ROGER WAGNER CHORALE Los Angeles - Gregorian Chants 1960s LP Institute GIA Monk
$
21
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Description
Item: Music / LP
Title: Gregorian Chants
Composer(s)/Performer(s):
Roger Wagner Chorale
Label/Production: GIA (Gregorian Institute of America) - Chicago
#EL-23
Year Made: 1960s?
Excellent Release. A Must have for the Audiophile
Condition: Cover is in Excellent Shape.
Intact with no side splits.
Has some of the original shrinkwrap on it.
Light corner and edge wear.
Great one to display.
Paper Inner Sleeve is in Very Good shape.
LP is in Near Mint Shape.
No visual wear and Played sparingly if at all.
Well taken care of collection from an "out of business" radio station inventory.
Great run of High Grade obscure and rare LPs to be listed.
Please review the pictures for grading and song listing.
Message me for specifics...
Very Hard original release to find...
Only 2 other copies of this release remain on eBay (at time of listing)
Please view the pictures to look at the style, specifics, and grade for yourself
Plenty of listings & auctions to be listed. Proceeds will be heading to one of our local effective charities and help pay for my daughter's college books and other costly things.... All who bid you have my deepest thanks to help further her indoctrination um errr, education 😁
Note: You are buying, bidding or making an offer on the item listed in the title of this listing and description above. If multiple items are shown - they are in separate listings.
Roger Wagner Chorale Choir Origin Los Angeles Founded 1946 Chief conductor Roger Wagner Label Capitol RecordsThe Roger Wagner Chorale is an American choir founded by choral musician and educator Roger Wagner in 1946.
In 1937, Roger Wagner joined the MGM chorus in Hollywood and was subsequently appointed Music Director of St. Joseph's Church in Los Angeles where he established an outstanding choir of men and boys, including a young Paul Salamunovich. In 1945, Roger Wagner became the supervisor of young choruses for the City of Los Angeles, most notably the "Los Angeles Concert Youth Chorus." It was from a madrigal group of twelve of these singers that the Roger Wagner Chorale was born in 1946.
In 1949, the Chorale won a contract with Capitol Records for whom it recorded over 20 records.[1]
Over time, the Chorale became recognized the world over through its numerous radio, concert, and television appearances, motion picture soundtracks (The Gallant Hours), and more than eighty recordings. They were also famous for singing the theme song and "score" for I Married Joan.
The Virtuoso recording won a Grammy Award in 1959, and the popular carol recording Joy to the World was a Gold Record Album, selling more than a half million copies. The Chorale toured all over the world and included such outstanding singers as Marilyn Horne, Marni Nixon, Claudine Carlson, Harve Presnell (on several recordings), Salli Terri (on several recordings as well as researching for several of the LP liner notes), Earl Wrightson, and Carol Neblett.
In 1997, for the 50th anniversary of Radio Korea, the Chorale joined a celebratory concert in Los Angeles
The Introit Gaudeamus omnes, scripted in square notation in the 14th–15th century Graduale Aboense, honors Henry, patron saint of FinlandGregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions. Although popular legend credits Pope Gregory I with inventing Gregorian chant, scholars believe that it arose from a later Carolingian synthesis of Roman chant and Gallican chant.[1]
Gregorian chants were organized initially into four, then eight, and finally 12 modes. Typical melodic features include a characteristic ambitus, and also characteristic intervallic patterns relative to a referential mode final, incipits and cadences, the use of reciting tones at a particular distance from the final, around which the other notes of the melody revolve, and a vocabulary of musical motifs woven together through a process called centonization to create families of related chants. The scale patterns are organized against a background pattern formed of conjunct and disjunct tetrachords, producing a larger pitch system called the gamut. The chants can be sung by using six-note patterns called hexachords. Gregorian melodies are traditionally written using neumes, an early form of musical notation from which the modern four-line and five-line staff developed.[2] Multi-voice elaborations of Gregorian chant, known as organum, were an early stage in the development of Western polyphony.
Gregorian chant was traditionally sung by choirs of men and boys in churches, or by men and women of religious orders in their chapels. It is the music of the Roman Rite, performed in the Mass and the monastic Office. Although Gregorian chant supplanted or marginalized the other indigenous plainchant traditions of the Christian West to become the official music of the Christian liturgy, Ambrosian chant still continues in use in Milan, and there are musicologists exploring both that and the Mozarabic chant of Christian Spain. Although Gregorian chant is no longer obligatory, the Roman Catholic Church still officially considers it the music most suitable for worship.[3] During the 20th century, Gregorian chant underwent a musicological and popular resurgence.
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