THE BEATLES-REVOLVER-PARLOPHONE YELLOW & BLACK MONO PMC.7009 1966
  £   42
  $   56

 


£ 42 Sold For
Mar 25, 2012 Sold Date
Mar 15, 2012 Start Date
£   5 Start price
8   Number Of Bids
  Great Britain Country Of Seller
eBay Auctioned at
 
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Description

THE BEATLES-REVOLVER TYPE SINGLE LP-MONO LABEL/PRESSING INFO

PARLOPHONE YELLOW & BLACK.1st "corrected" press with matrix numbers XEX 605-2 & XEX 606-2 and with stampers 1TL/4OL

CATALOGUE NUMBER PMC 7009 YEAR OF RELEASE 1966 COUNTRY OF RELEASE U.K. SLEEVE TYPE SINGLE-GARROD & LOFTHOUSE Patents pending LAMINATED FLIPBACK INSERTS/EXTRAS EMI AD INNER   GRADING/CONDITION DISC(s)

EXCELLENT (CLEAN COPY pressed on the heavyweight vinyl that you associate with these mid 60's pressings with just light playwear and some light handling marks and the whole record plays well with hardly any loss of reproductive quality,does have a bit of wear on side 2 the consequence of which is a bit of background noise inbetween tracks 1 & 2)

LABELS

EXCELLENT (CLEAN LABELS with NO writing stickers,rips or tears,and spindlusage which is reasonably light in quantity but probably played on a 60' s deck with with an oversized spindle, probably full height stacker system which has made wide spindlemarks)

SLEEVE

 

Front board and Inner Gatefold EX+ CLEAN with NO rips tears writing stickers or remains,the laminate is bright and shiny with no rubbing wear and no pressure wear. Rear board EX The black card is clean with no writing and very light ageing and pressure wear,has a bit of bow towards the bottom. Flipbacks EX+ Complete and stuck fast with no lifting cracking or peeling Spine EX+ Complete and uncrushed with no laminate loss and nice clear lettering Edges EX+ Both edges have minimal wear with no laminate or colourloss Opening EX+ LIGHT wear and usage Corners EX All 4 Corners have light wear only   INNER /EXTRAS

INNER SLEEVE: EXCELLENT+ (CLEAN with no writing rips or tears edge splits/repairs and only light storage and handling wear)

  DETAILS

All the rules fell by the wayside with Revolver, as the Beatles began exploring new sonic territory, lyrical subjects, and styles of composition. It wasn't just Lennon and McCartney, either -- Harrison staked out his own dark territory with the tightly wound, cynical rocker "Taxman"; the jaunty yet dissonant "I Want to Tell You"; and "Love You To," George's first and best foray into Indian music

. Such explorations were bold, yet they were eclipsed by Lennon's trippy kaleidoscopes of sound. His most straightforward number was "Doctor Robert," an ode to his dealer, and things just got stranger from there as he buried "And Your Bird Can Sing" in a maze of multi-tracked guitars, gave Ringo a charmingly hallucinogenic slice of childhood whimsy in "Yellow Submarine," and then capped it off with a triptych of bad trips: the spiraling "She Said She Said"; the crawling, druggy "I'm Only Sleeping"; and "Tomorrow Never Knows," a pure nightmare where John sang portions of the Tibetan Book of the Dead into a suspended microphone over Ringo's thundering, menacing drumbeats and layers of overdubbed, phased guitars and tape loops.

McCartney's experiments were formal, as he tried on every pop style from chamber pop to soul, and when placed alongside Lennon's and Harrison's outright experimentations, McCartney's songcraft becomes all the more impressive. The biggest miracle of Revolver may be that the Beatles covered so much new stylistic ground and executed it perfectly on one record, or it may be that all of it holds together perfectly. Either way, its daring sonic adventures and consistently stunning songcraft set the standard for what pop/rock could achieve.

Even after Sgt. Pepper, Revolver stands as the ultimate modern pop album and it's still as emulated as it was upon its original release.

Postal Shipping & Handling charges Region Single Item Extra UK Second Class £3.00 £.70 Europe £5.00 £1.50 USA £7.50 £2.00 Japan/ROW £7.50 £2.00

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