Sealed LP: Elton John: Leather Jackets

$

30

Elton John

Leather Jackets

FACTORY SEALED LP

Format: Sealed Album

Country: U.S.A.

Record Company & Release Number: Geffen: GHS 24114

Original release date: 1986

Bar Code: 07599241141

Condition of the cover: Mint

Condition of this sealed album: Sealed - Assumed Mint

My inventory number: 208404

Shipping Weight: 1 pounds, 0 ounces

Notes:

My sealed albums come from various sources. If I am not certain it is factory sealed, I will indicate that in the notes. I refuse to sell known or suspicious re-sealed albums as factory sealed if I am not certain.

- - -

• Leather Jackets
• Hoop of Fire
• Don't Trust That Woman
• Go It Alone
• Gypsy Heart
• Slow Rivers
• Heartache All over the World
• Angeline
• Memory of Love
• Paris
• I Fall Apart

Review by Lindsay Planer, All Music Guide

• Although he had re-formed his 1970s quartet and even reinstated both lyricist Bernie Taupin as well as seminal producer Gus Dudgeon earlier in the decade, Elton John failed to sustain the momentum that informed Too Low for Zero (1983), Breaking Hearts (1984), and to a lesser extent Ice on Fire (1985). Even the most ardent enthusiasts freely admit that Leather Jackets (1986) was nothing more or less than a final fulfillment of his six-album deal with Geffen Records. On top of the half-hearted material and less-than-inspired performances is increasing evidence that John's voice — which would require a potentially career-ending surgery less than a year later — is beginning to show signs of extreme fatigue and strain. While these circumstances certainly don't aid this effort, they likewise do not lessen the few bright moments that exist, including the languid and soulful "Slow Rivers" featuring a duet with Cliff Richard, the hopelessly upbeat single "Heartache All Over the World," as well as the middle-of-the-road "Don't Trust That Woman" — the latter of which is a co-composition between John (under the guise of Lady Choc Ice) and Cher and sports an opening line of "She's a real ball-buster/Don't trust her." Perhaps the most telling track is the achingly poignant mid-tempo ballad "I Fall Apart." With an understated passion and an almost reserved delivery, it hearkens back to tracks such as "Cry to Heaven" from Ice on Fire or "One More Arrow" off of Too Low for Zero. While not really a highlight per se, Queen enthusiasts should note appearances from Roger Taylor (drums) and John Deacon (bass) on the lightweight "Angeline." Over the course of the ensuing months, John reinvented himself by once again embracing his past on the two-disc Live in Australia (1987) — which spawned the international chart-topping version of "Candle in the Wind."

Album Review for "Leather Jackets"

Albert Boekholt: Vocals, Emulator

Alan Carvell: Vocals (bckgr)

John Deacon: Bass

Kiki Dee: Vocals (bckgr)

• Graham Dickson: Percussion, Engineer

• Gus Dudgeon: Percussion, Programming, Producer

• Elton John: Synthesizer, Piano, Keyboards, Vocals

• Davey Johnstone: Guitar, Guitar (Electric), Vocals (bckgr)

• Katie Kissoon: Vocals (bckgr)

• Shirley Lewis: Vocals (bckgr)

• Jody Linscott: Percussion, Tambourine

• Fred Mandel: Synthesizer, Keyboards, Programming

• Dave Mattacks: Drums, Vocals

• Charlie Morgan: Percussion, Drums, Vocals

• Gordon Neville: Vocals (bckgr)

• David Paton: Bass, Guitar (Bass)

• Frank Riccotti: Percussion

• Cliff Richard: Vocals

• Frank Ricotti: Percussion

• Roger Taylor: Drums

• Paul Westwood: Bass

• Pete Wingfield: Vocals (bckgr)

Elton John biography by Stephen Thomas Erlewine

Elton John exploded like a supernova in the early 1970s, generating headlines and hits with ease. As "Your Song," "Rocket Man," "Crocodile Rock," "Daniel," "Goodbye Yellow Brick Road," and "Bennie and the Jets"--songs John wrote with his lifelong collaborator Bernie Taupin--climbed into the Top Ten on either side of the Atlantic, John was inescapable during the first half of the '70s, five years that turned out to be the first act in a remarkable career that kept him at the top of the charts for decades. He had a Billboard Top 40 hit single every year between 1970 and 1996, a sign that he knew how to both change with the times and mold the times to fit him. John's earliest records were part of the moody, introspective post-60s singer/songwriter movement yet once he had a hit with "Your Song," the pianist revealed he could also craft Beatles-like pop and pound out rockers with equal aplomb. Over the ensuing decades, he delved into soul, disco, and country, as well as classic pop balladry, progressive rock, and even musical theater, writing songs for Disney's The Lion King and collaborating with Tim Rice on Aida. His versatility, combined with his effortless melodic skills, dynamic charisma, and flamboyant stage shows, became his calling cards; many of his songs became contemporary pop standards.

