"""THE CHIRPING CRICKETS""" ORIGINAL DEBUT BRUNSWICK LP

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114

THE CHIRPING CRICKETS

BRUNSWICK RECORDS #BL 54038

1957    MONO

THIS IS COPY OF THE ORIGINAL ALBUM ISSUED BY THE CRICKETS FEATURING BUDDY HOLLY.

THE COVER GRADES VG+. IT IS CLEAN  WITH TOP SEAM SPLIT AND A SMALL SPLIT AT BOTTOM SEAM. CORNERS AND BACK SPLINE ARE FINE. FAINT RINGWEAR ON FRONT. NO WRITING ON COVER.

THE VINYL GRADES STRONG VG+. SEVERAL SCUFFS BUT NO DEEP SCRATCHES. BOTH SIDES PLAYED THRU CLEAN AND WITHOUT DISTRACTION.

BELOW IS PART OF A REVIEW I FOUND ON THE WEB.

Much like Chuck Berry's first album ("After School Session"), Buddy Holly's first full-length is more a document of his early recording sessions (and the hit singles that they spawned) than a concerted effort to make a cohesive album-length statement. Not exactly surprising a full decade before The Beatles conceptualized Sgt. Pepper's. But also like Berry's debut, this collection of song presents an album of snapshots that document the genesis of rock 'n' roll.

The album's original dozen tracks plays almost like a greatest hits collection, with signature gems like "Oh Boy!" "Not Fade Away," "Maybe Baby," "That'll be the Day" testifying to rock 'n' roll immortality. Holly's ringing guitar and hiccupping vocals drew from a different sensibility than did Berry's blues-tinged playing, but the backbeat and optimism of the lyrics (even the heartbreak suggested it was great to be a teenager ready to fall in love again) brought them together under the rock 'n' roll banner. Holly and The Crickets' simple arrangements reveal the power of Holly's songwriting - his ability to craft a lyrical and melodic hook that is unforgettable. The vocal stutter of "Oh Boy!", the rhythm guitar solo of "Not Fade Away," and the peeling guitar intro of "That'll Be the Day" are just a few of Holly's trademarks.

The album's non-hit tracks offer some lesser-known delights. "An Empty Cup (And a Broken Date)," co-written with Roy Orbison, offers a helping of disappointment and a sweet guitar break, and a cover of Chuck Willis' "It's Too Late" is the perfect stage for Holly's heartbroken, atmospherically echoed crooning. Amazingly, the former was recorded in a hotel room, on a portable tape recorder, along with the bouncy flip-side (to "Maybe Baby"), "Tell Me How," and the bass-heavy nursery rhyme "Rock Me Baby." The original flip-side to "That'll Be the Day," "I'm Looking For Someone to Love," is rockin' Buddy Holly at his finest, with two fine rockabilly styled guitar breaks! Little Richard's "Send Me Some Lovin'" fits Holly's hiccupping style perfectly, resulting in a stroll-tempo cross between rock and doo-wop.