SONNY STITT, STITT’S BITS, ORIGINAL 1959 UK ESQUIRE VINYL LP, JAZZ / BOP, RVG
  £   66
  $   87

 


£ 66 Sold For
Jan 8, 2022 Sold Date
Dec 29, 2021 Start Date
16   Number Of Bids
  Great Britain Country Of Seller
eBay Auctioned at
 
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Description

SONNY STITT, STITT’S BITS, ORIGINAL 1959 UK ESQUIRE VINYL LP, JAZZ / BOP, RVG

Sonny Stitt – Stitts Bits (12” LP)

Edward Hammond Boatner Jr. (February 2, 1924 - July 22, 1982), known professionally as Sonny Stitt, was an American jazz saxophonist of the bebop/hard bop idiom. Known for his warm tone, he was one of the best-documented saxophonists of his generation, recording more than 100 albums. He was nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern because of his relentless touring and devotion to jazz yet rarely worked with the same musicians for long. Stitt was sometimes viewed as a Charlie Parker mimic, especially earlier in his career, but gradually came to develop his own sound and style, particularly when performing on tenor saxophone.
 Side One: Nevertheless; Count Every Star; Nice Work If You Can Get It; There Will Never Be Another You; Blazin'; Mean To Me.
Side Two: Avalon; After You've Gone; Stairway To The Stars; S'Wonderful; Jeepers Creepers; Our Very Own.
The album is on Esquire Records, 32-078. Matrix side one: PRLP-7133-A (written)  RVG (stamped). Matrix side two: PRLP-7133-B (written)  RVG (stamped).
Released in 1959. UK pressing. Mono.
See photos for more info.

Condition: (as Record Collector’s grading system)
Vinyl side 1: good (has quite a few marks and plays with some clicks and background crackle here and there but nothing that really spoils your enjoyment of the music, it’s still a good listen, plays with no jumps or sticks).
Vinyl side 2: good (has quite a few marks and plays with some clicks and background crackle here and there but nothing that really spoils your enjoyment of the music, it’s still a good listen, plays with no jumps or sticks).
Cover (fully laminated, flip-back): very good (a few small light creases, some laminate missing from opening edge, laminate lift at spine edge mainly on back, discolouring / aging on back).
I have tried to give my honest opinion as to the condition. I will give a complete refund to the buyer if they are not happy on return of the record.
Any questions, don’t hesitate to ask.
Check out the other records that I am selling at the moment by clicking on 'view seller's other items'.

RECORD COLLECTOR GRADING SYSTEM:
MINT: I very rarely use the mint grade. Only records that are still sealed or records that even under the strongest of lights are completely unmarked. Also covers that are unmarked/uncreased in any way and still look brand new.
EXCELLENT: The record shows some signs of having been played, but there is no lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler. Postal discounts available for multiple purchases - Please email for details.  859 (GS 7.0.21 (859))


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