THE BEACH BOYS "PET SOUNDS" LIMITED EDITION 2006 STILL SEALED #00409 OOP 2LPs

$

50

THIS RECORD COMES FROM THE TIME I WAS THE MUSIC & PROMOTIONS COORDINATOR FOR A MAJOR NATIONAL RADIO NETWORK BASED IN THE L.A. AREA. WHEN I STARTED WORKING THERE THEY WERE IN THE PROCESS OF GETTING RID OF THEIR RECORDS FOR CD'S. I ALSO HAVE SOME THAT WERE GIFTED TO ME BY AN EMPLOYEE OF THE NETWORK THAT WAS RELOCATING BACK EAST AND DIDNT WANT TO KEEP HAULING THEIR RECORDS ALL OVER THE COUNTRY. ALSO A FEW MAY BE THRIFT STORE FINDS. I AM CURRENTLY DOWNSIZING.THIS LP IS OPENED BUT UNPLAYED. VISUALLY GRADED.

THE PHOTO'S MAY BE A LITTLE BLURRY (SORRY ABOUT THAT), BUT THE PHOTO'S ARE OF THE ACTUAL ITEM YOU ARE BIDDING ON. THANKS FOR LOOKING. THIS ITEM IS PLAY GRADED ALSO.

ARTIST- THE BEACH BOYS

TITLE- “PET SOUNDS” REMASTERED LIMITED EDITION COLORED VINYL

TRACK LISTING-SEE PHOTO & BELOW

Companies, etc.

• Phonographic Copyright (p) – Capitol Records, Inc.
• Copyright (c) – Capitol Records, Inc.
• Manufactured By – Capitol Records, Inc.

Credits

• Producer [Original Album] – Brian Wilson

Notes

YEAR OF RELEASE- 2006

LABEL- CAPITOL RECORDS

CAT.#- 09463-51370-1-9

RECORD CONDITION- STILL SEALED IN IT'S ORIGINAL SHRINK WRAP.

JACKET CONDITION- STILL SEALED IN IT'S ORIGINAL SHRINK WRAP. I TOOK PHOTO'S OF TWO MINOR ISSUES, ONE IS THE UPPER LEFT CORNER, WHICH IS SLIGHTLY CREASED. THE OTHER IS A FILM OF SOMETHING WHICH IS ON THE OUTSIDE OF THE RECORD JACKET ON THE SHRINK WRAP. JUST DIDN'T WANT A WINNER GETTING PISSED AT SEEING THOSE AND ME NOT SHOWING THEM.

MORE INFO- THIS RECORD IS CURRENTLY OUT OF PRINT. THIS IS COLORED VINYL THE MONO VERSION IN YELLOW, THE STEREO VERSION IN GREEN. ALSO THIS IS A NUBERED LIMITED EDITION, AND INTERESTINGLY ENOUGH, TO ME ANYWAY, IT IS #00409 OF 10,000 , TOO BAD THE SONG “409” ISN'T ON HERE..... THIS IS A RARE SEALED COPY OF IT, AND IT CAN GO FOR A SMALL SUM, I THINK MY OPENING BID IS FAIR. THANKS FOR LOOKING FEEL FREE TO ASK QUESTIONS.

MORE INFO ON THE RELEASE-

Pet Sounds is the eleventh studio album by American rock band the Beach Boys, released on May 16, 1966. It initially met with a lukewarm critical and commercial response in the United States, peaking at number 10 in the Billboard 200, a significantly lower placement than the band's preceding albums. In the United Kingdom, the album was hailed by its music press and was an immediate commercial success, peaking at number 2 in the UK Top 40 Albums Chart and remaining among the top ten positions for six months. Originally promoted as "the most progressive pop album ever", Pet Sounds attracted recognition for its ambitious recording and unusually sophisticated music, and is widely considered to be one of the most influential albums in music history.[1][2]

The album was produced and arranged by Brian Wilson, who also wrote and composed almost all of its music. Most of the recording sessions were conducted between January and April 1966, a year after he had quit touring with the Beach Boys in order to focus more attention on writing and recording. For Pet Sounds, Wilson's goal was to create "the greatest rock album ever made"—a personalized work with no filler tracks. It is sometimes considered a Wilson solo album, repeating the themes and ideas he had introduced with The Beach Boys Today! one year earlier. The album's lead single, "Caroline, No", was issued as his official solo debut. It was followed by two singles credited to the group: "Wouldn't It Be Nice" (backed with "God Only Knows") and "Sloop John B".

