Reduced price - Bundle of 7 Annette Hanshaw 78s, 1928-1933

	£		70
	$		93

*************************************** 7 Annette Hanshaw 78s, listed below in detail. Please see photos.                
(You may notice that these seven are still available individually. Offers may be accepted.)
I also have a Ruth Etting 78 on Decca. Please see my Other items!

If anyone wants to "cherry-pick," please go ahead and make me an offer accordingly.
       1. Harmony 706  (1928)
Gay Ellis (Annette Hanshaw) & her Novelty Orchestra I Must Have That Man! / I Can't Give You Anything But Love Good, plenty of scuffs and scratches but no needle runs or any serious faults
except a tiny dig in "I Must Have That Man!" which doesn't cause any problems. No cracks, a small chip on one side but nowhere near the grooves.  ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 2.  Panachord 25469 and 3.  Conqueror 8124  (1933) Annette Hanshaw
Moon Song (That Wasn't Meant For Me) / Twenty Million People Both discs Good / Very Good.
Only light marks on the Conqueror disc though nothing serious.
Certainly nothing that would cause jumping or sticking!
No cracks but 4 or 5 very tiny edge chips on the Conqueror,
one side only and nowhere near reaching the grooves. Panachord has one tiny 2-groove needle dig ("Twenty Million People") which I'm quite sure is too small to cause jumping or sticking. Clearly both discs were pressed from the exactly same masters.  ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 4. Columbia 5425  (1929)
Annette Hanshaw
Big City Blues / That's You Baby Good, plays well enough without jumping or sticking as far as I remember. Few light surface scratches on "Big City Blues" and a couple oof little needle digs,
I think the needle just flew over them.  But no cracks or chips. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
5. Winner W.20 and 6.  Melotone M 12775  (1933) Annette Hanshaw
Don't Blame Me / It's The Talk Of The Town
Both discs Fairly Good - both have seen better days. Numerous scratches and scuffs on the Winner disc though nothing too serious. Plenty of scuffs and scratches and reasonable wear visible on the Melotone, both sides. But certainly nothing that would cause jumping or sticking on either disc! No cracks or chips except a small edge chip on the Melotone, one side only and not reaching the grooves. Clearly both discs were pressed from the exactly same masters. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
7. Columbia 5600 (1929)
Annette Hanshaw
You Wouldn't Fool Me, Would You? Ruth Etting on the flip side. Very Good, plays well without jumping or sticking. One light surface scratch on the Ruth Etting side. No cracks or chips.  ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~       Condition: (Please disregard condition grades in Item Specifics! *) (Ebay Item Specifics do not allow ''Made In England'' or ''Made in Gt. Britain''.) All detailed individually above.              
Will be well packaged for full protection in transit.
I am well experienced with posting 78s so buy with confidence!       
Payment by PayPal preferred but not in the case of local collection.        * I disagree with Ebay's - and Goldmine's, V.J.M.'s and Record Collector's - definitions of
condition grades for records.  It is about time true definitions were settled.
I shall set out my own here : Excellent means excellent.  Nothing to take away the delight of receiving and playing the record. (I rarely use this grade as it is difficult to guarantee 100%.) Very Good means very good.  Light surface marks are allowable provided they do not interrupt listening pleasure.  Anything less cannot be called very good. Good really means good (as opposed to those other definitions!).  Surface scratches are allowable provided they do not cause unpleasant listening experience. Fairly Good is acceptable on the understanding that this is an item that has suffered over time from carelessness but still should be playable with no hangups. (I have received so many items labelled Ex-, vg++ and suchlike which I would grade as 'Fairly Good', if that.  I am equally strict with grading my own collection.)        (And what the hell is this "Inlay" that Ebay insists on?)                   *************************************** ALSO STILL AVAILABLE - BUY ONE TODAY ! MY NEW BOOK PUBLISHED INDEPENDENTLY (in December 2021). "VINYL DAVE'S BOOK OF FAVOURITE LABELS" A beautifully printed full-colour stamp catalogue gave me the idea about 10 years ago.  I thought, wouldn't it be good if....  But, as I soon realised, British record labels are so BORING!!  Decca, Columbia, Brunswick, Polydor, they kept the same label design for decades!  The idea kept coming back to me. And gradually this book evolved - (101 reasons / excuses for collecting records.) Numbered limited edition. (See my other listings for a detailed preview.)      272 pages packed with very nearly a thousand labels throughout the 20th Century, A & Ms to Zonophones, dating from a 7-inch Berliner disc of 1899 to the Last 78s, from the First 45s to a black label juke box single of the 1990s.      Back in the 1960s Auntie Beeb was forced to accept the sheer popularity of the vinyl 45 and suddenly had to employ - the horror ! - disc jockeys ... You may remember the "oldies" that we all loved or you may be just discovering an unforgettable magical Golden Age - which answers, I hope, the question : "Why would anyone want to publish a book of record labels?"        Does it really matter if 45s get into the wrong sleeves? Or if wrong dates are printed on the labels? Do computers make good radio programmers? How many foreign languages hit the U.K. charts? What became of the original White Christmas? And what did happen to the Beatles' first Parlophone single?         (Their second made Number One in New Musical Express - therefore also Radio Luxembourg (2 wks.) ; Melody Maker - so also Daily Mirror and others (2 wks.), B.B.C.'s Pick Of The Pops (3 wks.), also Disc (2 wks.), Pop Weekly (2 wks.) as well as E.M.I.'s own chart and of course Mersey Beat.  But not Record Retailer which is generally agreed to be the least reliable for the 1960s (used by Record Mirror and Guinness). Awarded a Silver Disc for 250,000 sales in April 1963.)      NUMBERED LIMITED EDITION, LARGE FORMAT (approx. A4) and more than 1 kg. Original price was £26.00 + £3.00 p & p.                   ***************************************