Rolling Stones - Exile On Main Street LP COC 69100 UK 1972 1st Press + Postcards
£
44
$
58
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Description
BobTheMusicMan – Vinyl, Music & Other Media auctions
Discogs information:
Rolling Stones* ?– Exile On Main St.
Label: Rolling Stones Records ?– COC 69100 Format: 2 × Vinyl, LP, Album, PostcardsCountry: UK Released: 26 May 1972 Genre: Rock Style: Blues Rock, Rock & Roll, Classic Rock
TracklistHide Credits
A1 Rocks Off 4:33 A2 Rip This Joint Double Bass [Uprite Bass] – Bill Plummer 2:24 A3 Shake Your Hips Harmonica – M. Jagger*Piano – I. Stewart* 2:58 A4 Casino Boogie Bass – K. Richards* 3:30 A5 Tumbling Dice Backing Vocals [Background Vocal] – Clydie King, Unknown Artist, Vanetta*Bass – M. Taylor* 3:30 B1 Sweet Virginia Harmonica – M. Jagger*Piano – I. Stewart* 4:25 B2 Torn And Frayed Bass – M. Taylor*Organ – J. Price*Steel Guitar – Al Perkins 3:40 B3 Sweet Black Angel Harp – M. Jagger*Marimba [Marimbas] – Amyl NitratePercussion – J. Miller* 3:05 B4 Loving Cup Percussion – J. Miller* 4:22 C1 Happy Drums – J. Miller*Lead Vocals, Bass – K. Richards*Percussion – B. Keys* 3:00 C2 Turd On The Run Double Bass [Bass Uprite] – Bill PlummerHarp – M. J.* 2:33 C3 Ventilator Blues 3:20 C4 I Just Want To See His Face Backing Vocals [B. Vocals] – Clydie King, Jerry Kirkland, Vanetta*Bass – B. Plummer*, M. Taylor*Percussion – J. Miller*Piano – K. Richards* 3:15 C5 Let It Loose Backing Vocals [B. Vocals] – Clydie King, Joe Green, Mac Rebennack, Shirley Goodman, Tammi Lynne*, Vanetta* 5:17 D1 All Down The Line Backing Vocals [Backing Vocal] – Kathi McDonaldDouble Bass [Standup Bass] – Bill PlummerPercussion – J. Miller* 3:50 D2 Stop Breaking Down Guitar, Harp – M. Jagger*Piano – I. Stewart* 4:34 D3 Shine A Light Backing Vocals [Background Vocals] – Clydie King, Jerry Kirkland, Joe Green, Vanetta*Bass – M. Taylor*Drums – J. Miller*Organ, Piano – B. Preston* 4:15 D4 Soul Survivor Bass – K. Richards* 3:50Companies, etc.
- Phonographic Copyright (p) – Musidor N.V.
- Distributed By – Kinney Record Group Ltd.
- Printed By – Shorewood Packaging Co. Ltd.
- Published By – Essex Music International
- Published By – Campbell Connelly
- Recorded At – Rolling Stones Mobile
- Mixed At – Sunset Sound
- Mastered At – Artisan Sound Recorders
- Pressed By – CBS Pressing Plant, Aston Clinton
Credits
- Bass – B. Wyman*
- Drums – C. Watts*
- Engineer – Andy Johns, Glyn Johns, Jeremy Gee, Joe Zaganno*
- Guitar – M. Taylor*
- Guitar, Vocals – K. Richards*
- Lacquer Cut By – Greg Fulginiti
- Layout [Design Layout], Design [Design Layout] – John Van Hamersveld, Norman Seeff
- Photography [Cover Photography], Cover [Cover Concept] – Robert Frank (3)
- Piano – N. Hopkins*
- Producer – Jimmy Miller
- Saxophone [Sax] – B. Keys*
- Trumpet, Trombone – J. Price*
- Vocals – M. Jagger*
Notes
Issued in a fold-out card sleeve including a set of 12 postcards with black and white text. Printed inner sleeves with photographs and credits.All titles published by Essex Music Int. except A3 by C. Connelly.
On reverse and both inners:
"Rolling Stones Records TM Musidor N.V. Distributed by Kinney Record Group Ltd (p) 1972" followed by, in a smaller font: "by Shorewood Packaging Co. Ltd. ENGLAND"
Run out information suggests pressing by Artisan.
Barcode and Other Identifiers
- Matrix / Runout (Run-out Side A): COC 69100 A2
- Matrix / Runout (Run-out Side B): COC 69100 B1
- Matrix / Runout (Run-out Side C): COC 90100 C1
- Matrix / Runout (Run-out Side D): COC 69100 D1
- Matrix / Runout (Run-out Side D): COC 69100 D2
- Matrix / Runout (Side A): COC 69100 A2 (stamped) ROLLING STONES RECORDS ST-RS-7225.07 [Etched, followed by Artisan Logo]
- Matrix / Runout (Side B): COC 69100 B2 (stamped) ROLLING STONES RECORDS ST-RS-722508 C7 - [Etched, followed by Artisan Logo]
- Matrix / Runout (Side C): COC 69100 C1 (stamped) ROLLING STONES RECORDS ST-RS-722509 [Etched, followed by Artisan Logo]
- Matrix / Runout (Side D): COC 69100 D2 (stamped) ROLLING STONES RECORDS ST-RS-722510 [Etched, followed by Artisan Logo]
Our grading in condition section above.
Records graded to Record Collector guidelines.
Mint (M)
The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet. booklet or poster are in perfect condition. Records marked as Sealed or Unplayed should be Mint.
Excellent (EX)
The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
Very Good (VG)
The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects is acceptable
Good (G)
The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc
Fair (F)
The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
Poor (P)
The record will not play properly due to scratched, bad surface noise, etc. The cover and contents will be badly damaged or partly missing
Bad (B)
The record is unplayable or might even be broken, and is only of use as a collection-filler
CD’s and CASSETTES
As a general rule CD’s and Cassettes either play perfectly – in which case they are in Mint condition – or they don’t, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CD’s are difficult to grade visually; they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves.
Records sent in purpose made mailers. We're collectors who are serious about our stock and endeavour to get our records to you in the best condition possible. Please contact before paying if you’ve won or are interested in multiple items - we will usually combine postage for free in your invoice.
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