Collaborating with lyricist Tony Asher, Wilson's orchestrations mixed conventional rock set-ups with elaborate layers of vocal harmonies, found sounds, and instruments never before associated with rock, such as bicycle bells, harpsichords, flutes, Electro-Theremin, trains, Hawaiian-sounding string instruments, Coca-Cola cans, and barking dogs. Unified by a Wall of Sound-style production, the album comprised Wilson's "pet" sounds, consisting mainly of introspective songs like "You Still Believe in Me" about faithfulness, "I Know There's an Answer", a critique of LSD users, and "I Just Wasn't Made for These Times", an autobiographical statement on social alienation (as well as the first use of a theremin-like instrument on a rock record). Recording was completed on April 13, 1966, with an unprecedented total production cost that exceeded $70,000 (equivalent to $530,000 in 2017). A follow-up album, Smile, was immediately planned but left unfinished. In 1997, a "making-of" version of Pet Sounds was overseen by Wilson and released as The Pet Sounds Sessions, containing the album's first true stereo mix.

Pet Sounds is regarded by musicologists as an early concept album that advanced the field of music production, introducing non-standard harmonies and timbres and incorporating elements of pop, jazz, exotica, classical, and the avant-garde. A heralding work of psychedelia, the album furthered an aesthetic trend within rock by helping it transform from dance music into music that was made for listening to, elevating itself to the level of art rock. Academic Bill Martin said that Pet Sounds represents a turning point where the Beach Boys "brought expansions in harmony, instrumentation (and therefore timbre), duration, rhythm, and the use of recording technology. Of these elements, the first and last were the most important in clearing a pathway toward the development of progressive rock."[3] In 2004, Pet Sounds was preserved in the National Recording Registry by the Library of Congress for being "culturally, historically, or aesthetically significant." One year earlier, Rolling Stone ranked it second on its list of the "500 Greatest Albums of All Time". As of 2017, Acclaimed Music lists Pet Sounds as the statistically most acclaimed album of all time.

Release history[edit]

Pet Sounds has had many different reissues since its release in 1966, including remastered mono and stereo versions. Its first reissue was in 1972, packaged as a bonus LP with the Beach Boys' latest album Carl and the Passions – "So Tough". The first release of the album on CD came in 1990, when it was released with the addition of three previously unreleased bonus tracks: "Unreleased Backgrounds" (an a cappella demo section of "Don't Talk" sung by Wilson), "Hang On to Your Ego", and "Trombone Dixie". This 1990 reissue was one of the first CDs to sell more than a million copies.

In 1997, The Pet Sounds Sessions box set was released. It included the original mono release of Pet Sounds, the very first stereo release (created by Mark Linett), and three discs of unreleased material. In 2001, Pet Sounds was re-released with the mono and improved stereo versions, plus "Hang On to Your Ego" as a bonus track, all on one disc. On August 29, 2006, Capitol released a 40th Anniversary edition, containing a new 2006 remaster of the original mono mix, DVD mixes (stereo and Surround Sound), and a "making of" documentary. The discs were released in a regular jewel box and a deluxe edition was released in a green fuzzy box. A two-disc colored gatefold vinyl set was released with green (stereo) and yellow (mono) discs. In 2016, a 50th anniversary edition box set presents the remastered album in both stereo and mono forms alongside studio sessions outtakes, alternate mixes, and live recordings. Of the 104 tracks, only 14 were previously unreleased.

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