SUEDE, Coming Up UK 1st pressing LP

$

50

  Suede ?– Coming Up Label: Nude Records ?– NUDE 6LP Format: Vinyl, LP, Album  Country: UK Released: 02 Sep 1996 Genre: Rock, Pop Style: Brit Pop, Glam, Indie Pop Tracklist A1 Trash 4:06 A2 Filmstar 3:25 A3 Lazy 3:19 A4 By The Sea 4:15 A5 She 3:38 B1 Beautiful Ones 3:50 B2 Starcrazy 3:33 B3 Picnic By The Motorway 4:45 B4 The Chemistry Between Us 7:04 B5 Saturday Night 4:32 Companies, etc. Distributed By – 3MV Distributed By – Vital (2) Credits Arranged By [Strings] – Craig Armstrong Artwork [Paintbox] – Steve Seal Artwork By [Cover Model] – Leah, Lee, Paula Cover – Brett Anderson, Nick Knight, Peter Saville (2) Design – Howard Wakefield Drums – Simon Gilbert Electric Bass – Mat Osman Engineer – Ed Buller, Gary Stout Guitar – Richard Oakes Keyboards – Neil Codling Mixed By – Dave Bascombe* (tracks: A1 to B4), Ed Buller Photography [Suede] – Donald Christie Producer – Ed Buller Vocals [Singing] – Brett Anderson Written-By – Anderson*, Codling* (tracks: B2, B4), Oakes* (tracks: A1, A2, A5, B1, B3, B5) Notes Designed @ The Apartment Printed inner sleeve contain lyrics. Made in EEC   

UK FIRST PRESSING VINYL ALBUM WITH ORIGINAL PRINTED INNER SLEEVE.

MATRIX:  SIDE A:  NUDE 6 LP - A' DMM   /  SIDE B:  NUDE 6 LP - B' DMM.

SLEEVE: VERY GOOD+, SOME LIGHT SHELF, CORNER, EDGE AND RING WEAR. CORNER BUMPS AND CREASE ON OPENING SIDE.   INNER SLEEVE[S] VERY GOOD+ WITH NO SEAM SPLITS.

DISC[S]: VERY GOOD+ ONLY DUE TO A FEW LIGHT SCRATCHES AND HAIRLINE SCUFFS. CLEAN LABELS.

Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?

First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.

First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.

On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.  

     
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