SCRATCH ACID Just Keep Eating LP RABID CAT 1986 US orig+ltd RAPEMAN-JESUS LIZARD
£
60
$
80
Favourite Auctions
To save auctions to your favourites, please login
If you don't have an account, please register
Description
U.K. BUYERS PLEASE IGNORE THE SHIPPING COSTS MARKED ON EBAY BECAUSE WE ARE ITALIAN SELLERS
SO PLEASE DO NOT PAY IMMEDIATELY AFTER WINNING
BEFORE I SEND CORRECT INVOICE!
BEFORE BIDDING, PLEASE
CAREFULLY READ BELOW THE CORRECT SHIPPING COST!
THESE RATES ARE FOR BOXES UP TO 3 KG (1 to 5 LPs).
The shipping cost from Italy to UK and Europe from 1 up to 5 albums
[it is a question of weight, we have to stay under 3kg] is £13 with DHL courier
[NOT for Norway, Russia, Ukraine, Switzerland, please ask for prices with registered letter]
with a sturdy and well conceived box.
The shipping cost also depends by the exchange euro/pounds.
Still, starting from the 1st of December the Italian Post increased
the price for the international & domestic shipment.
We have done our best to absorb any handling fees in order
to keep all international shipping rates as low as we can
PLEASE ASK FOR ANY INFORMATION
SCRATCH ACIDThe Austin, TX, post-hardcore noise group Scratch Acid laid the groundwork for much of the distorted, grinding alternative punk rockers of the '90s. Formed in 1982, the band originally featured Steve Anderson (vocals), David Wm. Sims (guitar), Brett Bradford (guitar), David Yow (bass), and Rey Washam (drums). Anderson was soon kicked out of the group and the band performed as an instrumental outfit for a short while. Yow moved to vocals, Sims switched to bass, and the band released a self-titled EP in 1984. Two years later, they released the full-length Just Keep Eating and the scathing Berserker EP. Following a long tour that took them through America and Europe, Scratch Acid split in May of 1987. Sims and Washam joined with Steve Albini to form the consciously caustic Rapeman. After Rapeman split, Sims reunited with David Yow to form the Jesus Lizard in 1989, which picked up where Scratch Acid left off
"JUST KEEP EATING"
1986 LP RABID CAT RECORDS Rab/SA/007
PRINTED IN U.S.A. ORIGINAL PRESSING
LIMITED EDITION
SINGLE COVER (STILL IN SHRINK) + INSERT
This version: Limited edition special cover featuring a reflective,
pasted on lenticular image that changes color depending on the viewing angle.
Barcode and Other Identifiers
Barcode: none
LABEL: RABID CAT - WHITE (A) & B&W PHOTO (B) LABEL - BLACK TEXT
Catalog on cover: (spine) Rab/SA/007
Catalog on labels: none
Matrix / Runout (Side A, Etched): A RAB-SA-007 A1 "Tim Bradford" L-23900
Matrix / Runout (Side B, Etched): A RAB-SA-007 B1 "Rob La Pointe" L-23900-X
On labels: (Side A only) © & ? Rabid Cat Publishing, BMI 1986
All Rights Reserved
On Insert: Lyrics + Credits
Recorded in January '86 at Cedar Creek Studio deep in the heart of South Austin
On Back Cover: Rabid Cat.......Austin, Tx.....
Jacket Made in Canada
tracklisting
Side A: CRAZY DAN - EYEBALL - BIG BONE LICK
UNLIKE A BAPTIST - DAMNED FOR ALL TIME - AIN'T THAT LOVE?
Side B: HOLES - ALBINO SLUG
SPIT A KISS - AMICUS - CHEESE PLUG
grading
RECORD NEAR MINT but (please, read above description)
SLEEVE NEAR MINT but (please, see pictures and read above description)
Texas noise mongers Scratch Acid's first full-length album, Just Keep Eating, oozed out of the Austin, TX, music scene as part Birthday Party, part Butthole Surfers, and part swampy blues psychosis. Singer David Yow's guttural expulsions aren't quite up to the lung-scorching roars he would proudly claim as main man of the Jesus Lizard, but they reached their first mature voicings here. Backwoods derangement is the rule of the day: The arson tale of "Crazy Dan," the punk swing of "Unlike a Baptist," the howling "Damned for All Time," and the Big Boys-like (Scratch Acid drummer Rey Washam banged skins for those seminal Austin punkers) fake funk of "Amicus" all show the Acid boys to be well on their way to placing themselves among the Texas noise elite. Though this album doesn't hit the screaming intensity of the band's follow-up (and swan song) Berserker, it may well be their most representative effort, thanks in no small part to the stabbing twisted blooze guitar patterns fashioned by Brett Bradford, whose six-string work (itself heavily influenced by the Birthday Party's Roland S. Howard) influenced quite a number of guitar stars in the indie rock explosion of the early '90s...(AllMusic)