Stockhausen - Kreuzspiel · Kontra-Punkte · Zeitmasze · Adieu

Composed By, Conductor, Liner Notes – Karlheinz Stockhausen

Ensemble – London Sinfonietta

Rare Original Germany Pressing "Deutsche Grammophon ?– 2530 443" LP

A selection of different works performed with the London Sinfonietta using experimental microphone and speaker placements

Kreuzspiel for oboe, bass clarinet, piano and 3 percussionists, composed in 1951 

Kontra-Punkte for 10 instruments, composed in 1952-53 

Zeitmasze for 5 wind instruments, composed in 1955-56 

Adieu for woodwind quintet, composed in 1966

Tracks :

A1 Kreuzspiel

Bass Clarinet – Roger Fallows

Oboe – Janet Craxton

Percussion – David Corkhill, James Holland, Peter Britton

Piano – John Constable

11:24

A2 Kontra-Punkte

Bass Clarinet – Roger Fallows

Bassoon – William Waterhouse

Cello – Christopher Van Kampen

Clarinet – Antony Pay

Flute – Sebastian Bell

Harp – Elizabeth Fletcher

Piano – John Constable

Trombone – David Purser

Trumpet – John Miller

Violin – Marcia Crayford

14:05

B1 Zeitmasze

Bassoon – William Waterhouse

Clarinet – Antony Pay

Cor Anglais – John Butterworth

Flute – Sebastian Bell

Oboe – Janet Craxton

14:23

B2 Adieu

Bassoon – William Waterhouse

Clarinet – Antony Pay

Cor Anglais – John Butterworth

Flute – Sebastian Bell

Oboe – Janet Craxton

Condition Vinyl   :        VG +++ / few light marks / stamp & small sticker on label

Condition Sleeve  :      VG +++ / removed sticker mark 

*Condition is based on visual grading - Please Read scale below 

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Gradings : (*Condition is based on visual grading)
 
Mint - The record is in brand new condition With no surface marks or deterioration in sound quality. The cover & any extra items (inserts, etc) are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

Excellent - The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging may have slight wear and / or creasing.

Very Good - The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable. 

Good - The record has been played so much that the sound quality has noticeably deteriorated, may have some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration etc.