THE BELMONTS "CARNIVAL OF HITS" SABINA#5001(1962) HEAR
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Description
REMARKS: LISTED ON ALL RECORD GUIDES AT $150.00 - $200.00 (nm)....
A SHORT STORY ABOUT A GREAT DOO WOP GROUP...THE BELMONTS:
The Belmonts are a doo wop group that originated in the mid 1950s. The group consisted of Fred Milano, Angelo D'Aleo, Carlo Mastrangelo, and Nick Caruso. The group took their first name from Belmont Avenue in the Bronx (does not exist anymore!). There were several stages in their history, including the 1958–1960 period with Dion DiMucci, when the group was named Dion and the Belmonts. At this time Mastrangelo handled the bass parts, Milano the tenor, DiMucci the lead vocal and D'Aleo the falsetto.
The Belmonts first recorded in 1957 with Teenage Clementine and Santa Margherita for Mohawk Records. Also recording on Mohawk was Dion DiMucci, who joined the group as lead vocalist shortly thereafter. Now known as Dion and the Belmonts, they recorded "We Went Away" and "Tag Along" for Mohawk before leaving for the newly formed record label, Laurie Records.
Their first release on Laurie, "I Wonder Why", brought them their first real success, charting in 1958. They followed it with the ballad "No One Knows", which was also a hit in their local area. They continued recording and, in 1959, were part of the Winter Dance Party tour that lost three members to a plane crash near Clear Lake, Iowa — Buddy Holly, Ritchie Valens, and J. P. Richardson (aka The Big Bopper . DiMucci was actually offered a seat on the plane, but thought the fee of $36 was too much for such a short plane ride. Photographs taken at the concert the night before the accident show Buddy Holly filling in on drums for the Belmonts, whose drummer was unwell with frostbite.
Almost immediately after this tragedy, the quartet hit again with "A Teenager in Love". They recorded a few more songs, including "Where or When", which reached #3 on the Billboard Hot 100 chart in early 1960.
At various times the group performed without D'Aleo who had been drafted into the US Navy. One one occasion a national TV appearance was filmed with D'Aleo in navy uniform after he arrived just in time for the filming session.
Due to musical and financial differences between DiMucci and other members of the Belmonts, he decided to leave the group. DiMucci was also struggling with a heroin problem at the time. They carried on as "The Belmonts," with Mastrangelo singing the lead vocal parts. Their success dwindled at this point, but they continued to record through the 1960s.
Their biggest separate hit was "Tell Me Why" in 1961 on the Sabrina (aka Sabina) label It reached #18. Other songs included "I Confess" and "Come On Little Angel". They had a total of six minor hits on the US top 100 between 1961 and 1963. In 1960, before leaving the Laurie Records label, they released a rendition of "We Belong Together" (the Robert and Johnny hit), which was not a hit but is valued today[citation needed]. Their highly collectable and rare album from this period was The Belmonts' Carnival of Hits, which consisted of their Sabina recordings. These songs have been reissued often in combination with the "Dion and the Belmonts" songs.
Mastrangelo himself would attempt a solo career in 1962, his most notable recording, though unsuccessful, being "Stranger in My Arms", written by Ernie Maresca. He was replaced by Frank Lyndon. Between 1964 and 1966 Mastrangelo also acted as Dion's occasional songwriting partner and drummer, playing on TV appearances and on the "Dion and the Wanderers" sessions in 1965. In 1966, Mastrangelo, Milano, and D'Aleo reunited with DiMucci and released the album Together Again on ABC Records. Mastrangelo once again played drums as well as vocals and DiMucci contributed guitar, to reduce the need for additional session musicians. Shortly thereafter, DiMucci again left the Belmonts, with Lyndon returning. Lyndon was later replaced by Warren Gradus. Later still, they were a quartet with Milano, D'Aleo, Gradus, and Daniel Elliott (nee Rubado, ex-The Monterays, Glenn Miller Orchestra) who joined in 1974.
TRACKS SIDE A: 1- COME ON LITTLE ANGEL
2-DON'T GET AROUND MUCH ANYMORE
3- I DON'T KNOW HOW TO CRY
4- HAVE YOU HEARD
5- SEARCHING FOR A NEW LOVE
6-I NEED SOMEONE
TRACKS SIDE B: 1- TELL ME WHY
2- HOW ABOUT ME
3- THIS LOVE IS MINE
4- THAT AMERICAN DANCE
5- I CONFESS
6- HOMBRE
WEB REMARKS:
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RECORD OR COVER GRADED VG or LESS WILL BE "SOLD AS IS"
MINT: Unplayed, still sealed.
NM RECORDS: are shiny, with no visible defects, they might have one or 2 minor superficial scuff and they should play without any noise. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must not be present; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.)
NM COVERS:
have no creases, ring wear or seam splits of any kind.
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Barely noticeable play wear and background noise. May have surface scuffs and/or superficial marks, which will be inaudible or indiscernible from the background, no scratches. Very nice, flaws noted.
VG++ COVERS:
Artwork is still as close to perfect as can be. Some impression to the cover (minor outer ring wear) but no ink wear! Some slight creases to the corners, but not wrinkled and obtrusive to the eye. The corners can show white (where the artwork pasted slick was) meaning, slight wear. No seam splits or writing on the cover or taped repairs can make this grade.
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may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable.
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should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint.
VG+ PICTURE SLEEVES:
might show some very light creasing where it is obvious that a record once resided (or still does reside). A VG+ picture sleeve might have some very minor seam wear or a split (less than one inch long) at the bottom, the sleeve’s most vulnerable location.
VG RECORDS:
They have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape, or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape.
VG COVERS and PICTURE SLEEVES:
will have many signs of human handling. Ring wear in the middle or along the edges of the cover where the edge of a record would reside, is obvious, though not overwhelming. Some more creases might be visible. Seam splitting will be more obvious; it may appear on all three sides, though it won’t be obvious upon looking. Someone might have written or stamped a price tag on it, too.
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Carlos A. Flores 25830 Crippen Dr. Land O' Lakes, FL 34639
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