TEN YEARS AFTER SSSSH DERAM UK MONO FIRST PRESS RARE EX

	£		95
	$		125

Thank you for visiting my listing. The section immediately below sets out information specific to the particular album / record offered in this listing. This is followed by my general comments about vinyl which you may want to browse through if you have time. Please feel free to email me with any related comments or observations; particularly if you have any reliable information which contradicts any of my descriptions as I am always interested in adding to my knowledge on this subject. When preparing my listings I use a combination of facts from reliable sources, more than forty years of personal experience and, occasionally, music industry anecdotes. Just a visual inspection of used vinyls is almost always misleading so I play grade every vinyl I offer, before listing, on a Project III deck fitted with an Ortofon OM 5E cartridge down-force set at 17.5 mN (1.75 g), fitted with a first grade stylus which I renew at intervals according to manufacturers specification, through a manufacturers pre-set Rega Brio amplifier with sound delivered by Focal Chorus 706 loudspeakers, which is unforgiving where there are surface imperfections. If I think a vinyl will benefit from professional cleaning I use my ‘Moth’ RCM2, but I do not clean vinyls for the sake of it - many I offer for sale have had little use and although there can be slight contamination in the grooves, even when new, that is the original authentic sound. I believe in cleaning only when my ‘ear’ tells me that the audio performance has deteriorated by exposure over time and will obviously be returned closer to the original sound by cleaning. Although it is extremely rare, there can be a difference between my descriptions, and opinions, and an individual buyer’s expectations so I have a clearly stated Returns Policy for added reassurance which is detailed at the bottom of all my listings. In the unlikely event that you want to use this facility please read the details carefully first, and then contact me to agree the procedure. There really will never be a reason to have any problem with an item you purchase from me. Before bidding please take a careful look through my terms and conditions to avoid any misunderstandings.

First Issues, First Pressings & Originals: Please note that when I refer to a First Issue I mean that the evidence suggests that the album offered is from the first batch that was issued for commercial release in the country of origin stated in the listing. Where I state First Press I mean that based on a reasonable interpretation of the matrices and stamper codes the vinyl comes from the first batch pressed using that particular ‘mother’; these statements alone do not always mean that the vinyl is from the very first ’stamper’ ever made. However, where I state First Issue and First Press it is likely that the album offered includes one (or more) of the early vinyl(s) produced in the country of origin from the first ‘mother(s)’ and ‘stamper(s)’. Original means that the record bears the first label design for that particular pressing and, in the case of the cover, it is from the first cover manufacturer for that pressing; it may have very slight changes, if they were made within the first production run or, if the album was issued with a choice of cover designs or colours on first release, but in these cases I will try and explain the differences. This is not an exact science and anomalies will occur where I may make a mistake but I believe this will not happen very often - if it does then all of my buyers have the unequivocal reassurance of my Comprehensive Returns Policy.

Condition & Grading: Regular visitors to my listings will know that I offer albums that range from very good to near mint in terms of condition. I don’t restrict my offerings to just near mint, and I don’t just call everything great or excellent plus regardless of condition. Occasionally a rare album turns up which in some respects grades very good plus but in other ways is  outstanding so providing each of the features are individually and accurately graded, and I take great care with this, I am happy to offer it for sale. However, all vinyl albums I offer are at least highly presentable and deliver enjoyable audio, and most are much better than that – if you are intending to bid please read the individual gradings and check that you are satisfied before placing your bid.

Album / Record Title: “SSSSHH”

Rarity: VERY RARE GENERALLY AND MUCH RARER LIKE THIS IN THE MONO RECORDING FORMAT AND IN EXCELLENT OR BETTER CONDITION THROUGHOUT. By the time this fourth TYA album was released the long commercial mono to stereo transition period was nearing an end and stereo was predominant. Record companies were pressing most albums in stereo as standard so MONO VARIANTS ARE MUCH THE RARER. However, for the audio enthusiast there is a case for having both variants in a collection where possible as the mix and audio delivery is often quite different. This album is a case in point, the MONO AUDIO DELIVERY IS MORE POWERFUL, RAW AND DIRECT – the album is a great favourite of mine and personally I would not be without either format. The ALL IMPORTANT FACTS are that this is a great album from TYA; A FIRST PRESSING ON HEAVYWEIGHT VINYL WITH FIRST MATRICES, FIRST MOTHERS AND THE EARLIEST STAMPER CODES in EXCELLENT CONDITION and CERTAINLY ONE OF THE MOST COMPELLING EXAMPLES I HAVE EVER SEEN OR HEARD - the audio clarity is superb and powerful enough to blow you over!

