THE DEVIANTS 'DISPOSABLE' SLP 7001 STABLE RECORDS 1968 UK ISSUE STEREO
  £   83
  $   110

 


£ 83 Sold For
Jan 17, 2016 Sold Date
Jan 10, 2016 Start Date
£   60 Start price
4   Number Of Bids
  Great Britain Country Of Seller
eBay Auctioned at
 
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Description


The Deviants  ?– Disposable

Label:Stable Records ?– SLP 7001 Format:Vinyl, LP, Album, Foldout Cover
 Country:UK Released:1968 Genre:RockStyle: Psychedelic Rock

Tracklist 

A1 Somewhere To Go Bass – Sandy*, Mac*Drums – Russ*Guitar – Sid*Organ – Dennis*, Tony FergusonVocals – Mick*Written-By – Sanderson*, Farren* 7:17 A2 Sparrows And Wires Guitar – Sid*Hihat [Hi-hat] – Russ*Narrator [Narrative] – Steve*Written-By – Bishop*, Sparkes* 0:28 A3 Jamies Song Bass – Sandy*Drums – Russ*Guitar – Sid*Organ – Tony FergusonVocals – Mick*Written-By – Mandelkau*, Farren*, Hunter* 3:28 A4 You've Got To Hold On Bass, Vocals – Sandy*Drums, Vocals – Russ*Guitar – Sid*Harmonica – Mac*Vocals – Mick*Written-By – Farren*, Hunter*, Bishop* 3:47 A5 Fire In The City Drums – Russ*Guitar – Sid*Tenor Saxophone [Tenors] – Dick Heckstall-Smith, George (88)Trumpet – Pete Brown (6)Vocals, Bass – Sandy*Written-By – Sanderson*, Farren* 2:57 A6 Let's Loot The Supermarket Bass – Sandy*Drums – Russ*Harmonica – Mac*Piano – Dennis*Twelve-String Guitar [12 String Guitar] – Sid*Written-By – Farren* 2:21 B1 Pappa-Oo-Mao-Mao Bass – Sandy*Choir – Boss*, Sandy*, Jenny*, Karl*, Mac*, Russ*Drums – Russ*Guitar – Sid*Vocals – The Mighty Boss*, Mick*Written-By – Frazier*, White*, Harris*, Wilson* 2:20 B2 Slum Lord Bass, Harmony Vocals [Harmony] – Sandy*, Mac*Drums, Vocals – Russ*Guitar – Sid*Piano – Dennis*Vocals – Mick*Written-By – Farren*, Bishop* 2:08 B3 Blind Joe McTurks Last Session Harmonica – Mac*Vocals, Twelve-String Guitar [12 String Guitar] – Mick*Written-By – Farren* 1:17 B4 Normality Jam Bass – Sandy*, Mac*Drums – Russ*Guitar – Sid*Organ – Dennis*Written-By – Hughes*, Sanderson*, McDonnell*, Hunter*, Bishop* 4:20 B5 Guaranteed To Bleed Arranged By [Brass] – Dick Heckstall-SmithDrums – Russ*Guitar – Sid*Organ – Tony FergusonPiano – Dennis*Vocals, Bass – Sandy*Written-By – Sanderson*, Ferguson* 2:35 B6 Sidney B. Goode Guitar – Sid*Written-By – Bishop* 0:50 B7 Last Man Effects – Mac*, Russ*Organ – Mick*, Tony FergusonTwelve-String Guitar [12 String Guitar] – Sid*Vocals – Mick*Written-By – Farren* 5:36

Companies, etc.

  • Printed By – Garrod & Lofthouse
  • Made By – Garrod & Lofthouse
  • Recorded At – Morgan Studios
  • Published By – B&C Music Ltd.
  • Published By – Ardmore & Beechwood Ltd.

Credits

  • Arranged By – The Deviants (2) (tracks: A1 to A4, A6 to B7), Tony Ferguson (tracks: A5)
  • Arranged By, Mixed By [Assembled By] – Andy Johns, Mick*
  • Cover – Mean & Filthy
  • Engineer – Andrew Johns*
  • Performer – Andrew Johns*, David Goodman (Boss)*, Dennis Hughes, Dick Heckstall-Smith, Duncan Sanderson (Sandy)*, George (88), Jenny Ashworth*, Jerry (The Man), Karl Dallas (2), M J McDonnell, Mick Farren, Mick*, Pete Brown (6), Russ Hunter*, Sid Bishop, Stephen Sparkes, Tony Ferguson, Tony Wigens (The Roadie)*
  • Producer – Mick Farren, Stephen Sparkes

Notes

Stereo Playable Mono

Recorded on Triumph Amplification at Morgan Sound, London, September 1968.

Printed and made by Garrod & Lofthouse Ltd.

All tracks B & C Music Ltd except "Pappa-Oo-Mao-Mao" Ardmore & Beechwood

A6: Vocal - Almost Everyone

? 1968

  • Matrix / Runout (Runout, Stamped, Side 1): SLP+7001+A
  • Matrix / Runout (Runout, Stamped, Side 2): SLP+7001+B


PLEASE BE AWARE THAT MOST OF THE
RECORDS ON SALE HAVE NOT BEEN PLAY-GRADED
IF THEY HAVE, ANY OBSERVATIONS WILL
 BE MENTIONED IN THE LISTINGS

Condition:
***please see end of listing
    for grading system definitions
          before ordering***

Cover:- GOOD TO VERY GOOD
SOME EDGEWEAR ON FRONT OF GATEFOLD.
RINGWEAR, SHELFWEAR AND A LITTLE LAMINATE LIFT/ CREASING
Vinyl:- EXCELLENT
SOME SURFACE MARKS
Labels:- EXCELLENT
 

WE WANT YOU TO BE HAPPY
 WITH YOUR PURCHASE
IF, FOR WHATEVER REASON, YOU ARE NOT HAPPY WITH THE RECORD
 (EVEN IF YOU DECIDE YOU DON'T LIKE THE MUSIC!)
PLEASE CONTACT ME TO RETURN THE RECORD
 FOR A FULL REFUND PLUS RETURN POSTAGE.
**THE RETURN ADDRESS IS ALWAYS ON THE BACK OF THE PACKAGING**



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Please note that my sales will be posted recorded and must be signed for on arrival.
The cost of this is the current Royal Mail charges whether Domestic or International


SIGNED FOR POSTAGE + PACKING IS OFFERED ON THIS ITEM
PRICES AS FOLLOWS:-

U.K. £4.50  E.U. / UKRAINE £11.50  REST OF THE WORLD** £15.50
**INCLUDES:-
 AUSTRALIA - BRAZIL - CANADA - JAPAN - KOREA - NEW ZEALAND - USA

please note that
***GENEROUS COMBINED POSTAGE WILL BE OFFERED
FOR MULTIPLE ORDERS***

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All items will be posted in custom made mailers in plastic sleeves and using two card liners.

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PLEASE NOTE THAT THE PHOTOGRAPHS DISPLAYED
ARE OF THE ACTUAL ITEM LISTED FOR SALE ABOVE
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My records are described according to “The Record Collector’s” grading system.

This was originated by “The Record Collector” to assist people buying or selling records.

Their seven standard condition categories and a description of what each one means are given below.

I hope you find this helpful.


MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

EXCELLENT: The records shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.

VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration etc.

FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.

POOR: The record will not play properly due to scratches, bad surface noise etc. The cover and contents will be badly damaged or partly missing.

Bad: The record is unplayable or might even be broken and is only of use as a collection-filler.


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