THE BYRDS Younger Than Yesterday RARER ORIG UK 67 MONO

	£		99
	$		118

ONEADAYRECORDS – Delivering Quality Music to the World

Please see my Detailed Packing Description Further Down with Picture & All Shipping Rates.

Artist or Band: THE BYRDS

Album Title: Younger Than Yesterday.

Producer(s): Gary Usher.

TRACK LIST:

Side 1: So You Want to Be a Rock ’n’ Roll Star; Have You Seen Her Face; C.T.A.-102; Renaissance Fair; Time Between; Everybody’s Been Burned.

Side 2: Thoughts and Words; Mind Gardens; My Back Pages; The Girl with No Name; Why.

Label/Format: CBS – original intense orange colour with rough textured surfaces and the earliest 33 speed indicator and ridge. Later ones where smooth and had the 33 1/3 speed (Please see my label scan).

Label Conditions: Both very clean and attractive with only light and faint spindle marks and no wear around the hole area.

Cat Number: 62988.

Mode / Speed: Mono / 33.3 rpm.

Warps: Assume all records I offer have no warping of any significance and all tracking is easy and effortless and should play on all turntables and even ‘budget’ decks.

Weight of this Record: 150 grams. [These days, many modern Audiophile reissues are pressed on super-heavyweight 180 gram vinyl. Only a small percentage of ‘vintage vinyl’ was ever pressed this heavy. Records pressed in the 1960s averaged around 135 to 145 grams. Records pressed in the 1970s were usually lighter and averaged more around 115 – 125 grams. Some records pressed around 1973 were very thin and light due an oil crisis and shortage around this time. Some records were even issued on recycled vinyl from this period and sounded poor with crackle and surface noise evident from the very first play. If any record I buy is deemed ‘recycled’, I will never offer it, I have a very simple test to detect these records if I suspect this to be the case other than audible imperfection. Some records from this period were even pressed on other materials the most notable was ‘Dynaflex’, used by RCA around this time. Although inferior to vinyl, this at least mostly sounded reasonably acceptable but pressings on this material were wafer thin and flimsy. Beyond the 70s, many records often became thinner and lighter still but most played fine but were never quite the quality as from the ‘Golden Era’]. (This was based on ‘average’ weights for 50 records from these eras.

Country of Manufacture: England.

Rarity: First pressed monos are scarce, especially in superb clean playing conditions. As I have stated on countless occasions, we all know what these vintage mono records were likely to be subjected too and the resulting damage to the fragile grooves and sound. It will be immediately obvious to any winning bidder this copy has been played only very lightly, and carefully and retains immaculate mono sound, and that can never, ever be taken for granted. Buy any un-play-graded mono record at your peril because a high percentage will disappoint.

Original Year of Release: 1967

Matrix Nos: 62988 A1 / 62988 B1

Musicians: Jim McGuinn – guitar, vocals; David Crosby – guitar, vocals; Chris Hillman – electric bass, vocals; Michael Clarke – drums.

Brief Info: This was the fourth Byrds album and one of the most loved. It further developed their sound and now included some wind instruments and introduced some psychedelia to their music with tape effects. It sold quite well on both the US and UK but finding the earliest mono pressings is harder in very fine conditions. This is a gem and should delight most collectors. Please see my other current Byrds albums on offer too.

Cover Grade and Format: EX: the back grades better, the back a little below, so the average is Excellent. A single format with front laminate, this covers the top and bottom edges but not the spine, hence vulnerable and the majority will not include the text as it erodes so easily. Printed and made in England by Ernest J. Day and includes the ‘Patent Pending’ text. This dedicated mono cover has no stickers and is guaranteed original. This, and the other Byrds albums I am currently offering include the inners the records came with to me and I feel sure, they are all original.

Lamination & Front: The front is very nice indeed and really does look attractive. A very psychy, out-of-focus shot of the members and seen to maximum effect under very clear, shiny and fresh laminate. All is fully adhered with no lifting or peeling. A few light surface creases are just evident near the right edge and a very tiny chip to the bottom corner tip. Very faint record impression, but with a 150 gram record inside for a span of five decades, is this a surprise?, the lack of friction rubs or dulling is great news and this front will prove hard to find much better.

