Sublime - Sublime [2LP] 180 Gram, remastered, removable 3D cover art MINT
$
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Description
COVER CONDITION. mint
RECORD CONDITION. mint never played..
ALL RECORDS ONLY VISUAL GRADES SEE GRADING CHART BELOW WE HAVE MORE VINYL AND OTHER STUFF YOU MIGHT LIKE IF YOUR LOOKING AT THIS. CLICK ON THE STORE TO SEE MORE. COMBINED SHIPPING AVAILABLE THANKS FOR LOOKING AND FEEL FREE TO CONTACT ME WITH ANY ?'S
ALL USA ORDERS WILL BE SENT VIA MEDIA MAIL. ALL USA ORDERS WILL INCLUDE DELIVERY CONFIRMATION AND ONLINE TRACKING FOR YOUR CONVENIENCE . ________________________________________________________________________________ Mint (M) Absolutely perfect in every way. Certainly never been played, possibly even still sealed.(More on still sealed under "Other Considerations"). Should be used sparingly as a grade, If at all.
Near Mint (NM) A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly)that no record is ever truly perfect.
The record should show no obvious signs of wear. Covers should have no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling.
An LP cover should have no creases, folds, seam splits or other noticeable similar defects. No cut-out holes, either. And of course, the same should be true of any other inserts, such as posters, lyric sleeves and the like.
Basically, an LP in near mint condition looks as if you just got it home from a new record store and removed the shrink wrap.
Near Mint is the highest price listed in all Goldmine price guides. Anything that exceeds this grade, in the opinion of both buyer and seller, is worth significantly more than the highest Goldmine book value.
Excellent (EX) A Excellent (EX) record will show some signs that it was played and otherwise handled by a previous owner who took good care of it.
Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Very Slight warps that do not affect the sound are "OK".
The label may have some ring wear or discoloration, but it should be barely noticeable. The center hole will not have been misshapen by repeated play.
Picture sleeves and LP inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Excellent (EX) record highly acceptable. Excellent Minus (EX-) An LP or cover that just has a little more pronounced flaws than the EX grade but not quiet VG+ Very Good+ (VG+) Many of the defects found in a EX record will be more pronounced in a VG+ disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches
Covers may have a small amount of writing, Slight seam splits and tears to the spine edges.The same will be true of inner sleeves. However, it will not have all of these problems at the same time, only two or three of them.
Very Good (VG) Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be much more evident upon playing, Groove wear and lose of gloss, as with light scratches (deep enough to feel with a fingernail) that will affect the sound.
Covers may of writing, Large seam splits and tears to the spine edges.Ring Wear will be very visible.The same will be true of inner sleeves.
Good (G), Good Plus (G+) Good does not mean Bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear (on a styrene record, the groove will be starting to turn white).
A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object.
It is a common item, you'll probably find another copy in better shape eventually. Pass it up. But, if it's something you have been seeking for years, and the price is right, get it...but keep looking to upgrade.
Poor (P), Fair (F) The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully seam split, crinkled, and written upon __________________________________________________________________________________ Here is some wiki artist info for you!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Sublime (band)
From Wikipedia, the free encyclopedia Sublime Floyd "Bud" Gaugh, Eric Wilson, and Bradley Nowell in a 1996 promotional picture Background information Origin Long Beach, California, U.S. Genres Ska punk, reggae rock Years active 1988–1996 Labels- MCA
- Skunk
- Sublime with Rome
- The Ziggens
- Marshall Goodman
- Long Beach Dub Allstars
- Long Beach Shortbus
- Perro Bravo
- Eyes Adrift
- Volcano
- Juice Bros.
