THE BEATLES For Sale RARER ORIG STEREO UK 1964 EX++ LP, LITTLE USED, GREAT SOUND
  £   297
  $   394

 


£ 297 Sold For
Nov 10, 2019 Sold Date
Oct 31, 2019 Start Date
£   14 Start price
33   Number Of Bids
  Great Britain Country Of Seller
eBay Auctioned at
 
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Description

ONEADAYRECORDS – Simply Delivering Quality Music to the World in Quality, Safe Packing.

Postage: UK £4.75 (£1 per extra record). Europe (including Russia) £12.50 (£2 per extra record). Rest of World (including ALL parts of the USA) £16.50 (£3 per extra record). All boxes signed for in quality, safe packaging – I NEVER use mailing envelopes that offer virtually no protection at all, and records WILL arrive damaged in them at some time as most record buyers will already know. Here, you get what you pay for – SAFE PACKING in BOXES using 7mm DOUBLE-WALL STIFFENERS including full side protection and bubble wrap, the records removed from the covers of course. All this very safe packing means I lose money on every box I post, but safe delivery is, and will always be paramount. You WILL see the difference when my packet arrives. Also, I will pay for insurance on any record that sells for over £100 at NO extra cost – that is UK and abroad. Also I aim to post the very same day after payment is received if possible. PLEASE NOTE: I will NOT send any item, no matter what its value without a Royal Mail or courier tracking number. ALL my items must be signed and trackable to comply with Ebay delivery rules. Please do NOT ask me to make any exceptions to this rule as no country offers 100% reliable service without it.

Posting to Russia: Yes, I do post to Russia. But delivery can take longer from the UK. So please be patient. I will submit a tracking number to the winning bidder, and when the packet arrives there it can be followed online using the Russian post website.

ALSO: I now apply the Ebay ‘2-day’ rule for non-payment to keep things moving – cash-flow is important for any small business.

ANY ITEM or ITEMS TO BE PAID WITHIN A MAXIMUM OF 6 DAYS or they will be cancelled – NO EXCEPTIONS.

FINALLY: Late payers, non-payers and ‘0’ bidders will now be blocked or cancelled at my discretion, as will any bidder who cancels a bid. Please only bid on my items if you want them.

Artist or Band: THE BEATLES

Album Title: The Beatles For Sale

Producer(s): George Martin

TRACK LIST:

Side 1: No Reply; I’m a Loser; Baby’s in Black; Rock and Roll Music; I’ll Follow the Sun; Mr. Moonlight; Kansas City/Hey, Hey, Hey, Hey.

Side 2: Eight Days a Week; Words of Love; Honey Don’t; Every Little Thing; I Don’t Want to Spoil the Party; What You’re Doing; Everybody’s Trying to Be My Baby.

Label/Format: Parlophone with matt, very gently textured surfaces. Side two has the ‘K T’ embossed tax codes, both letters are immaculate, totally unrubbed or worn. These meet the criteria for a ‘first pressing’ with the ‘The Parlophone Co Ltd’ rim text (soon changed to ‘Gramophone’), also the ‘Record First Published 1964’ and ‘Sold in UK subject to resale price Conditions, see price lists’.

Label Conditions: Both very clean, fresh and attractive with only a tiny few very light, fine and faint spindle marks and no wear around the hole area. An exceptional pair meeting this criteria and the record plays superbly with beautiful clean surfaces.

Catalogue Number: PCS 3062

Mode / Speed: Stereo / 33.3 rpm.

Warps: Assume all records I offer have no warping of any significance and all tracking is easy and effortless and should play on all turntables and even ‘budget’ decks.

Lateral Movement (Side-to-Side): Barely a trace.

Weight of this Record: 128 grams.

Country of Manufacture: England

Rarity: Few Beatles standard issues are ‘rare’, but early stereo copies are scarcer. Condition is the paramount factor with high percentages of albums played many, many times, often on the most basic of record players and worn out. Hardly played early albums are much harder to find with clean, little worn covers.

Original Year of Release: 1964

Matrix Nos: YEX 142-1 / YEX 143-1

Mothers / Stampers: 3 AM / 4 GO

Brief Info: The Fab Fours fourth album and like those that went before (and after) it sold in vast numbers. However, the majority of early issues were sold in the mono format with few fans and collectors owning stereo equipment at this time. Most will know the album well enough, this is a lovely example, clearly hardly played and one of the very best ‘For Sales’ I have seen in years.

Cover Grade and Format: EXCELLENT(+): and arguably better for a flimsy gatefold this considerable age. The front and back are laminated, the inside is matt and smooth and has two flipbacks on the right top and bottom. The front face is single thickness card and entry for the record is in the back via the centrefold. All makes for a fragile and damage-prone cover. This has the outline ‘stereo’ mode on the front. Printed and made in England, uncredited. The tracing paper lined ‘Use EMITEX’ text inner sleeve is included.

