Stereolab Dots And Loops 2LP colored vinyl RARE + 7"
$
31
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Description
Stereolab - Dots And Loops
Label: Duophonic
Catalog#: D-UHF-D17
Format: 2 x Vinyl, LP, Album, Limited Edition, White And Green
Country: UK
Released: 1997
plus ULTRA HIGH FREQUENCY DISKS
D-UHF-D18
IRON MAN/THE INCREDIBLE HE WOMAN
(RED VINYL 7") (MADE IN ENGLAND)
VINYL:VG++
SLEEVE:VG++
Genre: Electronic, Jazz, Rock
Style: Art Rock, Space Rock, Indie Rock, Easy Listening
Credits: Arranged By [Brass] - Andy Robinson (2) , Sean O'Hagan
Arranged By [Strings] - Marcus Holdaway , Sean O'Hagan
Brass - Dave Max Crawford , Jeb Bishop , Paul Mertens , Ross Reed
Performer - Andrew Ramsay* , Laetitia Sadier , Mary Hansen , Morgane Lhote , Richard Harrison , Tim Gane
Piano, Electric Piano [Fender Rhodes], Organ [Farfisa] - Sean O'Hagan (tracks: 1, 2, 4, 6 to 9)
Producer, Mixed By - Stereolab
Producer, Recorded By, Mixed By, Synthesizer [Analogue], Electronics, Percussion, Vibraphone, Marimba - John McEntire (tracks: 1, 2, 4, 6 to 9)
Strings - Maureen Loughnane , Poppy Branders , Rebecca McFaul , Shelley Weiss
Notes: The first vinyl pressing had one green disk and one white disk both housed in coloured inner sleeves and presented in a single sleeve outer sleeve.
Tracks 1, 2, 4, 6 to 9 recorded at Idful Music Corp., Chicago, March 1997. Tracks 2, 6, 8, 9 & parts A & B of 7 mixed at Soma Recording Studio, Chicago, May 26th - June 4th 1997. Chicago tracks recorded directly onto hard disk.
Tracks 3, 5, 10 recorded at Academy of St. Martin in the Street, Düsseldorf, April 1997.
Instrumentation: Vocals, Farfisa organ, electric guitar, bass, analog synthesizers and other electronic devices (for sound generating and filtering), Fender Rhodes piano, drums, beatbox, percussion, piano, clavinet, nylon string acoustic guitar, electronic percussion.
Tracklisting:
A1 Brakhage
Bass - Douglas McCombs
A2 Miss Modular
A3 The Flower Called Nowhere
Effects [Special Electronics, Insect Horns], Engineer [Electronics] - Jan St. Werner
Electronics, Percussion [Electronic], Recorded By, Mixed By, Producer - Andi Toma
Engineer [Additional] - Max Stamm
Piano - Xavier "Fischfinger" Fischer*
B1 Diagonals
B2 Prisoner Of Mars
Effects [Special Electronics, Insect Horns], Engineer [Electronics] - Jan St. Werner
Electronics, Percussion [Electronic], Recorded By, Mixed By, Producer - Andi Toma
Engineer [Additional] - Max Stamm
B3 Rainbo Conversation
C Refractions In The Plastic Pulse
D1 Parsec
D2 Ticker-Tape Of The Unconcious
D3 Controntura
Effects [Special Electronics, Insect Horns], Engineer [Electronics] - Jan St. Werner
Electronics, Percussion [Electronic], Recorded By, Mixed By, Producer - Andi Toma
Engineer [Additional] - Max Stamm
VINYL CONDITION:VG++ very clean,plays well
SIDE C:VG+ shows some scuffs,plays fine with some minor background sound
SLEEVE CONDITION:VG++ in original shrink,no splits,minor corner wear,previous owners name on outside of each sleeve in pen
PLEASE EMAIL ME WITH QUESTIONS,CHEERS!
YOUR RECORD WILL BE PACKED WITH CARE IN A RECORD MAILER. I WILL SHIP OVERSEAS. IF OVER $100 DOLLARS THIS WILL NEED TO BE REGISTERED.
Mint (M) Perfect Condition, which basically means that it is as good as new, literally. The vinyl has to look new and sound as though it was never played, and the cover has to look untouched. Some argue that the only mint records are brand new unopened ones still in their original packing.
Near Mint (NM) Vinyl is near perfect. At most, a light scuff appears on the record, but it should play without any noise or skips. The record sleeve should also be near perfect with only minor signs of wear. There should be no" outline sleeve.)
Very Good+
(VG+) This is the grading category where the quality of the sound is affected -- there will be some surface noise -- and the vinyl will show wear, including surface scuffs and some light scratches. However, the record is still very listenable as there are no deep scratches that cause skips. On the cover, the corners may be slightly bent, but not broken. There may be wear to the seams but not tears or holes.
Very Good
(VG) Vinyl doesn't necessarily look good, but still plays well enough. Surface noise will probably be present, including pops and clicks. At higher volume levels, the music should overpower any pops and clicks present. There may be seam splitting, but not complete separation of the sleeve panels from each other. There will be noticeable ring wear on the cover, but the cover should for the most part still be in good condition.
Good (VG-) Vinyl is well played and looks it. However, the record should still play without skipping. It will have substantial surface noise, pops and clicks. Loss of various parts of the dynamic range will occur due to worn grooves. This grade depends a lot on the owner and the type of records he or she collects. A rock record may still sound ok at a high volume, but quieter styles of music will be practically unlistenable. The record cover may have many problems including seam splits, tears, and writing on it.
Fair/Poor (F/P)
Using the word fair for this quality of record is, in the opinion of JRS, too generous and not recommended since it may be misleading. Records described as fair (F) or Poor (P) in the Goldmine grading system are ones that are basically unlistenable. Surface noise, skips and pops make hearing what's on the record nearly impossible, if not completely impossible. The cover is falling apart, torn, and has writing all over it. The only reason to keep it would be if the record is extremely rare or you want to eventually melt the vinyl and shape it into an ashtray.
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