

B6 –Ace Holder When You Are Around

B7 –Ace Holder Happy Anniversary

B8 –Ace Holder Wabba Suzy Q

Companies, etc.

Printed By – Senol Printing Ltd.

Mastered At – Trident Studios

Marketed By – John Stedman Promotions

Published By – John Stedman Music Publishing

Published By – Copyright Control

Credits

Artwork [Sleeve Design], Coordinator – Shanny Stedman

Baritone Saxophone – Bob Tate (tracks: B5 to B8)

Bass – Dillon McNeeley (tracks: B5 to B8)

Drums – Carl Brown (13) (tracks: B5 to B8)

Guitar – Joe Bennett (tracks: A5, A6), Johnny Guitar Watson (tracks: B1 to B4), Marshall Hooks (tracks: A3, A4), Rudie Brown (tracks: B5 to B8)

Mastered By – Ray Staff

Producer – Walter Douglas (2) (tracks: B5 to B8)

Reissue Producer – John Stedman

Saxophone – James Curry (2) (tracks: B5 to B8)

Vocals, Harmonica – Ace Holder (tracks: B5 to B8), Kid Thomas (tracks: A1 to A6)

Vocals, Piano – Floyd Dixon (tracks: B1 to B4)

Notes

Dates and venues: 

A1, A2: Los Angeles, 1960. 

A3, A4: Los Angeles, 1965. 

A5, A6: Los Angeles, 1968/9. 

B1 to B4: Los Angeles, 1962. 

B5 to B8: Los Angeles, 1962.

GOLDMINE GRADING

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.