THE DICKIES 5 X 7 INCH VINYL SINGLES + BIOGRAPHY BESPOKE BOX SET SEE LIST + PICS

	£		50
	$		66

1 PARANOID/IM OK YOURE OK 2 SILENT NIGHT/SOUND OF SILENCE 3 EVE OF DESTRUCTION/DOGGIE DO 4 NIGHTS IN WHITE SATIN/WATERSLIDE 5 BANANA SPLITS/HIDEOUS/GOT IT AT THE STORE FIVE VINYL SINGLES BY THE DICKIES AND BIOGRAPHY SHEETS IN A HAND MADE BOX.

EVENTUAL DICKIES VOCALIST LEONARD GRAVES PHILLIPS WAS A SELF-DESCRIBED CELIBATE, "INTROVERTED CHARACTER" IN THE PERIOD FOLLOWING HIGH SCHOOL. HE PLAYED KEYBOARDS IN HIS BEDROOM AND, TOGETHER WITH FRIEND BOB DAVIS (LATER CHUCK WAGON), CREATED A TYPE OF MUSIC THAT PHILLIPS DESCRIBES AS "AUTISM ROCK", SIMILAR TO DEVO, THOUGH NOT AS GOOD. ANOTHER FRIEND OF PHILLIPS WAS STEVE HUFSTETER, A FORMER JUNIOR HIGH SCHOOL AND HIGH SCHOOL CLASS MATE. THE LATTER FIGURE WAS THE GUITARIST AND MAIN SONGWRITER FOR LOCAL POWER POP BAND THE QUICK, AND WAS GIVING GUITAR LESSONS TO STAN LEE (BORN STAN SOBOL). ALTHOUGH HUFSTETER THOUGHT HIGHLY OF PHILLIPS' KEYBOARD PLAYING, IT WAS HIS OPINION THAT PHILLIPS BECOMING VOCALIST FOR THE BAND LEE WAS STARTING WOULD BE GOOD FOR HIS FRIEND'S SOCIAL WELL BEING. PHILLIPS INTENTIONALLY SABOTAGED HIS FIRST AUDITION, BUT REALISING HIS MISTAKE, AGGRESSIVELY ENTREATED LEE FOR ANOTHER CHANCE. THAT AUDITION WAS SUCCESSFUL, "AND THE REST IS HISTORY" ACCORDING TO STAN LEE. SINGING FOR THE DICKIES HAD ITS INTENDED EFFECT FOR PHILLIPS, CAUSING HIM TO BREAK OUT OF HIS SHELL, AND IMPROVING HIS CONFIDENCE WITH WOMEN.

AS A TEENAGER, STAN LEE WAS A DRUG BUDDY OF IGGY POP, ONCE ACCEPTING THE WELL KNOWN "LEOPARD" JACKET THAT THE LATTER WORE IN THE STOOGES AS PAYMENT FOR HEROIN.[12] SURPRISINGLY, IT WAS NOT HANGING OUT WITH IGGY POP THAT PUSHED LEE INTO JOINING THE NASCENT PUNK SCENE, BUT RATHER IT WAS THE EXPERIENCE OF GOING WITH EVENTUAL DICKIES BASSIST BILLY CLUB (BILL REMAR) TO SEE THE DAMNED ON THEIR FIRST AMERICAN TOUR THAT PROVED MOST INFLUENTIAL. EXPOSURE TO THE MUSIC OF THE RAMONES AND THE WEIRDOS WAS SEMINAL AS WELL. PRIOR TO DECIDING ON A PUNK ROCK DIRECTION, LEE HAD BEGUN TO LEARN GUITAR, AT THE URGING OF FRIEND KEVIN DUBROW, WITH THE AMBITION OF BECOMING A RITCHIE BLACKMORE-LIKE VIRTUOSO. HIS TEACHER, HUFFSTETER, SUGGESTED THAT PLAYING PUNK WAS A MORE PRACTICAL IDEA, AND BY WAY OF CONVINCING, PROVIDED LEE WITH HIS INITIAL INTRODUCTION TO THE MUSIC OF THE RAMONES. LEE AND CLUB ROUNDED OUT THEIR INITIAL PUNK BAND LINEUP WITH PHILLIPS, MULTI-INSTRUMENTALIST CHUCK WAGON, AND DRUMMER KARLOS KABALLERO (CARLOS CABALLERO), WHO CAME UP WITH THE NAME "DICKIES" (LEE PREFERRED "THE IMBECILES"), AND THE BAND MADE THEIR LIVE DEBUT AT THE WHISKY A GO GO IN SEPTEMBER 1977. THE DICKIES WERE AMONG THE FIRST PUNK ROCK BANDS TO EMERGE FROM LOS ANGELES. THEY WERE THE FIRST CALIFORNIA PUNK BAND TO APPEAR ON NETWORK TELEVISION (C.P.O. SHARKEY), AND THE FIRST CALIFORNIA PUNK BAND TO BE SIGNED TO A MAJOR RECORD LABEL (A&M RECORDS).

