SARAH VAUGHAN "After Hours At The London House" LP, NM/EX, 1958 Deep Groove MONO
$
20
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Description
INFORMATION:
Sarah Vaughan ?– After Hours At The London House
Label:
Mercury ?– MG 20383
Format:
Vinyl, Album, LP, Mono
Country:
US
Released:
1958
Genre:
Jazz
Style:
Swing
TracklistHide Credits
A1 Like Someone In Love
Written-By – Burke-Van Heusen*
3:04
A2 Detour Ahead
Written-By – Ellis*, Frigo*, Carter*
5:13
A3 Three Little Words
Written-By – Kalmar*, Ruby*
3:40
A4 I'll String Along With You
Written-By – Dubin*, Warren*
5:10
B1 You'd Be So Nice To Come Home To
Written-By – Porter*
3:55
B2 Speak Low
Written-By – Weill*, Nash*
4:45
B3 All Of You
Written-By – Porter*
4:05
B4 Thanks For The Memory
Written-By – Robin*, Rainger*
6:45
Companies, etc.
Recorded At – London House, Chicago
Credits
Bass – Richard Davis (2)
Design – Emmett McBain
Drums – Roy Haynes
Engineer – Malcolm Chisholm
Photography By – Don Bronstein
Piano – Ronnell Bright
Tenor Saxophone – Frank Wess
Trombone – Henry Coker
Trumpet – Thad Jones, Wendell Culley
Notes
1st pressing has no "High Fidelity" strip on front cover bottom. Recorded March 7th, 1958 at The London House, Chicago.
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GOLDMINE GRADING
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.
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