STEVIE RAY VAUGHAN AND DOUBLE TROUBLE Texas Flood VG+ 1983 Epic 1st Press
$
28
Favourite Auctions
To save auctions to your favourites, please login
If you don't have an account, please register
Description
Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?
First pressings are made from first generation lacquers and stampers. They usually sound vastly superior to later issues and re-issues (which are often pressed from whatever tapes or digital sources are currently available). First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider and subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive, with inner details more clearer. On first and early pressings, the music tends to sound more ‘alive’ and vibrant.Vinyl: VG+ Play Tested. Sounds Great! The last song on side 2 has a mark that causes a soft repeating tick in the background for about 30 seconds. Has some other marks that don't affect play. Epic Labels are Clean. This is the 1983 Epic 1st Pressing! Stevie Ray's Amazing Debut! What a year! In 1982 he was struggling and in obscurity. Within a year he and the band have auditioned for The Stones in New York (Mick turned them down because he thought blues records wouldn't sell...Ha! Shame on you, Mick!!), become the first unsigned band to ever be invited to perform at the Montreux Jazz Festival, spotted by David Bowie and given the nod for "Let's Dance", being signed to Epic and taking Jackson Browne up on his kind offer of the use of his studio for free to work on this, the "Texas Flood" record...... And it delivers!...allmusic gives it 5 stars!!!
Cover: VG+ (see photos)
Goldmine Standards. I play test every album that I sell on eBay as I have found you can't rate an LP accurately by just visually inspecting an album. I wipe the dust off of every cover with clean, unscented baby wipes. I professionally clean the vinyl.
See Review Below!
U.S. Shipping: $4 Media Mail for up to 2 LP's. Additional LP's .50 (double albums count for 2LP's). I ship internationally through EBay's Global Shipping Program. Check to be sure that they ship to your country. Feel free to ask any questions and happy shopping!
Once you're satisfied with your purchase, please leave positive feedback and I will do the same for you. If you're unsatisfied, please let me know so we can resolve it. Take a look at my previous feedback and buy with confidence. Check my other items this week, check back often & add me to favorite seller list as I will be adding more Rare items in the coming weeks! Thanks!
AllMusic Review by Stephen Thomas Erlewine [-]
It's hard to overestimate the impact Stevie Ray Vaughan's debut, Texas Flood, had upon its release in 1983. At that point, blues was no longer hip, the way it was in the '60s. Texas Flood changed all that, climbing into the Top 40 and spending over half a year on the charts, which was practically unheard of for a blues recording. Vaughan became a genuine star and, in doing so, sparked a revitalization of the blues. This was a monumental impact, but his critics claimed that, no matter how prodigious Vaughan's instrumental talents were, he didn't forge a distinctive voice; instead, he wore his influences on his sleeve, whether it was Albert King's pinched yet muscular soloing or Larry Davis' emotive singing. There's a certain element of truth in that, but that was sort of the point of Texas Flood. Vaughan didn't hide his influences; he celebrated them, pumping fresh blood into a familiar genre. When Vaughan and Double Trouble cut the album over the course of three days in 1982, he had already played his set lists countless times; he knew how to turn this material inside out or goose it up for maximum impact. The album is paced like a club show, kicking off with Vaughan's two best self-penned songs, "Love Struck Baby" and "Pride and Joy," then settling into a pair of covers, the slow-burning title track and an exciting reading of Howlin' Wolf's "Tell Me," before building to the climax of "Dirty Pool" and "I'm Crying." Vaughan caps the entire thing with "Lenny," a lyrical, jazzy tribute to his wife. It becomes clear that Vaughan's true achievement was finding something personal and emotional by fusing different elements of his idols. Sometimes the borrowing was overt, and other times subtle, but it all blended together into a style that recalled the past while seizing the excitement and essence of the present.
price rating
