SEALED 1968 BUTTERFIELD BLUES - DREAM garage r&b jazz

$

128

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Vastly underrated 1968 BLUES BUSTER! ~ STILL SEALED ~ ELEKTRA RECORDS!!!           

      The BUTTERFIELD BLUES BAND

                     In My Own Dream          

                                              USA - Gold Elektra - EKS 74025

TOP Original 1969 first pressing VINYL on the highly appreciated Gold Elektra label of the sixties...Really scarce as a STILL SEALED original 60's pressing, nearly 40 years later ...a perfect copy with sharp strong corners, no delete marks, perfect. by 1968 the Butterfield Bluesband was hanging on to its past glories and though they delivered such a fine album as the vastly underrated "In My Own Dreams", it took 40 years for music fans to realize what was missed within...Sometimes, one has to wonder whether the youth of the 1960s were really as open to new ideas and new sounds as their press would make you believe. Take the album at hand, In My Own Dream by the Paul Butterfield Blues Band -- their fourth official release (though two others have since gone into their discography at earlier points), it marked the point where the band really began to lose its audience, and all for reasons having nothing to do with the quality of their music. They'd gotten past the loss of Michael Bloomfield in early 1967, over which they'd surrendered some of their audience of guitar idolaters, with the engagingly titled (and guitar-focused) Resurrection of Pigboy Crabshaw. In My Own Dream had its great guitar moments, especially on "Just to Be With You," but throughout the album, Elvin Bishop's electric guitar shared the spotlight with Butterfield members Gene Dinwiddle, David Sanborn, and Keith Johnson, who had signed on with the prior album and who were more out in front than ever. More to the point, this album represented a new version of the band being born, with shared lead vocals, with the leader himself only taking three of the seven songs, and bassist Bugsy Maugh singing lead on two songs, Bishop on one, and drummer Phillip Wilson taking one song. What's more, there was a widely shared spotlight for the players, and more of a blues/jazz influence on this record than had ever been heard before from the group. This was a band that could jam quietly for five minutes on "Drunk Again," building ever-so-slowly to a bluesy crescendo where Bishop's guitar and Mark Naftalin's organ surged; and follow it with the title track, a totally surprising acoustic guitar-driven piece featuring Sanborn, Dinwiddle, and Johnson. The playing was impressive, especially for a record aimed at a collegiate audience, but the record had the bad fortune to appear at a point when jazz was culturally suspect among the young, an elitist and not easily accessible brand of music that seemed almost as remote as classical music (i.e. "old people's" music). "Get Yourself Together" was almost too good a piece of Chicago-style blues, a faux Chess Records-style track that might even have been too "black" for the remnants of Butterfield's old audience. It also anticipated the group's final change of direction, its blossoming into a multi-genre blues/jazz/R&B/soul outfit, equally devoted to all four genres and myriad permutations of each. This album is the missing link!

SIDE ONE

1.  LAST HOPE'S GONE

2.  MINE TO LOVE

3.  GET YOURSELF TOGETHER

4.  JUST TO BE WITH YOU

SIDE TWO

1.  MORNING BLUES

2.  DRUNK AGAIN

3.  IN MY OWN DREAM

CONDITION: STILL SEALED. never opened...no delete marks, no bends, no writing, no split seams, this is a beauty with pristine sharp corners, ready to jump in a rarities collection!

      A cool addition to anyone's music library!

SEE: SELLERS OTher items for similar cool sounds for "head" people...

EFFICIENT/CAREFUL GRADING

All imperfections are noted both cover & record