THE DOORS 1st ALBUM INSANELY RARE ORIG '67 ELEKTRA UNCENSORED MONO LP IN SHRINK
  $   363

 


$ 363 Sold For
Jan 3, 2015 Sold Date
Dec 24, 2014 Start Date
$   30 Start price
24   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
save auction  

Description

WE CURRENTLY HAVE   MORE THAN 1,000  LISTED ITEMS

 

►Click here to see ALL our ROCK auctions ►Our PSYCH & PROGRESSIVE  auctions ►Our PUNK & NEW WAVE  auctions ► Our  JAZZ auctions ►Our BLUE NOTE JAZZ auctions  ►Our BLUES auctions ►Our CLASSICAL auctions ►Our COUNTRY auctions ►Our FUNK auctions ►Our LATIN auctions ►Our METAL auctions►Our REGGAE auctions ►Our SOUL auctions ► Our STILL SEALED ITEMS  ►Our PROMO auctions  ►Our AUDIOPHILE auctions

 

♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫

 

·       THE DOORS - THE SELF-TITLED FIRST ALBUM (“THE DOORS”)- ORIGINAL 1967 ELEKTRA MONO LP EKL-4007

 

·       ORIGINAL U.S. PRESSING

 

·       ORIGINAL TAN (BROWN) ELEKTRA LABEL

 

 

·       MONSTROUSLY RARE  ORIGINAL MONO PRESSING, MANY TIMES RARER THAN STEREO

 

 

·       UNIQUE MONO MIX WITH RARE UNCENSORED LYRICS ON "THE END"

 

·       PLEASE NOTE: there appears to be a controversy as to what is censored or uncensored on this album. Namely, there are two segments on this album which are partially or completely uncensored (both, of course, on "The End"). The first one is the one where Jim Morrison announces his libidinal intentions to his mother. This section was NEVER completely "uncensored". Even the loudest mono pressing has this section partially obscured by Morrison's primal scream. Still, on the mono pressing, after a few listens, the Morrison's F-bomb can be clearly discerned (on the stereo copy, you can't hear this no matter how hard you try). The second section is unequivocally, unambiguously and totally uncensored and consists of series of loud "f**k" yelps during the climax of the song, at the closing minute or minute and a half before the song's ending. Neither segment was available or audible on the stereo version of the album until the 2007 40th Anniversary CD remasters

 

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

 

·       ORIGINAL, THIN CARDBOARD COVER (NO THICK CARDBOARD COVERS WERE EVER PRODUCED FOR THIS TITLE) ; THIS IS A STEREO COVER WITH A SMALL RED DAY-GLO STEREO STICKER AFFIXED TO THE BACK PANEL

 

·       COVER IS STILL PARTIALLY (ABOUT 75%)  IN ITS ORIGINAL SHRINK (CELLOPHANE) WRAP

 

·       THICK, HEAVY VINYL PRESSING

 

·       CLEAN, WEAR-FREE LABELS

 

·       MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.

 

(PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

 

 

♫♪♫♪♫♪♫♪♫♪♫♪♫♪

 

 

A tremendous debut album, and indeed one of the best first-time outings in rock history, introducing the band's fusion of rock, blues, classical, jazz, and poetry with a knock-out punch. The lean, spidery guitar and organ riffs interweave with a hypnotic menace, providing a seductive backdrop for Jim Morrison's captivating vocals and probing prose. "Light My Fire" was the cut that topped the charts and established the group as stars, but most of the rest of the album is just as impressive, including some of their best songs: the propulsive "Break on Through" (their first single), the beguiling Oriental mystery of "The Crystal Ship," the mysterious "End of the Night," "Take It as It Comes" (one of several tunes besides "Light My Fire" that also had hit potential), and the stomping rock of "Soul Kitchen" and "Twentieth Century Fox." The 11-minute Oedipal drama "The End" was the group at its most daring and, some would contend, overambitious. It was nonetheless a haunting cap to an album whose nonstop melodicism and dynamic tension would never be equaled by the group again, let alone bettered.

 

 (EXCERPT FROM AN ONLINE REVIEW BY RICHIE UNTERBERGER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

 

What else can be said of this vintage 60’s masterpiece that hasn’t been said over the past 45 years since it was recorded?  Not much, we believe. By now, this album should be known to every man, woman and child on earth. This version of the album, with its direct, raw, punchy mono mix, amazing clarity of sound and robust rhythm section will rip your speakers to shreds, and leave you begging for more. You will not only hear all of those "Summer of Love" songs like you’ve never heard them before; you will also hear (on "The End") the things, like Jim Morrison’s Oedipal ranting and raving - that you DO NOT NECESSARY WANT TO HEAR!!! This is the version of the album to bury all subsequent versions - gold discs, stereos, or MOBILE FIDELITY (MFSL) versions. Out of print since 1968 or so, there is absolutely no chance on earth that any of the major audiophile labels will treat us to a mono CD reissue of this album any time soon.