Lamination – Front & Back: Both front and back are very impressive and do actually come quite close to reminding of as-issued. The super-delicate single thickness card front is superb with minimal creasing apart from a small few on the spine edge, any others are mere traces, the back is largely the same. Very prone to lifting, the front has little – a smallish one on the bottom corner – little else on that sides – the back has four on the spine and these again only quite small. The back left has some mottle affect where the laminate has not quite adhered as well as the rest, that a common trait on covers and totally natural as-issued. Superb shine is retained by the front especially and the famous graphic looks sublime. A little darkening on the top front edge is hte only gentle clue of ageing being honest and clearly this has been generally carefully and lightly handled over the considerable number of years.

Cover Inner Gatefold: Little to fault inside, even the central record entrance area is solidly and intact (for a change), the merest trace of wear to the top spine area being ultra critical, no tears, all fully intact and very neat indeed. Both flipbacks undamaged, solid and crisp as-seen. Few of these surface without often disastrous splits and damage making this quite exceptional.

Top Edges: The back laminated folded edge is straight and immaculate. The front single thickness card shows minimal thickening and still lays quite flat.

Bottom Edges: As above, even better if anything.

Right Edge(s), and Type: The back closed edge again neat and impressive, the front sharp and unthickened. Only very gentle curl to the very ends being very critical again, still almost as flat as they are likely to get.

Spine and Text: Clearly a flimsy, delicate and fragile spine, but still quite solid, straight with minimal compression (a trace at the top) and folded square, so the edges meet up very closely together and parallel. Slight tilt only, but no crushing. A couple of fine surface cracks only with the unaffected and unworn as seen. No laminate peeling either.

Corners: Any tip rubs, wear or creasing tiny and light, excellent shape mostly retained with no knocks. Again few will have less wear these days.

Cover Summary: A very strong all-round example of this very fragile 1960’s cover, one that will prove very difficult to find much better. This beautiful item should please many collectors.

The Inner Sleeve: EXCELLENT: arguably better with only light discolouration and faint minimal tone spotting. Again, given the great age, this has survived well with all edges naturally intact. This has the original tracing paper style lining which is immaculate as seen through two pristine window circles. Very little creasing at all, just politely aged, as seen, it has the USE ‘EMITEX’ text.

Vinyl Condition/Visual Grading: EXCELLENT(+)/(++): a very fine visual copy that is very clean with equally fine shine and solidly pressed. A copy with minimal plays on all the evidence with any surface marks few, very light and faint as mostly seen critically under bright light. Side two is close to immaculate with barely anything seen. Most of any blemishes on side one are purely within the pressing and totally superficial, nothing to do with wear or style marks as all. Remember, these records were quickly manufactured, almost mass-produced at first, so the odd pressing blemish is hardly a surprise. No penetrating stylus scratches, viewed in average room light, little even registers. Visually a super record that should please many, if not most collectors.

Album Played For Grading: Yes. [I play ALL records I offer before submitting to Ebay, also the record is played in its entirety unless clearly stated otherwise. I do NOT play snippets or joining grooves to check for sound quality and quietness – I play from the beginning to end via clinically revealing equipment, all listed further down.]

Sound Quality and Audio Grading: These vintage Beatles originals are a thing of genuine beauty when seen and heard as such. This classic more rock orientated early album plays even above it’s high visual grading with hardly anything to fault. Offering strong, distortion-free beautiful stereo sound, all frequencies are sharp and clear – sound quality is very high with a wide dynamic range and very detailed sound. Any surface sounds are minimal indeed and this is a very clean pressing with no tracking issues* or inherent pressing noises. Few available copies will outperform this early ‘first’ pressing (format copy) I feel sure. Both channels are clean and sharp, I am certain this record has been played very lightly and has been generally well stored and carefully handled, almost certainly in a non-smoking environment. Nothing spoilt my pleasure when play-grading this lovely record. It will prove very difficult to find significantly better and can be strongly recommended.

* As played-graded on a high-end Linn LP12 Sondek turntable with Ittok Mk II arm and Ortofon Quintet Black moving coil cartridge tracking at 2 grams. Records are a ‘contact’ format, and few will avoid the odd minor sound blemish.

I am one of the most established sellers on Ebay, trading since 2001 and offering the finest records I can find. I pride myself on offering a variety of genres to keep my site as interesting as possible. I will rarely offer any record that falls below a true Excellent grading, unless its of a certain rarity which will justify offering a lesser grade. I try, to the best of my ability to describe as accurately and as honesty all elements of the items I offer for sale. You may notice I only submit records quite sparingly on Ebay as I Play-Grade every record I offer in their entirety – also on higher-end equipment – not just bits to guess a grade – visuals alone do not always tell a true story. I will try to mention any defects or flaws no matter how small that I notice to be fair as possible to any interested collector – I am very fussy and my buyers have the right to be too. Every record I offer, whether it be a common or rare item deserves the same respect as far as I am concerned and will be treated the same – just because an item is rare does not always mean it’s good. I get just as much pleasure offering a relatively common record in near mint condition as the real rare items. All the pictures I use for your guidance are the item being offered with no digital enhancements. Room light factors can make things vary sometimes, that is hard to control, especially in winter. I hope the item below is to your liking – any questions can be emailed and I will do my best to answer you. I am enthusiastic, and have a fair degree of knowledge about many genres and I promise quality items. Please assume all records I offer have NO jumps, sticks, major warps or writing on covers or labels unless clearly stated to the contrary. Thanks for your interest and Good luck – MIKE.

