SUN 209 original ELVIS presley THAT'S ALL RIGHT blue moon of kentucky 7" 45 slv
  $   1,099

 


$ 1099 Sold For
Nov 22, 2012 Sold Date
$   999 Start price
1 Number Of Bids
  USA Country Of Seller
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Description

VG  "THAT'S ALL RIGHT" / BLUE MOON OF KENTUCKY
NICE ! shiny ORIGINAL with the  "PUSH MARKS" to verify  this
 SUN 209.   MATRIX U-128-45 72/U-129-45 72. 
with SLEEVE!!!
don't miss out on this ultra important piece of history...most did not survive..
.
recorded july 19 1954
as many SUN collectors know,these singles were cut at the time when 78's were king,
 and that the grooves ON THIS FIRST ELVIS 45 seem to be much more suited  to the larger needle (stylus) so this would sound even better that way!

 (still needs cleaning,which I don't do,for your benefit)
I also believe that the "13" would come off with lighter fluid)

====GET YOURSELF SOMETHING YOU ACTUALLY  WANT THIS HOLIDAY SEASON====
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"OFFICIAL" grading guide:
"Very Good (VG)    Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. "

Labels may be marred by writing, or have tape or stickers  attached

During an uneventful recording session at Sun Studios on the evening of July 5, 1954, Presley, Moore, and Black were taking a break between recordings when Presley started fooling around with an up-tempo version of Arthur Crudup's song "That's All Right, Mama". Black began joining in on his upright bass, and soon they were joined by Moore on guitar. Producer Sam Phillips, taken aback by this sudden upbeat atmosphere, asked the three of them to start again so he could record it.

Black's bass and guitars from Presley and Moore provided the instrumentation. The recording contains no drums or additional instruments. The song was produced in the style of a "live" recording (all parts performed at once and recorded on a single track). The following evening the trio recorded "Blue Moon of Kentucky" in a similar style, and it was selected as the B-side to "That's All Right"



















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