THE DEVIANTS Disposable LP STABLE 1968 UK original+foc MICK FARREN-PINK FAIRIES
£
57
$
76
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Description
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THE DEVIANTS
MICK FARREN, RUSS HUNTER, DUNCAN SANDERSON, SID BISHOP
DENNIS HUGHES, M J McDONNELL, TONY FERGUSON
plus STEPHEN SPARKES, DICK HECKSTALL-SMITH, PETE BROWN, etc.
In the late '60s, the Deviants were something like the British equivalent to the Fugs,
with touches of the Mothers of Invention and the British R&B-based rock of the Yardbirds and the Pretty Things
"DISPOSABLE"
Produced by STEPHEN SPARKES and MICK FARREN
1968 LP STABLE RECORDS SLP 7001 STEREO
MADE IN ENGLAND ORIGINAL COPY
LAMINATED + UNIPAK + GATEFOLD SLEEVE WITH FLIPBACK INSIDE (right panel)
Barcode and Other Identifiers
LABEL: STABLE - ORANGE LABEL - BLACK TEXT
Catalog on cover: (rear) SLP 7001 Stereo Playable Mono (spine) SLP 7001
Catalog on labels: SLP 7001 (SLP 7001A / SLP 7001B)
Matrix / Runout (Side A, Stamped): SLP + 7001 + A
Matrix / Runout (Side B, Stamped): SLP + 7001 + B
On labels: ? 1968 on both labels (on the labels the release year appears at 9 o'clock)
Rights Society:
Side A: All tracks B & C Music
Side B: All tracks B & C Music except* Ardmore & Beechwood
On inside cover: Recorded on Triumph Amplification at Morgan Sound, London, September 1968Cover by Mean & Filthy
from my records collection
tracklisting
Side A: SOMEWHERE TO GO - SPARROWS AND WIRES - JAMIE'S SONG
YOU'VE GOT TO HOLD ON - FIRE IN THE CITY - LET'S LOOT THE SUPERMARKET
Side B: PAPPA/OO/MAO/MAO* - SLUM LORD - BLIND JOE McTURK'S LAST SESSION NORMALITY JAM - GUARANTEED TO BLEED - SIDNEY B.GOODE - LAST MANgrading
RECORD (Side A)= NEAR EX; (Side B)= VG(+) but (please, read above description)
SLEEVE VG but (please, see pictures and read above description)
Plenty of psychedelic groups of the late '60s embraced a sunny outlook of peace,
flowers, and consciousness expansion, but some took a harder line on upending
the straight society they sought to replace, and like their spiritual brethren the MC5,
the Deviants (under the first-among-equals leadership of writer Mick Farren)
saw their music as a vehicle for a Total Assault On The Culture...(AllMusic)
price rating
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