Cover Back: The totally unprotected back is highly wear-prone and few seem to escape grubbiness or toning. This has some, mainly around the edges but real wear is very light indeed and any creases are few and relatively light and fine. So the back has aged a little, but the front less so and overall a highly respectable cover.

Top & Bottom Edges: Both show barely any wear up to the corner tips aided by the laminate protection that is still fully intact.

Right Edge(s), and Type: Clean, quite sharp with little wear and no feathering or trimming. Record enters on this edge.

Spine and Text: Solid, fairly straight, uncompressed and most text is present with minimal wear. The Cat. No. has rubbed and one or two characters have slightly rubbed or clipped on the band and title. But nice to see most intact and present at all as the majority will rub away over time. The white surface has very slightly discoloured and has minor friction rubs. Compared to some threadbare examples of this style of spine I have seen, this is not half bad at all.

Corners: Small tip rubs or minor chips only and most retain fine to very fine shape.

Cover Summary: A strong all round example of this wear-prone ‘summer-of-love’ 60’s cover, one that will prove difficult to find much better. This very fine item should please many collectors.

The Inner: The CBS promotional unlined inner is nice, it has one sizeable edge split from movement but the others are intact. One small corner tear and a crease but little else – the window is immaculate.

Vinyl Condition/Visual Grading: A superb EX++, although the cover has aged slightly, the vinyl has forgotten is way over 40-years-old. A superb visual copy that is super clean, shiny, intense black and heavily pressed. A copy with minimal plays on all the evidence with any surface blemishes being ultra few, faint and with no effect on the outstanding sound quality. Visually a wonderful looking mono classic that should please most-all collectors.

Album Played For Grading: Yes. [I play ALL records I offer before submitting to Ebay, also the record is played in its entirety unless clearly stated otherwise. I do NOT play snippetts or joining grooves to check for sound quality and quietness – I play from the beginning to end via clinically revealing B&W speakers that include the legendary tweeter from their awesome Nautilus range that reveals every blemish or miniscule sound present on any record.]

Sound Quality and Audio Grading: This gorgeous original mono record plays even above its high visual grading with nothing to fault. Strong, distortion-free sound, all frequencies are sharp and clear - sound quality is very high with a wide dynamic range and very detailed sound. Still the era of the mono sound, this was a real joy to play-grade, any surface sounds barely even registered and no pops or clicks were noted and this is an exceptional clean pressing. Remember, these single-channel recordings were designed for the Dansette era and not for highly clinical and revealing high-end stereo decks. So when any vintage mono record plays to this very high standard, they are to be cherished. Few copies will match or outperform this very early pressing significantly I feel sure. Both channels are clean, sharp and fully focused and devoid of the typical clipping or mono noise encountered on so many. I am certain this record has been played very lightly and has been clearly carefully handled, no blunt or chipped mono stylus have destroyed this one. Again remember, just one play on such and the sound is ruined, one arm drop or jolt, and another massive deeply penetrating scratch is inflicted, but not on this one. Nothing spoilt my pleasure when play-grading this wonderful record, one of many diamonds this wonderful band made. This record will prove very difficult to find significantly better and can be strongly recommended.

Now one of the most established sellers on Ebay and still offering the finest and most accurately described and graded records I can find. I pride myself on offering a variety of genres to keep my site as interesting as possible. I will rarely offer any record that falls below a true Excellent grading, unless its of a certain rarity which will justify offering a lesser grade. I try, to the best of my ability to describe as accurately and as honesty as I can all items I offer for sale with all the relevant information I can think of to help any potential bidder and collector. You may notice I only submit records sparingly on Ebay - on average ONEADAY, a couple more at weekends if time permits, hence the name - time rarely allows for more as I Play-Grade virtually every record I offer in their entirety, not just bits to guess a grade - visuals alone do not always tell a true or full story. I will mention any defects or flaws no matter how small that I notice to be fair as possible to any interested collector – I am very fussy and my buyers have the right to be too. Every record I offer, whether it be a common or rare item deserves the same respect as far as I am concerned and will be treated the same - just because an item is rare does not always mean its good. I get just as much pleasure offering a relatively common record in stunning near mint condition as the real rare items. All the pictures I use for your guidance are taken with a digital camera or scanned - they are NOT improved, cleaned-up or made better looking than they are with camera trickery or enhancing with digital programmes. What you see is what you get and scanned labels will give a more accurate representation of the genuine colour than flash photography where light is variable. I cannot guarantee total accuracy for colours however but most will be very close. If any picture I take looks more flattering than the actual item for any reason, I will clearly state the fact in the advert and vice-versa. I hope the item below is to your liking - any questions can be emailed and I will do my very best to answer you. I am enthusiastic, and have a fair degree of knowledge about many genres and I promise quality items - bid with confidence - excellence comes as standard and so does Near Mint regularly. Please assume all records I offer have NO jumps, sticks, warps or writing on covers or labels unless clearly stated to the contrary. Thanks for your interest and Good luck – MIKE.

