Shakin' All Over - The Guess Who's Chad Allan & The Expressions LP SHRINK MONO
  $   29

 


$ 29 Sold For
Mar 19, 2013 Sold Date
Mar 12, 2013 Start Date
$   9 Start price
4   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

LP VG

 

Jacket NM-

 

biography

 by Charlotte Dillon

Singer Allan Kowbel was born in Winnipeg in 1943. He was still a child when rock & roll overtook many Canadian radio stations where he lived. When he was in his teens, he picked a stage name, Chad Allan, and started a musical career that would last for decades and bring about the formation of the famed rock band, the Guess Who. By the end of the '50s Allan formed a rock & roll band called Chad Allan and the Silvertones. Other members were bassist Jim Kale, guitarist Randy Bachman, and drummer Garry Peterson. The group went through a couple of name changes, trying out Chad Allan and the Reflections and Chad Allan and the Expressions. Around 1963, the band was signed to contract by the Canadian-based Quality Records label. When Quality began to release a new album, Shakin' All Over, by the Chad Allan band in 1965, they didn't place the band's name on the label, instead the words Guess Who? graced each copy. The name stuck. Allan stayed with the Guess Who for one more album, Hey Ho, before giving his voice a needed rest and going back to school. In 1971, Allan teamed up once more with his old friend Bachman, who had also left the Guess Who. Out on his own, Bachman had started a new rock band, Brave Belt. Allan stayed with the group long enough to completed a couple of albums, before going into other forms of music and even starting a record label of his own.

 

 

review

 by Richie Unterberger

Guess Who LPs titled Shakin' All Over appeared in both the US and Canada in 1965, but they weren't the same records, though some of the same tracks were included on each release. The American Shakin' All Over was issued on the Scepter label; the Canadian one came out on Quality, and has been reissued on CD, making it much more widely available outside of Canada. The one being addressed in this review is the US version, which actually drew from tracks that appeared on the group's two 1965 Canadian LPs on Quality, Shakin' All Over and Hey Ho (What You Do to Me). Aside from the title track (itself not as good as the Johnny Kidd original), the American LP titled Shakin' All Over was a rather thin effort typical of the period, padding the hit single with various covers and a few Randy Bachman originals. "Stop Teasing Me" -- here presented in a milder version than the superior re-recording included on Hey Ho (What You Do to Me) -- is one of the most accurate Merseybeat imitations ever waxed, but on the whole this sounds a lot closer to a harder-rocking Gerry & the Pacemakers than the group would have liked to admit a few years later. Since all of the tracks appear on the two 1965 Canadian LPs, and since those Canadian LPs have been reissued on CD, there's little reason to make an effort to find the American Shakin' All Over LP.

 

All Lps are sight graded

 

Note: I Do Not Grade inner sleeves, If these are Important to you then you may e-mail me)

 

RECORD GRADING Based On Goldmine Grading Standards:

Near Mint (NM): A nearly perfect record. There may be one or two small inaudible defects. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as almost invisible ring wear or other sights of slight handling. An LP jacket should have no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either.

Near Mint Minus (NM-): A record that should play mint but has a few slight visible marks. The album will have as much luster as an NM, there just may be some superficial scuffs from the sleeve or very light hairlines that shouldn't be audible. An NM- album cover subjectively fits somewhere in between VG+ and NM.

Very Good Plus (VG+): A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don t significantly affect play. Slight warps that do not affect the sound are OK. The label may have some ring wear or discoloration, but it should be barely noticeable. The center hole will not have been misshapen by repeated play. 45 Picture sleeves will have some slight wear, lightly turned-up corners, or a slight seam-split. An LP jacket may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount.

Very Good (VG): Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song s intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, just two or three of them.

Good (G), Good Plus (G+): Good does not mean Bad! A record in Good or Good Plus condition can be put onto a turntable and will play though without skipping. But it will have significant surface noise and scratches and visible groove wear. A jacket or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the subject.

Poor (P), Fair (F): Below good. imperfections will be described.



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