 

For its extraordinary contribution to the contemporary music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, songwriters and general public, or for some other inherent quality, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, show business professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, the legendary BBC Radio A&R man, surveyed more than 50 top music professionals (including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye, Bruce Morrow (a/k/a "Cousin Brucie"), Tim Rice , Lisa Robinson, Robert Shelton, Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" , Omnibus Press, Library of Congress Catalog No.7855565 (or ► click here  for the complete album listing)

 

For additional historical or discography information on this album, including track listing ►click here

 

***

 

THE FOLLOWING IS AN EXCERPT FROM THE MATTHEW GREENWALD'S INTERVIEW WITH BRUCE BOTNICK, LEGENDARY ENGINEER OF ALL SIX DOORS STUDIO ALBUMS (AND THE CO-PRODUCER OF L.A. WOMAN)

 

Matthew Greenwald: "It sounds to me as if the first Doors album had the best high-frequency extension, transient snap, and overall transparency, and that with each album— sonically fine as they are—those qualities seemed to diminish. Would you agree or disagree?"

 

Bruce Botnick: "I'd agree with that to an extent, because the first album was all tube. Strange Days was done on a tube console, but with a solid-state eight-track. From then on it became all solid-state consoles and solid-state tape machines. There was also this direction that Paul [Rotschild] wanted to take it, a more intellectual kind of a sound, not as raw as the first album. The sound started to become more scientific as it went along, a little more clinical, because studios, by and large, are hospitals, they're not places to record music. Technology is the evil person here".

 

***

 

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► click here

 

♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫

 

 

·                               CONDITION:

 

·                               RECORD

 

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

 

(a)          WE GRADE THE VINYL AS STRONG VERY GOOD+(+) . CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in a very nice and clean condition. There are some surface marks and abrasions, mostly light and superficial, although some may be longer than 1 inch (1 inch = 2.5 centimeters)

 

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

 

(c)           The record comes in the original stock inner sleeve.

 

(d)          Mono pressing of this title is much rarer, and by far more  preferable to its stereo counterpart. We think that the mix is more natural, humane, "organic" and that the mixes are somewhat different than on the stereo version. We estimate that stereo copies of this album outnumber mono pressings by a ratio of at least 30:1.

 

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

 

 

·       COVER

 

COVER IS NEAR MINT,  STILL IN ITS ORIGINAL ►SHRINK WRAP   (A PIECE OF SHRINK WRAP IS MISSING)

 

The following flaws or imperfections are noted on the cover:

 

-         Cover has some light ring wear in one small area not covered by the shrink wrap (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2.

 

-         Minor shelf wear noted on the top seam and opening side (nothing significant)

 

-         Cover has a few tiny wrinkles along the spine (nothing significant)

 

-         Cover has two corners slightly worn (nothing significant)

 

NO OTHER IMPERFECTIONS ON THE COVER:

 

-        No split seams

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No yellowing from aging

-        No writing

-        No stamps

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

 

 

♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫

 

 

POSTAGE & SHIPPING:

 

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

 

INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates click here. While you can be rest assured that ►our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.

 

 

WANT A DISCOUNT ?!? 

IT’S EASY: CLICK HERE TO see HOW!

(please note recent changes in our policy)

 

 

♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫

 

 

FOR OTHER IMPORTANT INFORMATION, CLICK ON THE LINKS BELOW:

 

OUR VOLUME DISCOUNTS AND POSTAGE REBATES ►OUR GRADING POLICY ITEMS WE DO NOT GRADE ►HOW TO ACKNOWLEDGE WINNING BID OR RESOLVE A DISPUTE ►OUR PAYPAL “CHARGEBACK” POLICY ►ACCEPTABLE PAYMENT METHODS ►OUR REFUND POLICY ►POSTAGE RATES AND DISCLOSURES ►PAYMENT DEADLINES ►FREQUENTLY ASKED QUESTIONS (FAQ)

 

 

♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫

 

OUR REFUND POLICY :

 

WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 14 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED (THE BUYER PAYS FOR THE RETURN POSTAGE); Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. Click here  for the full text of our policy

 

 

© 2001,2007 MDJ. All rights reserved.

 




price rating