SOLOMON BURKE PROUD MARY MINT ORIG '68 BELL STEREO LP =

$

45

    
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·       SOLOMON BURKE – PROUD MARY - ORIGINAL 1969 BELL RECORDS STEREO LP 6033

·       ORIGINAL U.S. PRESSING

·       ORIGINAL BLUE “BELL” LABEL WITH SILVER PRINT AND BELL LOGTO

·       ORIGINAL LINER NOTED BY NONE OTHER THAN JOHN FOGERTY (OF CREEDENCE CLEARWATER REVIVAL), WHO WAS OBVIOUSLY SMITTEN WITH BURKE’S COVER OF FOGERTY’S ‘PROUD MARY’.

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER, AMERICAN STYLE.

·       THICK, HEAVY VINYL PRESSING

·       THE RECORD HAS A 'BELL SOUND' STAMP IN THE TRAIL-OFF VINYL (DEAD WAX) AREA, WHICH IS GENERALLY CONSIDERED A PROOF OF AUTHENTICITY OF THE FIRST PRESSING.

·       As far as we know, this album has NEVER been available on legitimate Compact Disc or in any other way, manner or format.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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In 1969, Solomon Burke's long association with Atlantic Records had come to an end, and he hadn't had a major hit in several years when he strolled into the Fame Studios in Muscle Shoals, Alabama to cut his first and only album for Bell Records. Proud Mary's leadoff cut was a cover of Credence Clearwater Revival's titular hit tune (still in the charts when Burke recorded it), and while that may have seemed like a bald-faced bid for pop radio play, in Burke's hands the song became a bracing tale of life in the Deep South as African Americans searched for liberation aboard the ship that carried them as slaves and put them to undignified labor serving wealthy whites. It was a bold conceit and Burke brought it to rich life, and while the rest of the album is hardly as surprising, it's as satisfying as anything he cut during the later part of his Atlantic tenure. The Muscle Shoals Rhythm Section are in typically fine form here, accompanying Burke with rich, soulful passion while always serving the song and the artist ahead of displaying their own chops (keep an ear peeled for the potent groove of Roger Hawkins' drums and Eddie Hinton's succinct but blazing guitar solo on "That Lucky Old Sun"), and Solomon brings the full weight of his fervent, churchy presence to each cut, especially the righteous "Uptight Good Woman" and a cover of "These Arms of Mine" that pays sincere tribute to Otis Redding while still sounding like pure Solomon Burke. Bell had already dropped Burke by the time Proud Mary's title cut had become a hit single, which seems like utter foolishness given the strength of this material -- Solomon Burke and the Muscle Shoals crew were a superb match, and this album finds them bringing out the best in one another.

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(EXCERPT FROM AN ONLINE REVIEW BY MARK DEMING, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

THIS IS A NO-RESERVE AUCTION!

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·       CONDITION:

·       RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record is apparently pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-         Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2.

-         Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover shows JUST A HINT of yellowing on back side, apparently from aging.

-         Cover has one corner slightly worn / frayed / bent (just a beginning of the split seam)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No wrinkles or creases

-        No writing

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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