The key features are listed below:

• COMPLETE ORIGINAL UK ALBUM AND FIRST ISSUE
• FIRST MATRICES, FIRST MOTHERS, FIRST STAMPERS & ‘JT’ CODE
• SUPERB HEAVYWEIGHT VINYL IN EXCELLENT CONDITION
• MONO RECORDING FORMAT DELIVERING SENSATIONAL AUDIO
• ORIGINAL BROWN / WHITE CRESCENT DERAM LABELS
• ORIGINAL M&M LAMINATED G/FOLD MONO/STEREO ‘PEEP’ HOLE
• ORIGINAL DERAM LARGE MONO RED BORDER POLY-LINED INNER
• EXTREMELY RARE VARIANT DELIVERING OUTSTANDING AUDIO

Artiste(s): TEN YEARS AFTER who are - Alvin Lee, Leo Lyons, Ric Lee, Chick Churchill

Disc Format: 12” LP

Recording Format: MONO

Record label: ORIGINAL BROWN / WHITE CRESCENT DERAM WITH BLACK PRINT.

Catalogue Number: DML 1052

Country of origin and first published date: ENGLAND 1969

Vinyl ‘run off’ matrices side 1:     XARL-9083.P-2A

Vinyl ‘run off’ matrices side 2:     XARL-9084.P-3A

Vinyl ‘run off’ stampers side 1:    1   G    JT

Vinyl ‘run off’ stampers side 2:    1   U    JT

Track Listing as per label: SIDE 1: BAD SCENE / TWO TIME MAMA / STONED WOMAN / GOOD MORNING LITTLE SCHOOLGIRL / SIDE 2: IF YOU SHOULD LOVE ME / I DON’T KNOW THAT YOU DON’T KNOW MY NAME / THE STOMP / I WOKE UP THIS MORNING

My opinion and summary of condition: If I could choose to revisit just one of my past music experiences it would be the Bath Festival of Blues & Progressive music of 1969 held in the Pavilion Recreation ground. It was a pivotal event in my rock music experiences and I have abiding memories of almost every set played but, in particular, Ten Years After playing ‘Good Morning Little Schoolgirl’ and Led Zeppelin with ‘Communication Breakdown’, both breathtaking performances amongst a string of sensational sets from some of the best musicians, writers and vocalists ever. In hindsight this concert was the best I have ever been to, and I went to hundreds over the years. Every time I listen to Sssshh! I am transported back to that wonderful day. This album is a ‘Master class’ in the art form by one of the best proponents ever to pick up an electric guitar. I have listened to all of TYA’s albums hundreds of times during the last 40+ years and they just get better every time I hear them. Every track is sheer musical brilliance, and it’s not usual for me to pick out technique but just listen to the ‘flying lead’ switch on ‘I Woke Up This Morning’ and tell me who in the world has ever played this style and genre better than this? In my opinion the answer is nobody! Ten Years After produced some of the most exciting, creative and proficient blues based progressive rock to emerge from the 60’s & 70’s; their live performances were mesmerizing, and every album they made is a rock masterpiece in its own right. Front man and lead guitarist Alvin Lee was, without doubt, one of the best, some would say the best, and most gifted guitarists of the genre. His talent is legendary; he was often referred to as ‘the fastest guitar player on earth’ - and this album is rich in examples - but it wasn’t just the speed of his nimble fingers, it was his supreme fluency - I liken it to pouring liquid mercury, smooth yet solid; he could make the notes ‘fluctuate and flow’. In my enthusiasm to highlight Lee’s prodigious talent I am very careful not to overlook the equally remarkable talents of his fellow musicians, blues-rock giants in their own right, who provided such an incredible rhythm section for Lee to develop his solo’s and whose individual solo deliveries were also truly remarkable. Their combined capacity to captivate and energise an audience was nothing short of sensational - their highly acclaimed set at WOODSTOCK being just one of the better known examples of their ability to thrill and stimulate a wide audience. This is a fine example of their highly acclaimed fourth album and, judging by the MATRICES & EARLIEST STAMPERS, a VERY EARLY FIRST MONO PRESSING on a SUPERB HEAVYWEIGHT VINYL. This represents a rare opportunity to buy an OUTSTANDING album with all components graded EXCELLENT OR BETTER.

MY GRADING OF THIS ALBUM based on Record Collector ‘Rare Record Price Guide 2008’ (**n.b. please note that I grade accurately backed up by a description. I neither over-exaggerate nor under-exaggerate. I see no point in grading an item with multiple ++++ marks, or under-grading it and then stating that it should be graded better - I consider these methods to be confusing. I use the Record Collector system with either a PLUS or a MINUS to indicate slight variations either side of a grade). I always include a full set of super-sized photographs to provide bidders with the best possible opportunity to make their own visual assessment of each album in conjunction with my detailed descriptions.