Equipment Used for Play-Grading: I now play-grade ALL the records I offer (unless clearly stated to the contrary) on the following equipment:

Deck: Linn LP12/Hercules/Cirkus with Ittok Mk II arm and Ortofon Quintet Black moving coil cartridge (tracks at 2 grams). Amps: Naim Supernait 2 with Project USB phono stage and Tellerium Black interconnects. Speakers: B&W 805 Nautilus (bi-wired with Tellurium Black terminated cable) with REL subwoofer. All records I offer on Ebay are cleaned on a professional Nessie vacuum machine before play-grading for the cleanest and best possible sound and will include a brand new lined inner and protective cover too. Pictures taken with a Nikon D7500 DSLR Camera.

PACKING – THIS IS WHAT YOU GET.

What You Get: To confirm to the strict Ebay rules on shipping, I must now send ALL my packets ‘Signed-For’ with NO exceptions. Both buyers and sellers want their packets to have a safer journey and this is not a bad thing.

PLEASE NOTE: I now exercise my right to open a dispute after the Ebay rule of TWO days if no payment is received. I will then cancel the dispute to end the bid, again after the mandatory FOUR days and then offer the item to the runner-up or relist. The non-payer will also be blocked from my Ebay site as will any suspicious bids or bid bid retractions. Small businesses need prompt payment to trade and these strict rules WILL be applied.

SHIPPING COSTS & CONDITIONS – THESE comply with EBAY’S RULES - PLEASE READ CAREFULLY:

Posting & Packing: UK & CHANNEL ISLANDS all now sent via Recorded Delivery:

1 LP (FIRST-CLASS Recorded Delivery with Standard Royal Mail Insurance) [Signed For] = £4.75

1 LP (Special Delivery with Standard £500 Maximum Insurance) [Signed For, Next Day] = £7.50. (this includes insurance of £500). Add £1 per extra LP.

Posting & Packing: EUROPE & SCANDINAVIA. (Airmail Only):

1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£50 maximum]) = £12.50 (enhanced Royal Mail insurance is an optional extra £3). Add £2 per extra LP.

Posting & Packing: ALL OVERSEAS (non-European) e.g. USA (ANY PART OF); South America; New Zealand; Australia; Canada; Japan and other Far East; (Airmail Only: I NEVER use Surface Mail):

1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£50 maximum]) = £16.50 (£17.50 for double sets). Add £3 per extra LP. (enhanced Royal Mail insurance is an optional extra £3)

Payment Conditions:

I prefer PayPal or cheque from UK winning bidders. I only accept PayPal from overseas bidders or direct payment into my bank account.

Potential Bidders: I will cancel any bids I feel are time-wasters. A maximum 2 days for communication and 7 days for payment to arrive – if not I will relist the item or offer to the runner-up.

My Guarantee: If any winning bidder is not satisfied with their purchase I will offer a complete refund if the item is returned in the same condition is was sent e.g. as per the listing pictures.

SOME GENERAL GUIDES TO WEAR AND CONDITIONS TO HELP YOU DECIDE

My Use of Description Terminology: Surface Marks = Superficial, usually light marks, hairlines or light scuffs that rarely sound. Scratch = a needle mark that goes below the record’s surface, some will sound, some will not, my play-grade will inform. Original = a record that has been pressed with the first label design which does NOT necessarily mean a very first pressed record. First Pressing = A record that I believe or know to be a genuine very first pressed record. I do not claim to always know for sure, and that’s why I state the stamper and matrix numbers if at all possible, for those who claim to know what they all mean, the information is there for the collector to decide. I prefer to use terms like ‘Early Copy’ rather than ‘First Pressing’ if I am not totally sure. Surface Sound = Mild, light sound, usually light crackle or similar. Distortion = Break up of the actual sound caused by groove wear or damage from a chipped stylus – the most undesirable form of unwanted sound, vintage mono records were the most prone to this happening but not exclusively so. The symptoms of distortion are high frequency clipping, moderate constant crackle or an echo type sound quality. Violin, piano and vocals are most prone to groove-wear distortion. Feathering = Fraying or softening of the entry edge of a cover. Covers with feathered entrance edges are more likely to have had the actual record inserted and removed more than a non-feathered, sharp-edged cover which are always far more attractive. Set Off, a printer’s term for dark ink leaving mild residue on pale or white ink when rested upon. e.g. when a gatefold cover has black ink closed against white, this can leave some black residue on the pale area – this is mostly unavoidable or course.


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