SONNY BOY WILLIAMSON BUMMER ROAD RARE ORIGINAL 1968 CHESS MONO UNCENSORED LP NM

$

51

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·       SONNY BOY WILLIAMSON – BUMMER ROAD - ORIGINAL 1968 CHESS RECORDS MONO LP 1536

·       ORIGINAL U.S. PRESSING

·       ORIGINAL BLUE-FADES-TO-WHITE CHESS LABEL WITH “HORSE’S HEAD” LOGO, MID-60’s STYLE

·       RARE MONO PRESSING, MANY TIMES RARER THAN FAKE (“ELECTRONICALLY RECHANELLED”) STEREO

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING

·       INCLUDES RARE, FULL-LENGTH, 11:50, UNCENSORED VERSION OF "LITTLE VILLAGE"

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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This album by the Rice Miller fellow who called himself Sonny Boy Williamson -- in other words, the Mississippi harmonica player rather than the Tennessee harmonica player -- may have been one of the best volumes in the grim-looking series of single-album reissues and collections Chess put out before switching to double-album sets. Those who enjoy both blues and the film noir style will enjoy the graphic design of these albums, which often sported singularly unattractive photography of the artists. The grainy, out-of-focus picture of Williamson that fills this front cover is no exception; in fact, in a way, it established the rule. It isn't that he looks mean, he just looks like he could care less. Such a look of indifference has perhaps never before been captured by the camera. It could easily have been taken during some of the discussion that occurs between the artist and his producers during the recording of a song called "Little Village." It was the reissue producer's decision to put an entire 11 minutes of takes, re-takes, and related arguing on the first side of this collection, complete with a severe warning that the proceedings are not suitable for airplay. Blues fans rushed to this track immediately, and were not disappointed in the slice of recording-studio life that is revealed here. Far better than Frank Zappa's secretly recorded band discussions and arguments, this is one of the best examples of enlarging the scope of a musical track by adding auxiliary material that wasn't originally meant for release. Bless T.T. Swan for compiling this series, and giving us this view of the "Little Village," such a profound moment that an all-star rock band eventually named itself after the track. There's lots of other great stuff here as well; really, every track is a burner. Robert Jr. Lockwood is here on lead guitar, playing from the heart in his style of that era, not as jazzy as what would come later but hardly just a bunch of stock blues licks. "Temperature 110" is fantastic, a totally believable sizzler. "Santa Claus Blues" is many listeners' favorite Sonny Boy Williamson track, after which one can never rummage through a room looking for hidden booty without hearing harmonica riffs in the background. Other great tracks include "Open Road" and "This Old Life." Quite a bit of this material was released for the first time in this set, certainly one the blues fans will want to sail off to that desert island with.

 (EXCERPT FROM AN ONLINE REVIEW BY EUGENE CHADBOURNE, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical or discography information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

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·       CONDITION:

·       RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  (WEAK) NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)            The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Mono pressing of this title is much rarer, and by far more  preferable to its FAKE ("electronically rechannelled") stereo counterpart. We estimate that FAKE stereo copies of this album outnumber monos by a ratio of at least 5:1.

(d)          True Stereo copies of this album are NOT known to exist.

·       COVER

THE COVER IS ABOUT VERY GOOD+(+)

The following flaws or imperfections are noted on the cover:

-        Cover has a filing code sticker /label, which may be possible to remove with a little effort (we did not attempt to) (less than 2 square inches in size)

-         Cover shows some light yellowing on both sides, apparently from aging. (nothing significant)

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3

-         Front cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover has a partially split top seam (between 1 and 2 inches  / 2.5 to 5 centimeters)

-         Cover has some fraying/wear along the upper seam

-         Minor shelf wear noted on the bottom seam and spine (nothing significant)

-         Cover has one corner slightly worn / dinged (nothing significant)

-         Cover has a few tiny wrinkles along the spine  (VISIBLE ON BACK SIDE ONLY)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No writing (except on a small sticker -- not directly on the cover)

-        No stamps

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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