Vinyl Visual side 1: EXCELLENT, some superficial surface movement lines, a few are more noticeable and a few light bag marks, of no tangible depth and no significant audio consequence.

Vinyl Visual side 2: EXCELLENT, some superficial surface movement lines, a few are more noticeable and a few light bag marks, of no tangible depth and no significant audio consequence.

Label Visual side 1: NEAR EXCELLENT, some light spindle lines and slight evidence of handling, no marks, no scuffs, no tears, no visible spindle hole wear (n.b. small white oblong sticker at 9 o’clock, neat, not a spoiler)

Label Visual side 2: EXCELLENT, some light spindle lines and slight evidence of handling, no marks, no scuffs, no tears, no visible spindle hole wear.

Outer Cover: EXCELLENT, beautiful externally laminated gatefold cover of mid-weight card construction printed in England by Moore & Matthes Ltd. There are some minor blemishes but they are not very noticeable and do not spoil this iconic cover. A few really tiny light superficial surface creases adjacent to the seam at the back edge of the front and back cover adjacent to the spine and similar short traces at the top and bottom edges, there are three crescent shaped surface creases towards the leading edge at the front and one in the bottom right quadrant. There are some mini-dents on the entry edge, slight chafing and minimal light surface rubbing on front and back. There is minor and limited edge and corner wear, some mini-bumps and indents. The non-laminated centre spread is in generally excellent condition, the only blemishes being slight ‘pick-up’ on the top seam of the folded over laminate, and minor buckling from new due to slight misalignment which is not an unusual feature of gatefolds from the era – certainly not unpleasant. In my opinion this is a fine example but please take a look at the super-sized photographs and make your own assessment as well.

Spine: EXCELLENT TO PLUS, a physically excellent condition spine, the slightest of light rub wear at the extreme ends, but very localised, and one tiny crease but absolutely clean, clear and fully readable.

Inner Sleeve: VERY GOOD PLUS, genuine Deram large ‘MONO’ original, white paper with ‘red mono’ border and information printed in blue; fitted with antistatic poly-liner, slight age discolouration, some creases.

Vinyl Warp: none visible when eye tested on a moving turntable.

Vinyl Weight: 146 grammes (A dynamic DECCA DERAM heavyweight)

Play Grade: I consider all aspects of an albums condition and grading to be highly important and I place particular emphasis on the quality of the audio delivery; superior audio performance is, above all, the main reasons for listening to vinyl. For this reason I have decided to extend my play grade to rate separately how ‘clearly’ and ‘cleanly’ the sound is received. It is quite possible with vinyl to experience great ‘clarity’ and reality without the sound being exceptionally ‘clean’ - that’s ok with me, but it may not satisfy the audiophile. So, a NEAR MINT & NEAR MINT will be the best grade with VERY GOOD PLUS & VERY GOOD PLUS or better being highly satisfactory.

THIS ALBUM PLAY-GRADES: EXCELLENT PLUS & EXCELLENT TO PLUS

Audio Performance: DECCA DERAM RECORDINGS / PRESSINGS FROM THIS ERA WERE AMONGST THE BEST FOR DELIVERING TOP QUALITY AUDIO PERFORMANCE. I HAVE LISTENED TO HUNDREDS OF EXAMPLES DURING THE LAST 40 YEARS AND THIS IS ONE OF THE BEST I HAVE EVER HEARD SO IT’S A REMARKABLY HIGH STANDARD - BRIGHT, FULL BODIED, PRODUCING AUDIO OF GREAT PRESENCE AND CLARITY. A CLEAN SOUND WITH JUST THE MINIMUM OF UNDERLYING SURFACE SOUND ON THE ‘LEAD IN’, LINKING GROOVES BETWEEN TRACKS AND ‘RUN OFF’. AS REGULAR VISITORS TO MY LISTINGS WILL KNOW I ALWAYS SAY PLEASE BEAR IN MIND THAT THIS SECTION AND THE GRADING IS BASED ENTIRELY ON MY PERSONAL OPINION AND AUDIO PERCEPTION BELONGS TO THE INDIVIDUAL. WITH VINYL CLARITY THERE IS ALWAYS LIGHT TRANSITIONAL SURFACE SOUND WHICH IS INEVITABLE FROM THIS MEDIUM, EVEN WHEN NEW, AND OCCASIONALLY A LITTLE LIGHT CRACKLE WHICH IS OFTEN STATIC; OR EVEN A RANDOM SOFT TICK - BUT I WAS ‘BLOWN OVER’ BY THIS DYNAMIC DELIVERY - REAL SOUND FROM VINYL AS IT SHOULD BE - POWERFUL, CRYSTAL CLEAR AND BRILLIANT - IT WOULD NOT BE EASY TO FIND A BETTER ONE.