Deck: Linn LP12/Hercules/Cirkus with Ittok Mk II arm and Ortofon Rondo Red moving coil cartridge (tracks at 2 grams). Amps: Naim Nait 5i with Project USB phono stage and Chord interconnects. Speakers: B&W 704 Floorstanding 3-way Monitors (bi-wired with QED Silver terminated cable). All records I offer on Ebay are cleaned on a professional Moth vacuum machine before play-grading for the cleanest and best possible sound and will include a brand new lined inner and protective cover too.

First-time, zero-rated bidders, who do not ask permission to bid, will be cancelled immediately and blocked – NO exceptions. For winning bidders who I consider excessively slow to make contact or submit payment, I will use my right to block future bids. If any bidder who wins in the final seconds is present to do so, surely they can at least email me to inform of intention and payment method? If swift or promp payment is a problem, please do not bid.

PACKING - THIS IS WHAT YOU GET - PLEASE SEE MY TYPICAL PACKING BOX PICTURE.

What You Get: To confirm to the strict Ebay rules on shipping, I must now send ALL my packets ‘Signed-For’ with NO exceptions. Both buyers and sellers want their packets to have a safer journey and this is not a bad thing.

I now offer the fastest possible posting, often the very next day after payment is received or within two to three days maximum (unless on holiday). I only use FIRST-CLASS Mail. The record’s cover will be placed within a BRAND NEW soft protective sleeve and the actual record will be professionally cleaned on my Moth Pro vacuum system to give ultimate clean grooves and playing surfaces and the best possible looks and ultimate sound quality. You will NOT get tired, dull looking, dust infested records inside worn and foggy covers with tatty inners from this seller and that’s a promise and guarantee. All records are posted in professional thick boxes (NOT Mailers or Cruciforms, these do not offer maximum protection). The record(s) REMOVED from their main cover to avoid edge splits and placed within a brand new polylined inner. The record’s original inner will be included if available. The boxes are then reinforced with THREE or EVEN FOUR ULTRA THICK stiffeners for maximum extra protection – these are FOUR TIMES thicker than commercial stiffeners and are custom-made for oneadayrecords. Really rare and expensive albums will even be Double Boxed if deemed necessary and possible. The thick record and stiffener ‘sandwich’ is then thickly embedded into bubble-wrap to bulk out the record inside the box to centre the item inside to reduce the risk of damage still further. Printed address labels are used for clarity as well as a sender label. Customers requests or special needs for P&P will be respected if at all possible but ‘Signed-For’ posting is NOT an option anymore. Please see my picture of a typical finished box packet that will now be used on ALL transactions as from now. I do not profit on posting and the cost of this lavish packing is NOT even charged for, I offer probably the best-value and safest shipping possible for ultimate confidence. These boxes and ultra thick double-wall stiffners and bubble wrap make a near impregnable fortress for safe shipping and this is used inland and overseas for ALL my records, not just the rare and expensive. I will invoice any winning bidder as soon as possible after the auction ends. My ‘loss’ or ‘damage rate’ is less than one in two thousand based on over 6,000+ items sold in over 8 years of Ebay trading and I consider that pretty exceptional. The only damage rate acceptable for this seller is ZERO and I think my packets will offer just that. It would take a vicious postman or postal service to damage these for sure. Even one of these stiffners cannot be bent by hand, so what chance 3 or 4 inside a box? Oneadayrecords is a MAILER-FREE ZONE. I discount of course for multiple purchases with a maximum of FOUR records per box (one double can sometimes be included subject to total weight). I will not respond to questions on shipping costs as all the details are included here and on ALL of my adverts. Details below:

NOTE: First Time Bidders: I will cancel ALL first-time bidders with no feedbacks or excessive negatives who do not ask me if its OK to bid first – NO EXCEPTIONS.

