Supertramp Audiophile Series SPJ-4634 Import Even In The Quietest.. Japan Vinyl

$

31

CANADIAN IMPORT RELEASE

PRESSED IN JAPAN

A&M RECORDS

SUPERTRAMP

"EVEN IN THE QUIETEST MOMENTS"

Quality Import Pressing

GATEFOLD SLEEVE

                  Japanese vinyl pressing of Supertramp's classic album Even In The Quietest Moments re-released in 1980.  Gatefold sleeve shows some slight wear but still is sturdy and presents well with no splits, cuts or holes.   There is crease at the bottom right.  Protected in poly sleeve since obtained.  Vinyl has clean labels and is stored in rice sleeve.  Quality vinyl record within.      

RECORD WILL BE SECURELY PACKAGED FOR SHIPPING 

"Even in the Quietest Moments" is an actual Davies/Hodgson collaboration. Davies wrote "Lover Boy", "Downstream", and "From Now On" by himself, and Hodgson in turn wrote "Give a Little Bit", "Babaji", and "Fool's Overture" unaided.

Davies said of "Lover Boy":  I was inspired by advertisements in men's magazines telling you how to pick up women. You know, you send away for it and it's guaranteed not to fail. If you haven't slept with at least five women in two weeks, you can get your money back.  Bob Siebenberg recounted:  Rick had been working on 'Lover Boy' for quite a while and finally came up with the long middle section. I just heard that as a really slow, really solid sort of beat, just to give the song dynamics underneath it all, because the song itself is really powerful and it needed something really solid underneath it.

Most of the song "Even in the Quietest Moments" was written during the sound check for a show at the Tivoli Gardens (in Copenhagen). Davies and Hodgson worked out the various parts of the song with Hodgson seated at an Oberheim string synthesiser and Davies at the drum kit.  Davies commented on the music, It starts off in a very standard melody thing and then it notches onto a sort of one chord progression or perhaps we should call it a digression. It's a thing where there's hundreds of sounds coming in and going out, a whole collage thing.  Hodgson said of the lyrics, It's kind of a dual love song – it could be to a girl or it could be to God.

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GRADING

Record conditions are determined using the tried and true "Goldmine" grading scale found in Tim Neely's Goldmine Record Album Price Guide. For your reference the grades are reprinted here:

Mint (M): Absolutely perfect in every way - certainly never played, possibly even still sealed. Should be used sparingly as a grade, if at all.

Near Mint (NM or M-): A nearly perfect record. Many dealers won't give a grade higher than this, implying (perhaps correctly) that no record is ever truly perfect. The record should show no obvious signs of wear. An LP jacket should have no creases, folds, seam splits or any other noticable similar defect. No cut-out holes, either. And of course, the same should be true of any other inserts, such as posters, lyric sleeves and the like. Basically, an LP in Near Mint condition looks as if you just got it home from a retail store and removed the shrink wrap. Near Mint is the highest price listed in all Goldmine price guides. Anything that exceeds this grade, in the opinion of both buyer and seller, is worth significantly more than the highest Goldmine book value.

Very Good Plus (VG+): Generally worth 50 percent of the Near Mint value. A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that don't affect the sound are OK. The label may have some ring wear or discoloration, but it should be barely noticeable. The center hole will not have been misshapen by repeated play. LP inner sleeves will have some slight ring wear, lightly turned-up corners, or a slight seam split. An LP jacket may also have slight signs of wear and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable. A synonym used by some collectors and dealers for "Very Good Plus" is "Excellent."

Very Good (VG): Generally worth 25 percent of the Near Mint value. Many of the defects found in a VG+ record will be more pronounced in a Very Good disc. Surface noise will be evident on playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However it will not have all of these problems at the same time, only two or three of them.

Good (G), Good Plus (G+): Generally worth 10-15 percent of the Near Mint value. Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear (on a styrene record, the groove will be starting to turn white). A jacket or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object.

As no two individuals will grade the same record the same way, I put an honest effort on all grading.  As grading is an approximation, please view and consider each selection carefully.  Realize that vinyl listed as used is so and verify the grading it is given before placing a bid.  All grades given are visual unless otherwise noted as I do try to play grade the record if time permits.

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