SVLP 050 THE EAGLES 'HELL FREEZES OVER' SIMPLY VINYL 1998 UK LIMITED EDITION

	£		133
	$		176

Eagles

  Hell Freezes Over

Tracklist 

Companies, etc.

• Recorded At – The Village Recorder
• Recorded At – Sounds Interchange
• Recorded At – Warner Burbank Studios
• Mixed At – The Village Recorder
• Mixed At – A&M Studios
• Mixed At – The Hit Factory
• Mastered At – Sterling Sound

Credits

• Arranged By [Horn And String Arrangements] – Don Davis, Eagles, Jay Oliver
• Art Direction – Janet Wolsborn, Robin Sloane
• Artwork [Devil Illustration] – Rodger Ferris
• Bass, Vocals – Timothy B. Schmit
• Directed By [Program Director] – Beth McCarthy
• Drums, Percussion – Scott Crago
• Drums, Percussion, Vocals – Don Henley
• Edited By, Mastered By – Ted Jensen
• Engineer [Second] –
  
•  Andy Grassi, Barry Goldberg, Carl Glanville, Charlie Bouis, Ken Villeneuve*, Tom Trafalski, Tom Winslow
• Executive-Producer – Joel Stillerman
• Guitar, Organ, Vocals – Joe Walsh
• Guitar, Piano, Keyboards, Vocals – Glenn Frey
• Guitar, Vocals – Don Felder
• Keyboards – Jay Oliver
• Keyboards, Guitar, Vocals – John Corey
• Keyboards, Vocals – Timothy Drury
• Mixed By [Live Mixer At Warner Burbank] – Dave Kob
• Mixed By [Monitor Mixer At Warner Burbank] – Dave Reynolds
• Other [Live Recording Coordinator] – David Hewitt
• Percussion – Gary Grimm*, Paulinho DaCosta*, Stan Lynch
• Photography By [Band] – John Halpern
• Photography By [Cover] – David Skernick
• Producer – 
• Eagles, Elliot Scheiner (tracks: 1, 2, 3, 5 to 15), 
• Rob Jacobs, Stan Lynch (tracks: 4)
• Producer [Program Line Producer] – Audrey Johns
• Producer [Program Producer] – Carol Donovan
• Recorded By, Mixed By [Live Tracks] – Elliot Scheiner
• Recorded By, Mixed By [Studio Tracks] – Rob Jacobs
• Technician [Drum] – Gary Grimm*
• Technician [Guitar] – Chris Buttleman, Mike Harlow, Todd Bowie, Tony LaCroix
• Technician [Keyboard] – Bill Lanham, Mike Rodriguez

Notes

• Barcode: 6 43346 00501 0
• 
  
• Matrix / Runout (Side A): 08 44800 20 1A1 SVLP 050
• Matrix / Runout (Side B): 08 44800 20 1B1 SVLP 050
• Matrix / Runout (Side C): 08 44800 20 2C1 SVLP 050
• Matrix / Runout (Side D): 08 44800 20 1D1 SVLP 050

PLEASE BE AWARE THAT MOST OF THE
RECORDS ON SALE HAVE NOT BEEN PLAY-GRADED
IF THEY HAVE, ANY OBSERVATIONS WILL
 BE MENTIONED IN THE LISTINGS

Condition:
***please see end of listing
    for grading system definitions
          before ordering***

Cover:- LOOKS MINT
Vinyls:- LOOK MINT
Labels:- LOOK MINT

Inserts:

 
WE WANT YOU TO BE HAPPY
 WITH YOUR PURCHASE
IF, FOR WHATEVER REASON, YOU ARE NOT HAPPY WITH THE RECORD
 (EVEN IF YOU DECIDE YOU DON'T LIKE THE MUSIC!)
PLEASE CONTACT ME TO RETURN THE RECORD
 FOR A FULL REFUND PLUS RETURN POSTAGE.
**THE RETURN ADDRESS IS ALWAYS ON THE BACK OF THE PACKAGING**



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Please note that my sales will be posted recorded and must be signed for on arrival.
The cost of this is the current Royal Mail charges whether Domestic or International


SIGNED FOR POSTAGE + PACKING IS OFFERED ON THIS ITEM
PRICES AS FOLLOWS:-

U.K. £4.50  E.U. / UKRAINE £11.50  REST OF THE WORLD** £15.50
**INCLUDES:-
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please note that
***GENEROUS COMBINED POSTAGE WILL BE OFFERED
FOR MULTIPLE ORDERS***

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All items will be posted in custom made mailers in plastic sleeves and using two card liners.

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PLEASE NOTE THAT THE PHOTOGRAPHS DISPLAYED
ARE OF THE ACTUAL ITEM LISTED FOR SALE ABOVE
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My records are described according to The Record Collector's grading system.

This was originated by The Record Collector to assist people buying or selling records.

Their seven standard condition categories and a description of what each one means are given below.

I hope you find this helpful.

MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

EXCELLENT: The records shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.

VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration etc.

FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.

POOR: The record will not play properly due to scratches, bad surface noise etc. The cover and contents will be badly damaged or partly missing.

Bad: The record is unplayable or might even be broken and is only of use as a collection-filler.