Sarah McLachlan - Fumbling Towards Ecstasy and the Freedom Sessions VINYL LP
$
32
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Description
Sarah McLachlan - Fumbling Towards Ecstasy and the Freedom Sessions
1997 pressing
RTH-2000
Arista Records
2 LPs included: NM-
Note pictures: 200g vinyl. Includes insert attached to inside of gatefold cover. Gatefold cover is in excellent shape with only some very minor wear around the corners. Both LPs are in excellent shape, the only visible mark being a light scratch on side B of the Fumbling Towards Ecstasy disc.
All LPs are graded visually and have not been listened to prior to posting. However, interested buyers are invited to ask for an audio inspection, and we'd be happy to answer any other questions regarding the item in question. Buyers are expected to pay within 7 days of auction ending.
From Allmusic.com: Although 1991's Solace made Sarah McLachlan a star in Canada, her international breakthrough arrived two years later with Fumbling Towards Ecstasy, a softly assured album that combined the atmospheric production of Pierre Marchand (a former apprentice -- and evident disciple -- of Daniel Lanois) with some of McLachlan's strongest songwriting to date. At the center of everything was her voice, an ethereal, lilting soprano that helped pave the way for Paula Cole, Lillith Fair, and a decade's worth of successful female songwriters. McLachlan utilized the crack between her chest and head voice, emphasizing the changing tones as her melodies climbed into the vocal stratosphere. She was also comparatively young at the time of Ecstasy's release, and her combination of vocal hooks and commercial appeal wouldn't be fully mastered until 1997's Surfacing. Even so, McLachlan's work was rarely as raw or honest as it is on this record, where tales of sin, lust, and love are delivered alongside piano arpeggios and electronic flourishes.
"Possession," the album's lead-off single, is a jarring love ballad with lyrics inspired by a stalker's correspondence. There's a double-edged quality to the song's eerie lines -- "I'll take your breath away," "I won't be denied," "Just close your eyes, dear" -- and Marchand underscores that tension by setting McLachlan's melodies to a nocturnal trip-hop beat. Elsewhere, the two lighten up with "Ice Cream," which likens love's sweetness to decadent deserts, yet Fumbling Towards Ecstasy takes most of its strength from the lush, rhythmic dreamscapes that dominate the album. Alternately dark and shimmering, intimate and ornate, Fumbling Towards Ecstasy launched McLachlan's international star power while setting a high bar for her future albums, many of which approached -- but not never quite eclipsed -- this career highlight.
A nice companion piece to Fumbling Towards Ecstasy, The Freedom Sessions offers seven early versions of songs from that album in a more stripped-down form. Also included is a cover of Tom Waits' "Ol' 55."
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