Other: If you don’t already have an overall BETTER THAN EXCELLENT example of this album then this is the one you have been looking for!

PLEASE TAKE A LOOK AT MY OTHER LISTINGS BY CLICKING ON THE ‘VIEW SELLERS OTHER ITEMS’ IN THE TOP RIGHT HAND CORNER BOX OF THIS LISTING - THANK YOU.

My definition of a rare vinyl: Generally there is agreement that to qualify for the description rare there should not be too many of the type offered, available on the market at the time. With my listings that will be the main criterion however I will also occasionally claim rarity based on excellence of condition, or some other key feature, or an accompanying item such as an insert, which is not often found with similar vinyls.

UK first and early pressings: This has become something of a ‘fashion accessory’ for many of the albums listed on eBay and, as with fashion, there are many imitators. Of course with the more popular huge selling albums, where the record companies were fairly sure of major sales from the outset, there were many first pressings but otherwise this was not usually the case. Generally the lower the numbers in the matrices and stamper codes on the vinyl ‘run off’ areas, on both sides of a record, the earlier the pressing therefore ‘A1’ & ‘B1’ are most often first or early pressings, but there are variants and exceptions to the rule. The most notable ones, for example where the ‘1’ matrix was only used for test pressings so the commercial releases started at ‘2’, are well documented now but there are a few more observations which are worth noting. There are low numbered matrices which belong to second and even third pressings (in these cases the record companies gave similar numbers to the first press of a re-issue) you can normally identify these by, examining the labels which are often different in texture and/or design, and by checking the weight of the record as the earlier pressings were normally heavier. This weight difference can also be indicative where different symbols were used in the matrices. For example some record companies first denoted early pressings with A61 & B61 and then soon after changed to A // 1 & B // 1, in these cases weight of the vinyl is often very helpful with identification. Occasionally there are high numbers on first pressings, but this is unusual. Other points to note are the manufacturer of the ‘cover’ or ‘outer sleeve’ and various characteristics or design variants. The ‘inner sleeve’ or ‘bag’ can also be an indicator. However it is not wise to rely on details beyond the matrices and labels as the covers and sleeves can easily be interchanged. ‘Made Up’, Swapped’ or ‘Doctored’ sets are not uncommon, particularly with high value albums which have inserts and special text, so the best advice is to try and make sure that everything matches the criteria thus eliminating most of the risk (a good look at the photographs on the listing, if they are of the actual item offered as they are on all of my listings, is always advisable). As a general rule I suggest that you don’t pay hundred’s or thousands of pounds unless you are buying from a reliable source who provide you with comprehensive information and have a clearly stated ‘Returns Policy’ - or unless you’ve got money to throw away (and in that case there are any number of far more deserving charities)

Audio reproduction on vinyl: In my experience there is always an element of surface or background sound with audio reproduction on vinyl, even when new - very hard to imagine how there could not be when two solid surfaces come into contact with each other and are then amplified! In my opinion anybody who claims there is no surface sound, or ‘silence’, is hard of hearing, has not turned the amplifier on, or is using very poor quality audio equipment. Almost all used vinyl has at least light surface scratches which are always visible when viewed under a bright halogen light - which is what I use for inspection. So if you are uncomfortable with a bit of light crackling it’s probably best not to buy vinyl. In my opinion the light surface sound is more than compensated for by the clarity and ‘reality’ of the overall sound reproduction. I listen carefully to every album I list, before listing it for sale.

Finally: All of this comment contained in this listing is subjective, it is based only on my opinion and your expectations may not necessarily correspond with my standards. If you receive an album from me and you have some differences please remember to use reasonable communication as a first option. I have a comprehensive non confrontational ‘Returns Policy’ which is clearly set out below and providing there is no abuse, or use the negative feedback system, I will always reimburse you in full for your direct costs if you return the album correctly.

TERMS AND CONDITIONS OF SALE

DESCRIPTIONS: Are given in good faith, but they are based on my opinion and standards.  Bidders should note that they offer at their own risk and must satisfy themselves that they have sufficient information about the item before they enter the bidding process.  Please ask questions before you become involved with the auction, NOT afterwards! Where I list sizes/dimensions they are either as stated on the item/label by the supplier/manufacturer or reasonably accurately hand tape measured; however, they are not necessarily precise, should be taken as approximate and not relied upon where absolute precision is required. This clause does not in any way affect your rights under the terms of my ‘Returns Policy’, it is stated to prevent unnecessary inconvenience to both parties.