The son of a former Royal Air Force trumpeter, John was born Reginald Kenneth Dwight in 1947. He began playing piano at the age of four, and when he was 11, he won a scholarship to the Royal Academy of Music. After studying for six years, he left school with the intention of breaking into the music business. In 1961, he joined his first band, Bluesology, and divided his time between playing with the group, giving solo concerts at a local hotel, and running errands for a London publishing house. By 1965, Bluesology was backing touring American soul and R&B musicians like Major Lance, Doris Troy, and the Bluebells. In 1966, Bluesology became Long John Baldry's supporting band as they toured cabarets throughout England. Dwight became frustrated with Baldry's control of the band and looked for other groups to join. He failed his lead vocalist auditions for both King Crimson and Gentle Giant before responding to an advertisement by Liberty Records. Though he failed his Liberty audition, he was given a stack of lyrics left with the label courtesy of Bernie Taupin, who had also replied to the ad. Dwight wrote music for Taupin's lyrics and began corresponding with him through mail. By the time the two met six months later, Dwight had changed his name to Elton John, taking his first name from Bluesology saxophonist Elton Dean and his last from John Baldry.

John and Taupin were hired by Dick James to become staff songwriters at his fledgling DJM in 1968. The pair collaborated at a rapid rate, with Taupin submitting batches of lyrics -- he often wrote a song an hour -- every few weeks. John would then write music without changing the words, sometimes completing the songs in under a half-hour. Over the next two years, the duo wrote for pop singers like Roger Cook and Lulu. In the meantime, John recorded cover versions of current hits for budget labels to be sold in supermarkets. By the summer of 1968, he had begun recording singles for release under his own name. Usually, these songs were more rock- and radio-oriented than the tunes he and Taupin were giving to other vocalists, yet neither of his early singles for Philips, "I've Been Loving You Too Long" and "Lady Samantha," sold well. In June of 1969, he released his debut album for DJM, Empty Sky, which received fair reviews, but no sales.

For his second album, John and Taupin hired producer Gus Dudgeon and arranger Paul Buckmaster, who contributed grandiose string charts to Elton John. Released in the summer of 1970, Elton John made inroads in America, where it appeared on MCA's Uni subsidiary. In August, he gave his first American concert at the Troubadour in Los Angeles, which received enthusiastic reviews, as well as praise from Quincy Jones and Leon Russell. Throughout the fall, Elton John continued to climb the charts on the strength of the Top Ten single "Your Song." John followed it quickly in late 1970 with the concept album Tumbleweed Connection, which received heavy airplay on album-oriented radio in the U.S., helping it climb into the Top Ten. The rapid release of Tumbleweed Connection established a pattern of frequent releases that John maintained throughout his career. In 1971, he released the live 11-17-70 and the Friends soundtrack, before releasing Madman Across the Water late in the year. Madman Across the Water was successful, but John achieved stardom with the follow-up, 1972's Honky Chateau. Recorded with his touring band -- bassist Dee Murray, drummer Nigel Olsson, and guitarist Davey Johnstone -- and featuring the hit singles "Rocket Man" and "Honky Cat," Honky Chateau became his first American number one album, spending five weeks at the top of the charts.

