THE BEASTIE BOYS LICENSED TO ILL ORIG 1986 DEF JAM RAP LP GATEFOLD COVER NR MINT
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Description
THE BEASTIE BOYS~LICENSED TO ILL~ORIG 1986 DEF JAM RAP LP~GATEFOLD COVER~NR MINT
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Beastie Boys ?? Licensed To Ill
Label:
Columbia ?? FC 40238
RARE ORIGINAL DEF JAM LP FROM 1986 - 29 YEARS AGO!!
GATEFOLD COVER IS IN EXCELLENT CONDITION WITH LIGHT WEAR!
VINYL IS IN NEAR MINT CONDITION - OUR HIGHEST RATING!
INCLUDES THE ORIGINAL INNER SLEEVE, TOO!
AMAZING CONDITION FOR THIS RAP RARITY!!!
A KEEPER COPY!!
Perhaps Licensed to Ill was inevitable -- a white group blending rock and rap, giving them the first number one album in hip-hop history. But that reading of the album's history gives short shrift to the Beastie Boys; producer Rick Rubin, and his label, Def Jam, and this remarkable record, since mixing metal and hip-hop isn't necessarily an easy thing to do. Just sampling and scratching Sabbath and Zeppelin to hip-hop beats does not make for an automatically good record, though there is a visceral thrill to hearing those muscular riffs put into overdrive with scratching. But, much of that is due to the producing skills of Rick Rubin, a metalhead who formed Def Jam Records with Russell Simmons and had previously flirted with this sound on Run-D.M.C.'s Raising Hell, not to mention a few singles and one-offs with the Beasties prior to this record. He made rap rock, but to give him lone credit for Licensed to Ill (as some have) is misleading, since that very same combination would not have been as powerful, nor would it have aged so well -- aged into a rock classic -- if it weren't for the Beastie Boys, who fuel this record through their passion for subcultures, pop culture, jokes, and the intoxicating power of wordplay. At the time, it wasn't immediately apparent that their obnoxious patter was part of a persona (a fate that would later plague Eminem), but the years have clarified that this was a joke -- although, listening to the cajoling rhymes, filled with clear parodies and absurdities, it's hard to imagine the offense that some took at the time. Which, naturally, is the credit of not just the music -- they don't call it the devil's music for nothing -- but the wild imagination of the Beasties, whose rhymes sear into consciousness through their gonzo humor and gleeful delivery. There hasn't been a funnier, more infectious record in pop music than this, and it's not because the group is mocking rappers (in all honesty, the truly twisted barbs are hurled at frat boys and lager lads), but because they've already created their own universe and points of reference, where it's as funny to spit out absurdist rhymes and pound out "Fight for Your Right (To Party)" as it is to send up street corner doo wop with "Girls." Then, there is the overpowering loudness of the record -- operating from the axis of where metal, punk, and rap meet, there never has been a record this heavy and nimble, drunk on its own power yet giddy with what they're getting away with. There is a sense of genuine discovery, of creating new music, that remains years later, after countless plays, countless misinterpretations, countless rip-off acts, even countless apologies from the Beasties, who seemed guilty by how intoxicating the sound of it is, how it makes beer-soaked hedonism sound like the apogee of human experience. And maybe it is, maybe it isn't, but in either case, Licensed to Ill reigns tall among the greatest records of its time.
Tracklist
Rhymin? & Stealin? 4:08
The New Style 4:35
She?s Crafty 3:36
Posse In Effect 2:27
Slow Ride 2:56
Girls 2:14
Fight For Your Right 3:28
No Sleep Till Brooklyn 4:07
Paul Revere 3:42
Hold It Now, Hit It 3:29
Brass Monkey 2:38
Slow And Low 3:37
Time To Get Ill 3:37
PLEASE READ CAREFULLY:
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PLEASE NOTE: We have set our shipping prices to cover costs on an average basis. You may be charged slightly more - or less - than the actual cost of postage; Priority postage varies according to destination, records and jackets vary in weight, all of which makes it impossible to set an exact "correct" price for all customers, especially internationally. We ship all LP's in new (unused) custom LP mailers. We pack records with filler pads, placing the disc in an inner sleeve outside the cover to prevent seam splitting in transit. Part of our postage fee covers the cost of the mailer and pads (which currently costs us up to a dollar per).
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In Your Ear has been selling music to the masses since 1982. We carry new and used LPs, CDs, DVDs, 45s, 12" singles, posters and who-knows-what-else! We have 2 physical locations in Massachusetts and 1 in Rhode Island:
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RECORD GRADING POLICY
MINT = like new or near new with only one or two small insignificant defects, a 9 or better on a 1-10 scale
EXCELLENT = Would be Near Mint, except for a couple of light hairlines or scuffs, which do not affect play
VG++ = still a very nice record with all or nearly all of its original gloss but may have a few more light, surface marks, hairlines, needle tracks or the like which should not materially affect play
VG+ = a nice, but used record that may have a series of light scuffs or scratches. It probably plays with a few pops, but has no serious problems.
VG = a well-used record that still should sound OK when played, but may have moderate surface noise, pops, etc.
VG- = a very well-worn record that plays through without skipping, but will do until a better copy comes along.
Good = not actually good at all but probably will play through but with much in the way of surface noise, pops, crackles, etc. Still, will have no cracks, chips or the like
Fair = you'?re getting this record just to own but not to play
Poor = the sky's the limit, generally I will discard a record this bad (and sell the cover, jacket or sleeve alone) unless the label holds some particular interest
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Winning bidders will be notified within 3 days of the end of the auction and are expected to remit payment within 7 days.
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DUE TO OVERSEAS POSTAGE SLOWDOWNS, ALL FOREIGN CUSTOMERS MUST AGREE TO WAIT 2 MONTHS BEFORE FILING A LOST PACKAGE CLAIM.
Shipping and handling fees are non-refundable.
PLEASE NOTE: We have set our shipping prices to cover costs on an average basis. You may be charged slightly more - or less - than the actual cost of postage; Priority postage varies according to destination, records and jackets vary in weight, all of which makes it impossible to set an exact "correct" price for all customers, especially internationally. We ship all LP's in new (unused) custom LP mailers. We pack records with filler pads, placing the disc in an inner sleeve outside the cover to prevent seam splitting in transit. Part of our postage fee covers the cost of the mailer and pads (which currently costs us up to a dollar per).
BY BIDDING ON AN ITEM, YOU ARE AGREEING TO IN YOUR EAR'S POLICIES.
YES, we ship to Japan!
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