SEALED 1963 MONO BLUESVILLE ORIG = ROBERT CURTIS SMITH - CLARKSDALE BLUES
$
699
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Description
PLEASE READ BEFORE BIDDING: Please read the entire auction listing, including shipping costs, before writing to ask a question. OUR GOAL IS CUSTOMER SATISFACTION. In order to meet that goal, we will ALWAYS work with our customers on any concerns that may arise. In the unlikely instance that you feel the need to open a resolution dispute before working with us, you will immediately be blocked from any further chance to acquire the rare music we present each and every week. Payment is required within seven days. We mail all paid items ONE WEEK after auctions end. Please keep in mind our listings are time consuming in detail and we are often traveling to find these gems, which at times delays the delivery schedule by a day or two. We ALWAYS process and ship every paid order. We have no control over parcels once they are mailed from our local Post Office.Overseas mail to some countries (Italy, Russia, France, in particular) has became very slow. Opening a dispute for slow mail is unacceptable and will result in blocking the bidder. We work hard to provide excellent service as is represented by our 8000 plus positive feedback. We use a VPI machine and thoroughly clean all records. Each order is carefully packaged by removing the LP from the jacket to avoid seam splits, use of 3 ml plastic cover sleeves over each LP and jacket, cardboard pad inserts, and placed in sturdy record mailers for safe delivery. We take Customer Service seriously, and want you to be satisfied. Please give us 5 stars in each category through the feedback system, and we will be able to effectively continue to fulfill your passion for rare and collectible music! We have served thousands of satisfied customers - far more than our feedback records indicate - and our aim is to continue to do so. Thank you for your interest and support. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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FINAL COLLECTION COPY! 1962 FIRST PRINTING! STILL FACTORY SEALED = CLASSIC BLUESVILLE ORIGINAL!
The Blues Of
Robert Curtis Smith
"Clarksdale Blues"
USA -PRESTIGE / BLUESVILLE - 1064 - MONO
Archive / Investment Collectible = 100% GUARANTEED 1963 BLUESVILLE FIRST PRESSING
PRISTINE 50 YEARS OLD FIRST PRINT with 4 sharp corners = immaculate!
= STILL FACTORY SEALED - NEVER OPENED! =
RARE ... Original ((MONO)) 1963 first pressing on the Prestige / BLUESVILLE label the THICK heavy platter and cardboard cover feels VERY weight heavy ...they didn't make records like this until those 180 gram deals appeared years later ...
50 year old COLLECTIBLE "BLUES" .... FACTORY SEALED !
Robert Johnson Smith deserves to be remembered by the world at large, if for no other reason than because he recorded one of the best blues albums of the '60s era.R.C. Smith was an elusive figure. He was born in or around Cruger, Mississippi, at the edge of the Delta region, around 1930. For the first 38 years or so of his life he seemed to alternate between attempting to survive the poverty and oppression of life in Mississippi and attempting to escape it. He left the Delta for Chicago and Texas at various times, but apparently found little relief, since he always returned to Mississippi. In an early-1960's interview with Paul Oliver, he described the conditions in which black sharecroppers found themselves in Mississippi:
You work from the time right sun-up until sundown. Other words in choppin' (cotton)
it's three dollars a day, and it's hard to make enough money to practically do anything, because, during the week you got to live and you go to the store and take up a little groceries to carry you that week but when you paid off you owe almost half of that. So there ain't anything you can do with the little change you has got, but stay here, because you can't leave here unless you do leave walkin'.
It would be nice to report that Smith's fortunes changed when he walked into Wade Walton's barbershop in Clarksdale on the day in 1960 when Paul Oliver and Chris Strachwitz were there, searching for unknown and long-lost blues musicians. Oliver and Strachwitz recognized his talent right away, and Smith made several recordings in 1960 and 1961, including one of the most remarkable blues albums ever. Clarksdale Blues: The Blues of Robert Curtis Smith was released on the Bluesville subsidiary of Prestige records; it made absolutely no impact and sunk without a trace, never to be reissued. But for those of us lucky enough to have a copy, it's a treasure.
Smith's music shows an awareness of the blues tradition; he "covers" songs by Memphis Minnie and Big Bill Broonzy, as well as the traditional "Catfish Blues." But the really striking songs are his originals. Their power comes largely from his melodic gift (not every bluesman can create memorable, beautiful melodies) and the structures of his songs - most are based on the standard 12-bar blues pattern, but are altered or extended in very interesting and original ways. One song, "Council Spur Blues," describes conditions on Roy Flowers' plantation in great detail, mentioning Flowers and his overseer, Mr. Walker, by name. This was a brave gesture for a black man in Mississippi in 1961.
Smith finally escaped Mississippi around 1968, spending the rest of his life in Chicago. He played the blues up north for awhile, and even auditioned for a spot in Willie Dixon's band. Most people in the blues community knew nothing of all this for years; it seemed as if this talented musician had just disappeared from the face of the earth. For a long time Jim O'Neal, owner of the Rooster Blues record label, had a picture of Smith posted in his Stackhouse record store in Clarksdale; the caption read, "Do you know this man?" Clarksdale Blues, his masterpiece, is long out of print and very difficult to find, but for those who know it, know of an album filled with power & passion...
A
Put Your Arms Around Me
Catfish
Rock Me Mamma
Council Spur Blues
I Feel So Good
I'm Going Away
Ain't That Loving You, Baby
B
Get a Real Young Woman
See My Chauffer
Sunflower River Blues
Katy Mae
Goody, Goody
Can You Remember Me
I Hate to Leave You With Tears in My Eyes
archive/investment copy!
CONDITION: The THICK is STILL FACTORY SEALED in factory shrink wrapper = NEVER OPENED & NEVER PLAYED in 50 YEARS! ... no problems front or back, has 4 sharp corners and looks immaculate ...will easily fit into any worthy collection ....
STILL FACTORY SEALED - 100% GUARANTEED 1963 BLUESVILLE FIRST PRESSING
A cool addition to anyone's music library!
SEE: SELLERS OTher items for similar cool sounds for "head" people...
EFFICIENT/CAREFUL GRADING
All imperfections are noted both cover & record
NOTE: All Items backed by money back guarantee! IF you have a problem PLEASE let us solve for you BEFORE leaving ANY negative feedback. Thanks! GRADING SCALE: M, M-, EX, VG++,VG+, VG, VG- M Completely clean, no marks M- Carefully used, looks clean, plays clean, shiny gloss, no marks EX Faint scuff or superficial mark, near M-, high gloss, plays clean VG++ Glossy with minimal scuffing or light mark playing very nice, clean VG+ a bit more scuff or markls still plays well with very minimal surface at worse VG more marks/scratches only minor, nothing deep, no loud clicks or pops this grade is abused by many, VG here does not mean "trashed" VG- surface noise present, will not have skips or jumps ALL PAYMENTS SHOULD BE MADE WITHIN 5 DAYS Of AUCTIONS END BIDDERS PLEASE = Do Not Bid If You Are Not Serious About Following Through The Transaction! ALL ITEMS GUARANTEED FOR WINNING BID - LESS SHIPPING!