Between 1972 and 1976, John and Taupin's hitmaking machine was virtually unstoppable. "Rocket Man" began a four-year streak of 16 Top 20 hits in a row; out of those 16 -- including "Crocodile Rock," "Daniel," "Bennie and the Jets," "The Bitch Is Back," and "Philadelphia Freedom" -- only one, the FM hit "Saturday Night's Alright for Fighting," failed to reach the Top Ten. Honky Chateau was the first a streak of seven consecutive number one albums -- Don't Shoot Me I'm Only the Piano Player (1973), Goodbye Yellow Brick Road (1973), Caribou (1974), Greatest Hits (1974), Captain Fantastic and the Brown Dirt Cowboy (1975), and Rock of the Westies (1975) -- that all went platinum. John founded Rocket, a record label distributed by MCA, in 1973 in order to sign and produce acts like Neil Sedaka and Kiki Dee. John didn't become a Rocket recording artist himself, choosing to stay with MCA for a record-breaking eight-million-dollar contract in 1974. Later in 1974, he played and sang on John Lennon's number one comeback single "Whatever Gets You Through the Night," and he persuaded Lennon to join him on-stage at Madison Square Garden on Thanksgiving Day 1974; it would prove to be Lennon's last live performance. The following year, Captain Fantastic became John's first album to enter the American charts at number one. After its release, he revamped his band, which now featured Johnstone, Quaye, Roger Pope, Ray Cooper, and bassist Kenny Passarelli; Rock of the Westies was the first album to feature this lineup.

Throughout the mid-'70s, John's concerts were enormously popular, as were his singles and albums, and he continued to record and perform at a rapid pace until 1976. That year, he revealed in an interview in Rolling Stone that he was bisexual; he would later admit that the confession was a compromise, since he was afraid to reveal that he was homosexual. Many fans reacted negatively to John's bisexuality, and his audience began to shrink somewhat in the late '70s. The decline in his record sales was also due to his exhaustion. After 1976, John cut his performance schedule drastically, announcing that he was retiring from live performances in 1977, and started recording only one album a year. His relationship with Taupin became strained following the release of 1976's double album Blue Moves, and the lyricist began working with other musicians. John returned in 1978 with A Single Man, which was written with Gary Osborne; the record produced no Top 20 singles. That year, he returned to live performances, first by jamming at the Live Stiffs package tour, then by launching a comeback tour in 1979 accompanied only by percussionist Ray Cooper. "Mama Can't Buy You Love," a song he recorded with Philly soul producer Thom Bell in 1977, returned him to the Top Ten in 1979, but that year's Victim of Love was a commercial disappointment.

John reunited with Taupin for 1980's 21 at 33, which featured the Top Ten single "Little Jeannie." Over the next three years, John remained a popular concert artist, but his singles failed to break the Top Ten, even if they reached the Top 40. In 1981, he signed with Geffen Records and his second album for the label, Jump Up!, went gold on the strength of "Blue Eyes" and "Empty Garden (Hey Hey Johnny)," his tribute to John Lennon. But it was 1983's Too Low for Zero that marked his last great streak of hit singles, with the MTV hit "I'm Still Standing" and the Top Ten single "I Guess That's Why They Call It the Blues." Throughout the rest of the '80s, John's albums consistently went gold, and they always generated at least one Top 40 single; frequently, they featured Top Ten singles like "Sad Songs (Say So Much)" (1984), "Nikita" (1986), "Candle in the Wind" (1987), and "I Don't Want to Go on with You Like That" (1988). While his career continued to be successful, his personal life was in turmoil. Since the mid-'70s, he had been addicted to cocaine and alcohol, and the situation only worsened during the '80s. In a surprise move, he married engineer Renate Blauel in 1984; the couple stayed married for four years, although John later admitted he realized he was homosexual before his marriage. In 1986, he underwent throat surgery while on tour, but even after he successfully recovered, he continued to abuse cocaine and alcohol.

Following a record-breaking five-date stint at Madison Square Garden in 1988, John auctioned off all of his theatrical costumes, thousands of pieces of memorabilia, and his extensive record collection through Sotheby's. The auction was a symbolic turning point. Over the next two years, John battled both his drug addiction and bulimia, undergoing hair replacement surgery at the same time. By 1991 he was sober, and the following year he established the Elton John AIDS Foundation; he also announced that he would donate all royalties from his single sales to AIDS research.

In 1992, John returned to active recording with The One. Peaking at number eight on the U.S. charts and going double platinum, the album became his most successful record since Blue Moves and sparked a career renaissance for John. He and Taupin signed a record-breaking publishing deal with Warner/Chappell Music in 1992 for an estimated 39 million dollars. In 1994, John collaborated with lyricist Tim Rice on songs for Disney's animated feature The Lion King. One of their collaborations, "Can You Feel the Love Tonight," won the Academy Award for Best Original Song, as well as the Grammy for Best Male Pop Vocal Performance. John's 1995 album, Made in England, continued his comeback, peaking at number three on the U.K. charts and number 13 in the U.S.; in America, the album went platinum. The 1997 follow-up, The Big Picture, delivered more of the same well-crafted pop, made the Top Ten, and produced a hit in "Something About the Way You Look Tonight." However, its success was overshadowed by John's response to the tragic death of Princess Diana -- he re-recorded "Candle in the Wind" (originally a eulogy for Marilyn Monroe) as a tribute to his slain friend, with Taupin adapting the lyrics for what was planned as the B-side of "Something About the Way You Look Tonight."

