SPACEMEN 3 'RECURRING' FIRE LP 23 FIRE RECORDS RARE 1990 UK ISSUE
£
30
$
40
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Description
Spacemen 3 ?– Recurring
Country:UKReleased:1990 Genre:RockStyle:Psychedelic Rock, Indie Rock
Tracklist
A1 Big City (Everybody I Know Can Be Found Here) A2 Just To See You Smile (Orchestral Mix) A3 I Love You A4 Set Me Free/I've Got The Key A5 Set Me Free (Reprise) B1 Feel So Sad (Reprise) B2 Hypnotized B3 Sometimes B4 Feelin' Just Fine (Head Full Of Shit) B5 Billy Whizz/Blue 1Credits
- Artwork – Mr. Ugly*
- Bass [Vibrations] – Will Carruthers
- Engineer – Anjali Dutt (tracks: B1, B3 to B5), Paul Adkins (tracks: A1 to A5, B2), Sarah Bedingham (tracks: B1, B3 to B5)
- Flute – Pat Fish
- Guitar [Fender Telecaster], Acoustic Guitar – Mark Refoy
- Guitar [Fender Telecaster], Acoustic Guitar, Autoharp, Blues Harp, Piano, Keyboards, Vocals – Jason*
- Guitar [Vox Starstreamer], Guitar [Burns Jazz], Organ [Vox Super-Continental], Guitar [Vox Conqueror], Acoustic Guitar [Twelve-String], Synthesizer, Sampler, Effects [Feedback, Tremeloes, Drones], Vocals – Sonic Boom (2)
- Layout – Hand And Eye
- Lead Guitar, Rhythm Guitar – Richard Formby
- Management – 3rd Stone (2), Gerald Palmer
- Percussion – Jon Mattock
- Producer – J. Spaceman, Sonic Boom (2)
- Saxophone – Alex Green
- Violin – Owen John
- Written-By – Pierce* (tracks: B1 to 5), Kember* (tracks: A1 to 5)
Notes
Issued with a black & white innersleeve containing a tracklist and credits.Original sound recording made by Fire of London
Side 2, except track 2, remixed at Battery Studios, London
On spine of sleeve: SPACEMEN 3 RECURRING FIRE LP23
- Barcode: 5 017161 001239
Matrix / Runout: FIRE LP 23 A1
Matrix / Runout: FIRE LP 23 B1
PLEASE BE AWARE THAT MOST OF THE
RECORDS ON SALE HAVE NOT BEEN PLAY-GRADED
IF THEY HAVE, ANY OBSERVATIONS WILL
BE MENTIONED IN THE LISTINGS
Condition:
***please see end of listing
for grading system definitions
before ordering***
Cover:- EXCELLENT+
Vinyl:- EXCELLENT +
Labels:- EXCELLENT +
Inserts:-
COMES WITH CUSTOM INNER SLEEVE
WE WANT YOU TO BE HAPPY
WITH YOUR PURCHASE
IF, FOR WHATEVER REASON, YOU ARE NOT HAPPY WITH THE RECORD
(EVEN IF YOU DECIDE YOU DON'T LIKE THE MUSIC!)
PLEASE CONTACT ME TO RETURN THE RECORD
FOR A FULL REFUND PLUS RETURN POSTAGE.
**THE RETURN ADDRESS IS ALWAYS ON THE BACK OF THE PACKAGING**
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Please note that my sales will be posted recorded and must be signed for on arrival.
The cost of this is the current Royal Mail charges whether Domestic or International
SIGNED FOR POSTAGE + PACKING IS OFFERED ON THIS ITEM
PRICES AS FOLLOWS:-
U.K. £4.50 E.U. / UKRAINE £11.50 REST OF THE WORLD** £15.50
**INCLUDES:-
AUSTRALIA - BRAZIL - CANADA - JAPAN - KOREA - NEW ZEALAND - USA
please note that
***GENEROUS COMBINED POSTAGE WILL BE OFFERED
FOR MULTIPLE ORDERS***
**************************************************
All items will be posted in custom made mailers in plastic sleeves and using two card liners.
**************************************************
PLEASE NOTE THAT THE PHOTOGRAPHS DISPLAYED
ARE OF THE ACTUAL ITEM LISTED FOR SALE ABOVE
**************************************************
My records are described according to “The Record Collector’s” grading system.
This was originated by “The Record Collector” to assist people buying or selling records.
Their seven standard condition categories and a description of what each one means are given below.
I hope you find this helpful.
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
EXCELLENT: The records shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration etc.
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.
POOR: The record will not play properly due to scratches, bad surface noise etc. The cover and contents will be badly damaged or partly missing.
Bad: The record is unplayable or might even be broken and is only of use as a collection-filler.
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