Please Note: I will now offer any item to the runner-up after the mandatory Ebay 3 days if no contact is made by the winning bidder unless prior notice of any delay is given beforehand. The same applies if no payment is received within the mandatory 7 days so any bidder who has just lost out can still email me to reserve the item as priority second chance – it’s always worth asking.

SHIPPING COSTS & CONDITIONS – THESE comply with EBAY’S RULES - PLEASE READ CAREFULLY:

Posting & Packing: UK & CHANNEL ISLANDS all now sent via Recorded Delivery:

1 LP (FIRST-CLASS Recorded Delivery with Standard Royal Mail Insurance) [Signed For] = £4.

1 LP (Special Delivery with Standard £500 Maximum Insurance) [Signed For, Next Day] = £7.50. (this includes insurance of £500). Add £2 per extra LP.

Posting & Packing: EUROPE & SCANDINAVIA. (Airmail Only):

1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£40 maximum]) = £9. (insurance optional extra £3). Add £2.50 per extra LP.

Posting & Packing: ALL OVERSEAS (non-European) e.g. USA (ANY PART OF); Australia; Canada; Japan and other Far East; (Airmail Only: I NEVER use Surface Mail):

1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£39 maximum]) = £13. Add £4 per extra LP. (insurance optional extra £3)

Payment Conditions:

I prefer PayPal or cheque from UK winning bidders. I can accept PayPal from overseas bidders or direct payment into my bank account.

Potential Bidders: Please do not bid if you have negative feedback unless checking first, I will cancel any bids I feel are timewasters. A maximum 3 days for communication and 7 days for payment to arrive - if not I will relist the item or offer to the runner-up. Fast deals get great feedback from me. Any questions - please ask and thanks for looking.

My Guarantee: If any winning bidder is not satisfied with their purchase I will offer a complete refund. I will not refund if any defect detail is clearly stated on the advert and missed by the buyer, so read the item description carefully. If any overseas collector does not understand anything in my listing, please email and ask me to help. Thank You.

SOME GENERAL GUIDES TO WEAR AND CONDITIONS TO HELP YOU DECIDE

My Use of Description Terminology: Surface Marks = Superficial, usually light marks, hairlines or light scuffs that rarely sound. Scratch = a needle mark that goes below the record’s surface, some will sound, some will not, my play-grade will inform. Original = a record that has been pressed with the first label design which does NOT neccessarily mean a very first pressed record. First Pressing = A record that I believe or know to be a genuine very first pressed record. I do not claim to always know for sure, and that’s why I state the stamper and matrix numbers if at all possible, for those who claim to know what they all mean, the information is there for the collector to decide. I prefer to use terms like ‘Early Copy’ rather than ‘First Pressing’ if I am not totally sure. Surface Sound = Mild, light sound, usually light crackle or similar. Distortion = Break up of the actual sound caused by groove wear or damage from a chipped stylus – the most undesirable form of unwanted sound, vintage mono records were the most prone to this happening but not exclusively so. The symptoms of distortion are high frequency clipping, moderate constant crackle or an echo type sound quality. Violin, piano and vocals are most prone to groove-wear distortion. Feathering = Fraying or softening of the entry edge of a cover. Covers with feathered entrance edges are more likely to have had the actual record inserted and removed more than a non-feathered, sharp-edged cover which are always far more attractive. Set Off, actually a printer’s term for dark ink leaving mild residue on pale or white ink when rested upon. e.g. when a gatefold cover has black ink closed against white, this can leave some black residue on the pale area – this is mostly unavoidable or course.

The Argument for Vinyl Original sound and mix (mono mixes are rarely available on CD), high quality sound on clean copies (played on a hi-end dedicated analogue system – breathtaking sound!), beautiful, large format covers, artwork, inserts and even full size posters etc; huge investment potential, and the pleasure of owning ‘the real thing’.