With the profits earmarked for Diana's favorite charities, and with a debut performance at Diana's funeral, "Candle in the Wind 1997" became the fastest-selling hit of all time in both Britain and the U.S. upon the single's release, easily debuting at number one on both sides of the Atlantic; with first-week sales of over three million copies in the U.S. alone and 14 weeks in the top spot, it was John's biggest hit ever. For his next project, John reunited with Lion King collaborator Tim Rice to write songs for Disney's Broadway musical adaptation of the story of Aida; an album of their efforts featuring a who's-who of contemporary pop musicians was released in early 1999, going gold by the end of the year. In late 2000, John landed a TV special with CBS, performing a selection of his greatest hits at Madison Square Garden; a companion album drawn from those performances, One Night Only, was issued shortly before the special aired. Released in 2001, Songs from the West Coast was a return to form for John, who found critical success for the first time since the '80s. However, it wasn't until 2004's popular Peachtree Road album that he managed to match that success commercially. In 2006, John and Taupin released The Captain & the Kid, a sequel to 1975's Captain Fantastic and the Brown Dirt Cowboy. John busied himself with stage work and a Vegas show before he unexpectedly recorded a duet album with Leon Russell, releasing the T-Bone Burnett-produced The Union in the fall of 2010.

The Union revived Russell's career and the duo supported the record with a limited tour. John settled into another Vegas stint in 2011, signing a contract with Caesars Palace to deliver a show called The Million Dollar Piano over the next three years. Despite this long-term commitment, Elton pursued other projects: He published an autobiography called Love Is the Cure in the summer of 2012 and, around the same time, the Australian dance duo Pnau reworked many of his classic '70s recordings on the Good Morning to the Night album. He also completed another collection of new songs, The Diving Board; the T-Bone Burnett-produced album appeared in September 2013. Three years later, John again reunited with Burnett to record Wonderful Crazy Night, the first album of his to feature his touring band since The Captain & the Kid. Wonderful Crazy Night saw release in February 2016. A year later, PBS aired the Burnett-produced documentary The American Epic Sessions, which yielded a number of unique collaborations between prominent artists, including the Elton John and Jack White duet "2 Fingers of Whiskey." In November 2017, Universal released the Diamonds compilation -- available as a double-disc and as a deluxe triple-CD set -- to mark the 50th anniversary of John's songwriting career with Taupin.

Elton John launched his final tour, dubbed Farewell Yellow Brick Road, in September 2018, the first in a series of retrospective events that ran through 2020. The splashiest of these was Rocketman, a Dexter Fletcher-directed 2019 biopic starring Taron Egerton as the rocker and Jamie Bell as Taupin. John and Taupin contributed a new song, "(I'm Gonna) Love Me Again" -- performed as a duet with Egerton -- which later won the Academy Award for Best Song. At the end of 2019, John published his memoir, Me. Jewel Box, a hefty box set containing non-LP B-sides and previously unreleased early collaborations with Bernie Taupin, appeared in time for the holiday season of 2020. Among the highlights on Jewel Box was John's scrapped debut album Regimental Sgt. Zippo, a record cut in the wake of Sgt. Pepper; it was released on its own for Record Store Day in 2021.

During 2020 and 2021, Elton John collaborated long-distance with a variety of artists, a roster ranging from Lil Nas X and Miley Cyrus to Eddie Vedder, Stevie Nicks, Gorillaz, Brandi Carlile and Stevie Wonder. These recordings comprised his 2021 album The Lockdown Sessions.

This sealed album is being sold as a collector's item and cannot be returned due to manufacturer's defects. It may be almost impossible to replace many of the sealed albums I am selling. If I am aware of any defects, I will list it in the notes and pictures above.

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All album reviews, credits and artist biographies are from AllMusic Guide. If you haven't been to their web site, you should check it out. It's one of the most comprehensive music references on the internet. In some cases, credits may include reissue (CD) information. Obviously any credits referenced to CDs might not apply to this release.

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