SEALED LP: POP WILL EAT ITSELF: THIS IS THE DAY… THIS IS THE HOUR… THIS IS THIS
$
28
$ 28
Sold For
Mar 12, 2018
Sold Date
Mar 5, 2018
Start Date
$ 15
Start price
12
Number Of Bids
USA
Country Of Seller
eBay
Auctioned at
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Description
Pop Will Eat Itself: This Is The Day… This Is The Hour… This Is This!
FACTORY SEALED LP
Format: Sealed LPCountry: U.S.A.
Record Company & Release Number: BMG/RCA: 9742-1-R
Original release date/year: 1989
Bar Code: 7863597421
Condition of the cover: Near Mint
Condition of the record: Sealed - Assumed Mint
Shipping Weight: 1 pounds, 0 ounces
My inventory number: 208637
Notes: Sticker on the shrink wrap as shown in the photo below. Also a 1" cut-out saw mark on the upper right corner of the cover as shown in the photos below.
Please contact me if you have any difficulty viewing the photos.
IF THIS ITEM DOES NOT SELL IN THIS AUCTION, IT WILL BE RELISTED IN MY STORE AT THE “BUY IT NOW” PRICE IN A WEEK OR TWO. Songs
- PWEI Is a Four Letter Word
- Preaching to the Perverted
- Wise Up! Sucker
- Sixteen Different Flavours of Hell
- Inject Me
- Can U Dig It?
- The Fuses Have Been Lit
- Poison to the Mind
- Def Con One
- Radio P.W.E.I.
- Shortwave Transmission on 'Up to the Minuteman Nine'
- Satellite Ecstatica
- Not Now James, We're Busy
- Wake Up! Time to Die...
- Frank Booth: Guitar
- Karl Broadie: Assistant Engineer
- Buzzard: Guitar
- Flood: Producer, Mixing
- Robin Goodfellow: Producer, Engineer
- Robert Gordon: Producer
- Mr. X: Producer
- Mr. Y: Producer
- Dave Pine: Producer, Engineer
- David Pine: Engineer, Remixing
- D. Steele: Producer
Review by Ned Raggett, All Music Guide
- After the band's enthusiastic if somewhat stumbling transformation into a sort-of English Beastie Boys on Box Frenzy, Pop Will Eat Itself transformed itself into a much superior beast on the brilliant, underrated This Is the Day...This Is the Hour...This Is This! The secret ingredient was Flood, who brought his considerable production skills to the fore and helped shape an album that was its own sprawling but self-contained universe. While calling the bandmembers skilled MCs in a conventional sense would be pretty silly, their own particular mesh and mix of U.S. and, importantly, U.K. pop culture in with the metal riffs, disco backing, monster drum stomps, and more are their own reward. The band's sound has never been thicker and more detailed, and while the sampling and arranging are always clearly a product of their late-'80s times, like the Beasties did that year with Paul's Boutique, PWEI comes up with its own sharp synthesis. The brilliant, shuddering singles alone are worth the price of entry -- "Def. Con. One," a ridiculously goony but very catchy portrayal of Armageddon Judge Dredd style, the propulsive "Can U Dig It?" and its cataloging of everything the band loves from DJ Spinderella to Dirty Harry, and particularly the wonderful "Wise Up! Sucker," as perfect a frustrated love/hate song of the era as anything else, with a sharp, mocking backing vocal from the Wonder Stuff's Miles Hunt. Then there's the wickedly bizarre "Not Now James, We're Busy...," a sort of anti-tribute to the Godfather of Soul and his legal troubles of the time. But beyond those deserved highlights, there are all sorts of intriguing surprises throughout the album, including a fair dollop of moody goth/post-punk touches that inadvertently predicts where Massive Attack partially ended up. The murky beginning and breaks of "Inject Me" and the collapsing inward drones and feedback of "Wake Up! Time to Die..." certainly give the lie to the idea that PWEI was only ever a one-dimensional cartoon.
Pop Will Eat Itself biography by Jason Ankeny, All Music Guide
- Taking their name from an NME feature on the group Jamie Wednesday (later known as Carter the Unstoppable Sex Machine), the archetypal grebo band Pop Will Eat Itself formed in Stourbridge, England in 1986. Comprised of vocalist/guitarist Clint Mansell, keyboardist Adam Mole, drummer Graham Crabb and bassist Richard March, PWEI began their existence as a Buzzcocks-influenced indie guitar band, and issued their self-produced debut EP The Poppies Say Grrr in 1986.
- While recording their follow-up Poppiecock, PWEI became immersed in sampling, drawing material from sources ranging from James Brown to Iggy Pop; soon Crabb emerged from behind his drum kit to join Mansell as co-frontman, and a drum machine was installed in his place. Honing a fusion of rock, pop and rap which they dubbed "grebo," the Poppies kickstarted a small revolution; by the release of their 1987 full-length debut Box Frenzy and the hit "There Is No Love Between Us Anymore," grebo -- the name quickly given the entire subculture of similarly grimy and raunchy bands -- was all the rage in the British music press.
- The influence of hip-hop was even more pronounced on singles like "Def. Con. One." and "Can U Dig It?," both included on Pop Will Eat Itself's 1989 masterpiece This Is the Day...This Is the Hour...This Is This!, their debut for RCA. "Touched by the Hand of Cicciolina," an ode to the Italian porn-actress-turned-politician, was another hit, while 1991's Cure for Sanity marked an increasing interest in dance music. By 1992's The Looks or the Lifestyle, PWEI even added a live drummer, Fuzz (born Robert Townshend), to expand their ever-mutating sound.
- In early 1993, the Poppies issued their biggest U.K. hit, "Get the Girl, Kill the Baddies"; ironically, later that same year the group was dropped by RCA. After signing to Infectious in Britain, they were picked up in the U.S. by Nothing, a label owned by longtime fan Trent Reznor; sporting a harder-edged, funk-metal sound, PWEI resurfaced in 1994 with Dos Dedos Mis Amigos. Prior to the release of a 1995 remix record, Two Fingers, My Friends, Crabb exited the group to focus on his side project, Golden Claw Musics. March later gained fame in the big-beat act Bentley Rhythm Ace.
- All sealed albums are being sold as collector's items and cannot be returned due to manufacturer's defects. It may be almost impossible to replace many of the sealed albums that I am selling.
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- Since I obtain my sealed albums from a few different sources, if I am ever suspicious if it was factory sealed, I will specify it in the Notes section above.
- All album reviews, credits and artist biographies are from All Music Guide. If you haven't been to their web site, you have to check it out. It's one of the most comprehensive music references on the internet. In some cases, credits may include reissue (CD) information. Obviously any credits referenced to CDs do not apply to this album release.
Shipping and pick-up
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WITHIN U.S.A.
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If you also collect Grand Funk, let me know if you have anything that you might want to sell or trade. I am always looking to add something new to my collection.
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