SOUND STORING MACHINES: FIRST 78rpm RECORDS FROM JAPAN 1903-1912 LP
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Description
VARIOUS ARTISTS
Sound Storing Machines: The First 78rpm Records from Japan, 1903-1912
SUBLIME FREQUENCIES, 2021 LP
The first commercial recordings from Asia were made in Japan in 1903 by Fred Gaisberg, the legendary producer and recording engineer who traveled the world making recordings for the Gramophone Company (later His Masters Voice).
The recording industry barely existed at this time. Man's ability to record and reproduce sound had only existed since 1877 (with the invention of Edison's cylinder phonograph) and flat disc records, what we all collect and obsess over today, had only come into being in the late 1890s.
It is a miracle what these fragile discs have survived: wars with Russia and China, the fire bombings (and worse) of World War II, modernization, the onslaught of Western media.
They document, through a dreamlike haze of surface noise, a Japan that had just barely begun to open its doors to the rest of the world.
Including gagaku, shakuhachi, shamisen, storytelling, folksong and more. these recordings are a unique glimpse into an ancient culture and an important document of the beginnings of the recording industry. Simple and complex. Alien and familiar.
Featuring important artists and those who only appeared to sing before the strange Western recording horn and then vanished.
Sound Storing Machines spans only nine years of recording -- from 1903 and the first commercial recordings made by Fred Gaisberg to 1912, the beginning of Japan's homegrown record industry, including a few sides taken from Japan's notorious bootleg 78rpm industry.
Collected on various trips to Japan and compiled by sound artist Robert Millis (Indian Talking Machine, Victrola Favorites, Climax Golden Twins, Phi Ta Khon: Ghosts of Isan, This World is Unreal Like a Snake in a Rope, etc.)
This is part three in a series (all produced by Millis) of early recording from Asia -- including Sublime Frequencies' The Crying Princess: 78rpm Records from Burma and Scattered Melodies: Korean Kayagum Sanjo.
Features Suenaga Togi and gagaku musicians from the Imperial Household Orchestra, Toyosawa Heikichi, Azumaya Kamanosuke, Sumako of Shinbashi, unknown artists, Uehara Sakima, Takahashi Kiyokusa, Fukushira Kado, Yanagiya Kosan, Mimasuya Kachiguri, Umewaka Manzaburo, Umewaka Rokurou of the Kanze Noh school, Nokiken Hanadou, Shimeju of Yoshiwara, Takemoto Sumitayu, Toyozawa Danpei, Toyozawa Sennosuke, Takemoto Haruko Tayu, Toyozawa Shinzaemon, Inoue Satokishi.
Track Listing:
01. Bairo (recorded 1903) 02. Senryou Nobori (recorded in 1904) 03. Chikumagawa (recorded in 1906) 04. Kappore (recorded c. 1903) 06. Matsukaze [Wind in the Pines] (recorded in 1903) 07. Rakugo: Ukiy-buro [Scene in a Public Bath] (recorded 1903) 08. Taishikichou (recorded in 1903) 09. Shiokumi Kasatsukashi [Collecting Water] (recorded 1906) 10. Yokyoku [from the noh drama Kakitsubata] (recorded c. 1907) 11. Sanjusangen-do Kiyori (recorded in 1906) 12. Neko Ja [cat dance] (recorded c. 1904) 13. Horikawa Sarumawashi [The Monkey Trainer] (recorded c. 1909) 14. Sakaya no dan [from Sankatsu Hanchichi-The Double Suicide, or The Love Suicides] (recorded c. 1910) 15. Joruri Taiko-ki Ju Danme (recorded c. 1912)
- Includes the first commercial recordings from Asia made in Japan in 1903 - Japanese gagaku, shakuhachi, shamisen, storytelling, folksong and more. - Collected and compiled by sound artist Robert Millis. - The beginning of Japan's homegrown record industry, including a few sides taken from Japan's notorious bootleg 78rpm industry. - Features Suenaga Togi, Toyosawa Heikichi, Mimasuya Kachiguri, Takemoto Sumitayu, and more.
New Condition - Never Played - Sealed
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