- Slightly Stoopid
- Gwen Stefani
- Bad Brains
- Del Mar
- Phil & the Blanx
- Bradley Nowell
- Eric Wilson
- Bud Gaugh
Sublime was an American ska punk band from Long Beach, California, formed in 1988.[1] The band's line-up, unchanged until their breakup, consisted of Bradley Nowell (vocals and guitar), Eric Wilson (bass) and Bud Gaugh (drums). Lou Dog, Nowell's dalmatian, was the mascot of the band. Nowell died of a heroin overdose in 1996. In 1997, posthumous songs such as "What I Got", "Santeria", "Wrong Way", "Doin' Time", and "April 29, 1992 (Miami)" were released to U.S. radio.[2]
Sublime released three studio albums, one live album, five compilation albums (one of which also contains never-before released material), three EPs and one box set. Although their first two albums—40oz. to Freedom (1992) and Robbin' the Hood (1994)—were quite popular in the United States, Sublime did not experience major commercial success until 1996 with their self-titled third album, released two months after Nowell's death, which peaked at No. 13 on the Billboard 200, and spawned the single "What I Got", which remains the band's only No. 1 hit single (on the Billboard Alternative Songs chart) in their musical career. As of 2009, the band has sold over 17 million albums worldwide,[3] including about 10 million in the U.S. alone. Michael 'Miguel' Happoldt and Marshall Goodman "Ras MG" contributed to several Sublime songs.
In 2009, the surviving members decided to reform the band with Rome Ramirez, a young guitarist and admitted Sublime fan from California.[4] However, not long after performing at Cypress Hill's Smokeout Festival, a Los Angeles judge banned the new lineup from using the Sublime name.[5] This was because Nowell had owned rights to the Sublime name, and as a result, they were not allowed to use it without approval and permission from his estate. In January 2010, the lawsuit was settled and the new lineup now performs together as Sublime with Rome, who released their debut album Yours Truly on July 12, 2011. Five months after its release, Gaugh announced his departure from the band.
Contents
[hide]- 1History
- 1.1Early career (1988–1991)
- 1.240oz. to Freedom and Robbin' the Hood (1992–1995)
- 1.3Nowell's death, self-titled final album and breakup (1996)
- 1.4Post-breakup (1997–present)
- 2Musical style and influences
- 3Impact and legacy
- 4Equipment
- 4.1Bradley Nowell
- 4.1.1Guitars
- 4.1.2Pedals
- 4.1.3Amps
- 4.1Bradley Nowell
- 5Members
- 5.1Primary
- 5.2Additional musicians
- 5.3Timeline
- 6Discography
- 7References
- 8External links
History[edit]
Early career (1988–1991)[edit]
Eric Wilson and Bud Gaugh were childhood friends. Having grown up in the same Long Beach neighborhood, Eric's father, Billy Wilson taught Gaugh how to read music and play the drums. Gaugh and Wilson together with future Sublime manager, Michael Happoldt, formed a three-piece punk band called The Juice Bros during their high school years. About this time, Bradley Nowell, who had recently dropped out of University of California, Santa Cruz, joined the band. Nowell helped introduce Gaugh and Wilson to reggae andska, who at the time listened exclusively to punk rock.[6]
Sublime played its first gig on the Fourth of July, 1988 in a small club. Music venues were skeptical of the band's eclectic musical fusion and many refused to book the band. In response, the band created their own music label, Skunk Records, and told venues that they were "Skunk Records recording artists", which helped the band seem more accomplished and subsequently book more shows.[6] For the next several years, the group focused primarily on playing at parties and small clubs with local ska bands Smokestacks, No Doubt and Skeletones to name a few throughout Southern California. The trio recorded a few songs and put forth a number of short demos.
In February 1990, Nowell adopted an abused dalmatian puppy from a shelter and named him "Louie" after his grandfather.[7] Louie Nowell, King Louie, or "Lou Dog" as he was called, became something of a mascot for the band. Gaugh recalled that "Lou Dog just loved Brad because it was the first time he had ever actually been shown love."[7] Lou Dog was often allowed to wander around the stage during the band's concert performances. One of Sublime's early club venues in 1990 was at a downtown club in Long Beach called Toe Jam. This Club was owned and operated by David Rice, James Walker, Jason Burch and Jeff King. A private party was held in February 1991 at Toe Jam for one of the owners. Special thanks can be found for Toe Jam and the owners on the back of the later produced album, 40oz to Freedom. In late 1990, music student Michael "Miguel" Happoldt approached the band, offering to let the band record in the studio at the school where Happoldt was studying. The band enthusiastically agreed and trespassed into the school at night, where they recorded from midnight to seven in the morning.[7] The recording session resulted in the popular cassette tape called Jah Won't Pay the Bills, which was released in 1991 and featured songs that would later appear on the band's future albums. The tape helped the band gain a grassroots following throughout Southern California.[7]
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