THE BOOK GOING UNDERGROUND: AMERICAN PUNK ROCK 1979–1989 DESCRIBES THE DICKIES IN THE CONTEXT OF THE EARLY L.A. PUNK SCENE. ITS AUTHOR CONTENDS THAT THE DICKIES WERE "THE BEST MUSICIANS ON THE SCENE AND MADE GOOD USE OF THEIR TALENTS". ALSO DESCRIBED IS AN EARLY GIG AT THE MASQUE IN 1977. AN OPENING BAND WAS SO INCOMPETENT THAT "SOME PUNKS TURNED A FIRE HOSE ON THEM". THE DICKIES CAME OUT NEXT, LOOKING LIKE "NORMAL SUBURBAN NERDS". THE BAND "ERUPTED IN A TIGHT, JACKHAMMER, SPEED-OF-LIGHT ASSAULT" OF "FEROCIOUS... GOOFBALL COMEDY PUNK" WHICH INSPIRED MANIC PUNK ROCK DANCING ("BODIES CAROOMING OFF EACH OTHER"). THE AUTHOR CLAIMS THAT THE DICKIES' SUBSEQUENT RECORD CONTRACT CAUSED JEALOUSY AMONG OTHER BANDS, SOME OF WHOM WOULD SAY THAT THE DICKIES WERE ONLY IN IT FOR MONEY. THIS BELIEF IS CONTRASTED WITH THE DICKIES ACTUAL STATED PRIMARY GOAL OF BEING WRITTEN ABOUT IN SLASH (FANZINE).

THE BAND'S A&M RECORD DEAL CAME ABOUT AFTER THAT LABEL SACKED THE SEX PISTOLS, ONE OF SEVERAL LABELS TO DO SO IN WHAT MANAGER MALCOLM MCLAREN WOULD LATER DESCRIBE AS "THE GREAT ROCK 'N' ROLL SWINDLE", WHEREIN THAT BAND WOULD BEHAVE POORLY, AND BE BOOTED OFF A LABEL WHILE KEEPING THE SIGNING MONEY. THE LABEL WANTED A REPLACEMENT PUNK BAND THAT WAS MORE MANAGEABLE (OR AT LEAST LESS NOTORIOUS), AND SENT A REPRESENTATIVE TO SEE THE DICKIES ON THE SET OF C.P.O. SHARKY. THIS WAS FOLLOWED UP BY A SHOWCASE AT THE WHISKY, AND SOME ASSERTIVE BLUSTER BY STAN LEE, WHICH, ALONG WITH THE ENTHUSIASTIC EFFORTS OF TRUE-BELIEVING MANAGER JOHN HEWLETT (WHO ALSO MANAGED SPARKS), LED TO THE DICKIES LANDING THE RECORD DEAL. THE TWO ALBUMS THAT THE BAND RECORDED FOR THE LABEL, THE INCREDIBLE SHRINKING DICKIES (1979) AND DAWN OF THE DICKIES (1979) ARE INFLUENTIAL, WELL REGARDED EARLY PUNK RECORDS, AND WERE MODESTLY SUCCESSFUL COMMERCIALLY (THE FORMER PEAKED AT #18 ON THE UK ALBUM CHARTS).

THE DICKIES HAD A STRING OF SUCCESSFUL SINGLES IN THE UK, TWICE MAKING THE TOP 40. THEY HAD A TOP 10 SINGLE WITH THEIR SPEEDY PUNK COVER OF THE THEME SONG TO A CHILDREN'S SHOW WITH "BANANA SPLITS (TRA LA LA SONG)" IN 1979, AND REACHED THE TOP 40 AGAIN WITH THEIR COVER OF "NIGHTS IN WHITE SATIN" (1979). THEIR PUNK RENDITION OF "SILENT NIGHT" CHARTED AT #47 IN DECEMBER 1978, WHILE THEIR COVER OF "PARANOID" PEAKED AT #45, IN 1979. THE BAND, WHICH HAS CLAIMED TO HAVE SOLD "A MILLION SINGLES" IN ENGLAND, CREDITS THEIR POPULARITY IN THAT COUNTRY TO BEING PERCEIVED AS A "TEENY POP" PUNK BAND THAT APPEALED TO THE YOUNGER SIBLINGS OF PUNK ROCKERS.

THEIR CAREER OFF TO A FAST START, THE DICKIES WOULD TOUR EUROPE 5 TIMES BETWEEN 1978 AND 1980, PAUSING TO PLAY TOP OF THE POPS ON MAY 3, 1979, THIS BOX SET IS DEDICATED TO THAT ERA. ALL FIVE SINGLES DENOTE A PART OF THAT HISTORY. STORE IT WELL…