Sir Lord Baltimore - Kingdom Come original UNPLAYED LP
  $   32

 


$ 32 Sold For
Jun 25, 2010 Sold Date
Jun 18, 2010 Start Date
$   10 Start price
7   Number Of Bids
  Canada Country Of Seller
eBay Auctioned at
 
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Description

Original copy of Sir Lord Baltimore's LP "Kingdom Come" in great condition. Drill hole in upper left corner. Bottom right corner has been bent at one point and has led to a small rip some damage about 3 inches along bottom edge. Also slight corner wear on other corners. Otherwise in excellent shape. Record itself is unplayed with a few minor scuffs and one tiny scratch from the sleeve. Looking at it I assume the very few marks are inaudible as I opened this copy myself due to the corner bending from the shrinkwrap and never played it.

Mercury stereo SR 61328
Allmusic Review of the album:

When Sir Lord Baltimore released Kingdom Come in 1970, heavy metal was just a twinkle inBlack Sabbath's eyes (the Birmingham legends' first album had only just hit record stores), and the term itself was years away from widespread acceptance as the definition of an entire category of rock music. So much so, that present-day listeners might find this album's songs as comparable to those of so-called "early punks" The Stooges or MC5, as they are to other proto-metal outfits like Blue Cheer, Led Zeppelin, and certainly Sabbaththemselves. As was the case with every one of these acts, Sir Lord Baltimore's music was fundamentally rooted in unbridled aggression, deafening distortion, and raw power: likeNuggets, the next generation. In other words, there was little finesse to be found in savage album cuts like "Helium Head," "Hard Rain Fallin'," and "Pumped Up" -- just bludgeoning hard rock seemingly ever on the verge of spontaneous self-combustion under the command of vocalist John Garner's wild-eyed, howling, vocal acrobatics. Clues of the group's influence by the classic '60s power trios (Cream, the Jimi Hendrix Experience, etc.) were evident on bluesier, but still reliably tee-total numbers like "I Got a Woman" "Hell Hound," and "Lady of Fire"; while "Master Heartache" was jump-started by a monstrous bassline foreshadowing ofMotörhead, and the leaden title track somehow managed to echo both the dying psychedelic movement and emerging doom. Finally, there was album wildcard "Lake Isle of Innersfree": a shockingly sedate and civilized, Baroque combination of harpsichord and 12-string guitars topped by suitably psychedelic lyrics which, not surprisingly, was crafted with the help of the band's managers (namely future Bruce Springsteen Svengali Mike Appel, trivia fans). As well as a true anomaly, the latter hinted at Sir Lord Baltimore's growing stylistic broadening which would both diversify and dilute their second and final album, leaving Kingdom Cometo stand the test of time as the band's authoritative work. And, even though it was generally dismissed by critics and misunderstood by listeners of the day (as were Sabbathand the Stooges, of course), the album gradually grew in stature to become one of early heavy metal's best-loved documents, and most consistently sought-out cult items.


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