PHOTOS TAKE PRECEDENT OVER ALL DESCRIPTIONS AND CONDITION IS EVERYTHING.  OUR  ALBUMS ARE GRADED TO YOUR BENEFIT NOT OURS! SHIPPING CAN BE COMBINED FOR $1 EACH ADDITIONAL ALBUM (WITHIN A 5 DAY PERIOD).   PLEASE TAKE A LOOK AT SOME OF MY OTHER RARE OR HARD TO FIND ALBUMS IN REMARKABLE CONDITION.    UNFORTUNATELY WE ARE UNABLE TO ISSUE PARTIAL REFUNDS (ONLY FULL)  SO PLEASE DO NOT ASK.   THANK YOU FOR YOUR PATRONAGE.

Grateful Dead* ?– Workingman's Dead

Label: Mobile Fidelity Sound Lab ?– MFSL 2-428 Series: Original Master Recording – , Gain 2™ Ultra Analog 45RPM 180g Series – Format: 2 × Vinyl, 12", 45 RPM, Album, Limited Edition, Numbered, Reissue, Remastered, 180g, Gatefold
Country: US Released: 2014 Genre: Rock Style: Folk Rock, Country Rock, Classic Rock

Tracklist

A1 Uncle John's Band 4:42 A2 High Time 5:13 B1 Dire Wolf 3:13 B2 New Speedway Boogie 4:05 C1 Cumberland Blues Acoustic Guitar – David Nelson 3:15 C2 Black Peter 5:42 D1 Easy Wind 4:59 D2 Casey Jones 4:24

Companies, etc.

• Recorded At – Pacific High Recording
• Mastered At – Mobile Fidelity Sound Lab
• Phonographic Copyright (p) – Warner Bros. Records Inc.
• Licensed From – Warner Bros. Records Inc.
• Manufactured By – Rhino Entertainment Company
• Copyright (c) – Mobile Fidelity Sound Lab, Inc.
• Distributed By – Mobile Fidelity Sound Lab, Inc.
• Published By – Ice Nine Publishing Company, Inc.
• Mastered At – Record Technology Incorporated – 22148
• Designed At – Mouse Studios
• Lacquer Cut At – Mobile Fidelity Sound Lab

Credits

• Administrator [Big Nurse] – John McIntire
• Administrator [Guardians Of The Vault] – Bonnie Parker (3), David Parker (12)
• Administrator [Lady In Waiting] – Cosmic Gail
• Co-producer – Betty Cantor, The Grateful Dead
• Crew – Ramrod*, Rex Jackson, S. Heard*
• Design [For MFSL] – Jim Baker (14), John A. Beck
• Executive-Producer – Bob Matthews
• Lacquer Cut By – KW*
• Lyrics By – Robert Hunter
• Management [Executive Nanny] – Sam Cutler
• Mastered By – Krieg Wunderlich
• Music By – Garcia*, Lesh*
• Photography By [Cover Photo], Artwork – Mouse Studios
• Photography By [Cover Photo], Artwork, Design – Toon N Tree

Notes

Mastered at Mobile Fidelity Sound Lab, Sebastopol, CA on THE GAIN 2 ULTRA ANALOG SYSTEM™
Production and Mastering by Mobile Fidelity Sound Lab
Specially Plated and Pressed on 180 grams of High Definition Vinyl
Special Static Free - Dust Free Inner Sleeve
Heavy Duty Protective Packaging
Mastered from the Original Master Tapes

Special thanks to John Dawson
Special thanks to David Nelson

Mobile Fidelity Sound Lab gratefully acknowledges and thanks these individuals and companies for their technical support and expertise: Tim de Paravicini, Edmund Meitner, Pass Labs, Lipinski Sound, Eggleston works, Sound Application, Linn & Z-Systems. Any sonic artifacts present are a product of the original master tape. Attempts to eliminate them would have negatively impacted the integrity of the presentation.

Barcode and Other Identifiers

• Barcode (Scanned): 821797242813
• Barcode (Text): 8 21797 24281 3
• Rights Society: ASCAP
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        *Mint [M]: Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.   *Near Mint [NM or M-]: A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
*Very Good Plus [VG+]: Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sound are OK. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.
 *Very Good [VG]: Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.   Good [G], Good Plus [G+]: Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear.