THE BEATLES. "WITH THE BEATLES" PARLOPHONE UK 1963 LP. 2nd press,MONO EX+.
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Beatles, The ?– With The Beatles
Label: Parlophone ?– PMC 1206 Format: Vinyl, LP, Album, Mono, Repress, 2nd Pressing/4NCountry: UK Released: 1963 Genre: Rock Style: Beat
TracklistHide Credits
A1 It Won't Be Long Written-By – Lennon-McCartney A2 All I've Got To Do Written-By – Lennon-McCartney A3 All My Loving Written-By – Lennon-McCartney A4 Don't Bother Me Written-By – Harrison* A5 Little Child Written-By – Lennon-McCartney A6 Till There Was You Written-By – Willson* A7 Please Mister Postman Written-By – Holland* B1 Roll Over Beethoven Written-By – Berry* B2 Hold Me Tight Written-By – Lennon-McCartney B3 You Really Gotta Hold On Me Written-By – Robinson* B4 I Wanna Be Your Man Written-By – Lennon-McCartney B5 Devil In Her Heart Written-By – Drapkin* B6 Not A Second Time Written-By – Lennon-McCartney B7 Money Written-By – Gordy*, Bradford*Companies etc
- Printed By – Garrod & Lofthouse
Credits
- Bass Guitar – Paul McCartney
- Drums – Ringo Starr
- Lead Guitar – George Harrison
- Liner Notes – Tony Barrow
- Photography By [Front Cover] – Robert Freeman (4)
- Producer – George Martin
- Rhythm Guitar – John Lennon
Notes
Second pressing, December 1963 – early 1964. Garrod & Lofthouse Ltd. Front laminated cover, with large “mono” on front. Most copies of the second pressing has the similar sleeves with misspeled “You Really Gotta Hold On Me” credit on the Side 2.Black label with yellow logo and silver print. “The Parlophone Co. Ltd.” printed at the start perimeter print and “Recording first published 1963?. “Dominion, Belinda” publishing credit for “Money” (Side 2). Tracing-paper-lined “Use Emitex” die-cut inner sleeve. With or without KT tax code on the label.
Barcode and Other Identifiers
- Matrix / Runout: Side 1: XEX 447-3N
- Matrix / Runout: Side 2: XEX 448-4N.
Review by Stephen Thomas Erlewine [-]
With the Beatles is a sequel of the highest order -- one that betters the original by developing its own tone and adding depth. While it may share several similarities with its predecessor -- there is an equal ratio of covers-to-originals, a familiar blend of girl group, Motown, R&B, pop, and rock, and a show tune that interrupts the flow of the album -- With the Beatles is a better record that not only rocks harder, it's considerably more sophisticated. They could deliver rock & roll straight ("I Wanna Be Your Man") or twist it around with a little Latin lilt ("Little Child," one of their most underrated early rockers); Lennon and McCartney wrote sweet ballads (the achingly gorgeous "All I've Got to Do") and sprightly pop/rockers ("All My Loving") with equal aplomb; and the propulsive rockers ("It Won't Be Long") were as richly melodic as slower songs ("Not a Second Time"). Even George Harrison's first recorded song, "Don't Bother Me," is a standout, with its wonderfully foreboding minor-key melody. Since the Beatles covered so much ground with their originals, their covers pale slightly in comparison, particularly since they rely on familiar hits (only "Devil in Her Heart" qualifies as a forgotten gem). But for every "Roll Over Beethoven," a surprisingly stiff reading of the Chuck Berry standard, there is a sublime moment, such as Lennon's soaring interpretation of "You Really Got a Hold on Me," and the group always turns in thoroughly enjoyable performances. Still, the heart of With the Beatles lies not in the covers, but the originals, where it was clear that, even at this early stage, the Beatles were rapidly maturing and changing, turning into expert craftsmen and musical innovators.
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