ROLLING STONES Sticky Fingers LP ROLLING STONES 1971 UK orig+Zip+insert COC59100

	£		50
	$		66

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 BILL WYMAN, MICK JAGGER, MICK TAYLOR, CHARLIE WATTS, KEITH RICHARD

plus RY COODER, PAUL BUCKMASTER, JACK , IAN STEWART, JIMMY MILLER

JIM PRICE, BOBBY KEYS, BILLY PRESTON, JIM DICKINSON

The premier British rock band for over half a century, 

creators of the sound and style imitated by countless group

"STICKY FINGERS"

1971      LP     ROLLING STONES RECORDS    STEREO   COC 59100

MADE IN ENGLAND      ORIGINAL COPY

ZIP COVER WITH INSERT

This version: small metal zipper on front that unzips to reveal cotton briefs.

Sleeve is open at both top and bottom of sleeve.

Barcode and Other Identifiers

LABEL:  ROLLING STONES - YELLOW LABEL with RED LOGO - BLACK TEXT

Catalog on cover: (spine only): COC 59100  

Catalog on insert: COC 59100

Catalog on labels:  COC 59100 ( Mat. No. COC 59100-A / Mat. No. COC 59100-B)

Matrix / Runout (A Side, Stamped): COC-59100- A4

Matrix / Runout (B Side, Stamped): COC 59100 B4

Matrix / Runout (Engraved on both sides' runout): T.M.L. ROLLING STONES RECORDS

On labels: rim text reads "All rights.......prohibited"

A Promotone N.V. Record

?1971

Produced by Jimmy Miller

Recdg. First Pubd. 1971.

33 1/3 rpm  STEREO

(on Side A): Mirage Music 1-4, Copyright Control 5

(on Side B): Mirage Music 1-5

On insert: A bit of advice from Jimmy M.

Copyright 1971 Musidor N.V.

Rolling Stones Records distributed by Kinney Record Group International      COC 59100

Printed in England by Richard Davis Ltd.

On inside (on white cotton briefs): Andy Warhol   This photograph may not be--etc.

On spine: (from left to right) THE ROLLING STONES   STICKY FINGERS     COC 59100

from my records collection

tracklisting

Side A: BROWN SUGAR - SWAY - WILD HORSES

CAN'T YOU HEAR ME KNOCKING - YOU GOTTA MOVE

Side B: BITCH - I GOT THE BLUES - SISTER MORPHINE

DEAD FLOWERS - MOONLIGHT MILE

grading

RECORD NEAR EX but (please, read above description)

SLEEVE VG+ but (please, see pictures and read above description)

Pieced together from outtakes and much-labored-over songs, Sticky Fingers manages to have a loose, 

ramshackle ambience that belies both its origins and the dark undercurrents of the songs. It's a weary, 

drug-laden album -- well over half the songs explicitly mention drug use, while the others merely allude to it -- t

hat never fades away, but it barely keeps afloat. Apart from the classic opener, "Brown Sugar" 

(a gleeful tune about slavery, interracial sex, and lost virginity, not necessarily in that order), 

the long workout "Can't You Hear Me Knocking" and the mean-spirited "Bitch," Sticky Fingers is a slow, 

bluesy affair, with a few country touches thrown in for good measure. 

The laid-back tone of the album gives ample room for new lead guitarist Mick Taylor to stretch out, 

particularly on the extended coda of "Can't You Hear Me Knocking." But the key to the album isn't 

the instrumental interplay -- although that is terrific -- it's the utter weariness of the songs.

With its offhand mixture of decadence, roots music, and outright malevolence, 

Sticky Fingers set the tone for the rest of the decade for the Stones...(AllMusic)