THE BEACH BOYS: FRIENDS & SMILEY SMILE Original 1974 BROTHER RECORDS 2 Lp Set
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Description
Original 1974 BROTHER / REPRISE two record set combining THE BEACH BOYS 1967 album, SMILEY SMILE and their 1968 album, FRIENDS (2MS 2167)
SMILEY SMILE AMG: 4 STARS: After the much-discussed, uncompleted Smile project -- which was supposed to take the innovations of Pet Sounds to even grander heights -- collapsed, the Beach Boys released Smiley Smile in its place. (To clarify much confusion: Smiley Smile is an entirely different piece of work than Smile would have been, although some material that ended up on Smiley Smile would have most likely been used on Smile. Also, much of Smiley Smile was in fact recorded after the Smile sessions had ceased.) For fans expecting something along the lines of Sgt. Pepper's (and there were many of them), Smiley Smile was a major disappointment, replacing psychedelic experimentation with spare, eccentric miniatures. Heard now, outside of such unrealistic expectations, it's a rather nifty, if rather slight, effort that's plenty weird -- in fact, it's often downright goofy -- despite Brian Wilson's retreat from both avant pop and active leadership of the group. "Wind Chimes," "Wonderful," "Vegetables," and much of the rest is low-key psychedelic quirkiness, with abundant fine harmonies and unusual arrangements. The standouts, nonetheless, were two then-recent hit singles in which Brian Wilson's ambitions were still intact: the inscrutable mini-opera "Heroes and Villains," and the number one hit "Good Vibrations," one of the few occasions where the group managed to be recklessly experimental and massively commercial at the same time.
FRIENDS AMG 4 STARS: Released when Cream and Jimi Hendrix were at their apex, the low-key pleasantries of Friends seemed downright irrelevant in mid-1968. Today it sounds better, but it's certainly one of the group's more minor efforts, as the members started to divide the songwriting more or less evenly among themselves, rather than letting Brian Wilson provide most of the material. The title track was a charming, if innocuous, minor hit. The bossa nova "Busy Doin' Nothin'" was a subtly subversive piece of rock Muzak, though hindsight reveals a rather worrisome indolence in the lyrics, as penned by Wilson, who was starting to withdraw into his own world. The production and harmonies remained pleasantly idiosyncratic, but there was little substance at the heart of most of the songs. The irony was that Smile had collapsed, in part, because some of the Beach Boys felt that Wilson's increasingly avant-garde leanings would lose their pop audience; yet by the time of Friends, the Beach Boys had done a pretty good job of losing most of their audience by retreating to a less experimental, more group-based approach.
Condition: the gatefold sleeve grades VG+. The two records grade NEAR MINT.
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