SUN RA QUARTET - NEW STEPS 2LPs 1978 HORO 25-26 NM/NM IMPORT

$

102

Import records (2) and gatefold cover are in near mint condition.  Cover has little or no wear and a slight crinkle on the upper right corner, barely noticeable.  The import records (2) appear unplayed and both look new.  1978. Horo 25-26. 

New Steps is one of several albums done with this basic lineup in January of 1978. This album is billed to the Sun Ra Quartet, but it sounds like there's a bass player present on at least some of the cuts (it could be Ra, but he'd need three hands). There are two standards amongst a program of Ra originals, and things get started with a stellar version of "My Favorite Things." The music quickly takes its only sharp turn toward outer space as Ra introduces listeners to "Moon People," the only track where Ra emphasizes synthesizer over piano. "Sun Steps" is a slow tune featuring some beautiful piano playing from Sun Ra. In fact, the remainder of the album is on the mellow side ("When There Is No Sun" is the only track with vocals), and features some great statements by John Gilmore and Ra. Michael Ray is in fine form as well, if somewhat less exuberant than usual. With such a small group, solo space is ample, and Luqman Ali's understated drumming really holds things together nicely. New Steps is another fabulous release from Sun Ra, but all the Horo albums can be difficult to find.

Of all the jazz musicians, Sun Ra was probably the most controversial. He did not make it easy for people to take him seriously, for he surrounded his adventurous music with costumes and mythology that both looked backward toward ancient Egypt and forward into science fiction. In addition, Ra documented his music in very erratic fashion on his Saturn label, generally not listing recording dates and giving inaccurate personnel information, so one could not really tell how advanced some of his innovations were. It has taken a lot of time to sort it all out (although Robert L. Campbell's Sun Ra discography has done a miraculous job). In addition, while there were times when Sun Ra's aggregation performed brilliantly, on other occasions they were badly out of tune and showcasing absurd vocals. Near the end of his life, Ra was featuring plate twirlers and fire eaters in his colorful show as a sort of Ed Sullivan for the 1980s.

But despite all of the trappings, Sun Ra was a major innovator. Born Herman Sonny Blount in Birmingham, AL (although he claimed he was from another planet), Ra led his own band for the first time in 1934. He freelanced at a variety of jobs in the Midwest, working as a pianist/arranger with Fletcher Henderson in 1946-1947. He appeared on some obscure records as early as 1948, but really got started around 1953. Leading a big band (which he called the Arkestra) in Chicago, Ra started off playing advanced bop, but early on was open to the influences of other cultures, experimenting with primitive electric keyboards, and playing free long before the avant-garde got established.

After moving to New York in 1961, Ra performed some of his most advanced work. In 1970, he relocated his group to Philadelphia, and in later years alternated free improvisations and mystical group chants with eccentric versions of swing tunes, sounding like a spaced-out Fletcher Henderson orchestra. Many of his most important sidemen were with him on and off for decades (most notably John Gilmore on tenor, altoist Marshall Allen, and baritonist Pat Patrick). Ra, who recorded for more than a dozen labels, has been well served by Evidence's extensive repackaging of many of his Saturn dates, which have at last been outfitted with correct dates and personnel details. In the late '90s, other labels began reissuing albums from Sun Ra's vast catalog, an effort that will surely continue for years to come.