INFORMATION: Whilst I take care to try and provide accurate information on the original listing it is possible that new information may become available to me afterwards. I therefore strongly recommend that all bidders read any revisions and the ongoing questions / answers section of the listing before bidding as they may contain updated information which could affect your valuation of the item(s). In the event that new information is published, after the time you have become the high bidder, which adversely affects your valuation of the item(s) and you wish to withdraw from the bidding process please email your request and I will use the cancel bid option with no ongoing liability to any of the parties involved in the auction.

PHOTOGRAPHS: All photographs contained within this listing show the actual item (s) offered – they are not catalogue, archive or library photographs.  Furthermore they are direct images and not re-touched or modified in any way. I try to make good and comprehensive use of images on the listing in order to give the prospective bidder the best opportunity to evaluate the item(s); however it is possible that in some circumstances the photographs can enhance the appearance of the item(s) due to compression so please take this into account before bidding and do not hesitate to ask for more images or information which I am happy to send by attachment to email. This is particularly recommended with overseas buyers where returns are often not a viable option.  

OVERSEAS BUYERS WELCOME: I am pleased to deal with buyers from anywhere in the world. My method of LP packaging reduces the risk to your valuable vinyls & covers in transit. Makes no sense to me to buy something important and then play the ‘high risk of damage game’ when having it shipped around the world – I hope you feel the same. Unless the prospective bidder / buyer states a preference I always quote Airmail as Surface Mail does not usually cost much less and takes a long time (again more risk of damage or loss I think). Also please note that for British Pounds £3.30 extra you can have an International Signed for service which includes insurance up to £32. Insurance quotations to a value you specify in advance of shipping are available on request.

PACKING & POSTAGE:  Vinyl’s are removed from covers and placed in separate transit sleeves. All components are then placed side by side in a polythene inner for extra safety and water resistance and then secured between two corrugated card stiffeners. I use Heavy Duty Mailers Specifically Designed for Vinyl Albums, which provide excellent security and protection, in conjunction with my own Ultra Safe reinforced sealing and packaging method. Internally I use 2 of the highest grade ‘B’ flute corrugated card stiffeners to prevent bending, deformation or edge/corner creasing. Packing & postage prices are NOT negotiable on items dispatched individually or separately. However, if you are a similar time multiple buyer where all items purchased are being sent to the same address and they can be combined safely, you can ask for a discounted quotation before bidding. I will always try to be fair with buyers on p&p costs but if you do not want to pay the prices on the listings or quotations please do not bid.  I am not interested in hearing from successful bidders afterwards questioning and complaining about cost of packing and postage! I always keep proof of posting but unless you pay for Recorded Delivery, International Signed For, Special Delivery or Full Insurance I may not be able to assist you with recovery of the item or any of the costs.

Where postal insurance is included it is subject to Royal Mail Standard Terms & Conditions. Quotations for other insurance or premiums to cover increased values are available on request

PAYMENT: For Buyers WITHIN the UK: PayPal, or Pound sterling cheques / money orders, with minimum 7 days to clear before despatch.

PAYMENT: For Buyers OUTSIDE of the UK: Payments by PayPal only please.

CANCELLATION: The Seller reserves the right to cancel any bid, entirely at his discretion and without giving prior notice, in the following circumstances:

They have reason to believe that the bidder has not complied with the terms of their offer as set out on the listing.

The bidder’s feedback is of such limited quantity that it cannot be regarded as reliable.

The bidder’s feedback is of dubious quality and/or gives the seller any indication or reason to doubt the credibility of the bid.

MY FEEDBACK POLICY: I leave feedback for buyers after they inform me that they have received the item(s) and have left me their feedback. As I have a clearly stated Returns Policy, which does not expose the buyer to any direct loss whatsoever, I see no reason for either side to indulge in negative feedback. Providing the buyer does not engage in threats, abuse or use of negative feedback I will resolve any problem in a fair and reasonable way. If you have a problem or complaint about any transaction you have made with me contact me on somemightsell_e@btinternet.com and we will find a solution that is acceptable to you.

SUPERSIZED PHOTOGRAPHS: I have super-sized the photographs below to provide prospective bidders with the best opportunity to make their valuation before entering the bidding process, please just click on the ‘Larger Picture’ and arrows to use this facility. Sometimes due to reflection these images can appear slightly distorted, ‘graining’ can appear and dust particles can be exaggerated by the light - in reality there are no defects of this kind.