THE DOORS Morrison Hotel LP VEDETTE 1970 ITALY 1st press+foc+photo VPA8109 RARE
  £   70
  $   93

 


£ 70 Sold For
Nov 8, 2017 Sold Date
Oct 29, 2017 Start Date
1 Number Of Bids
  Italy Country Of Seller
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Description

U.K.  BUYERS PLEASE IGNORE THE SHIPPING COSTS MARKED ON EBAY BECAUSE WE ARE ITALIAN SELLERS

 SO PLEASE DO NOT PAY IMMEDIATELY AFTER WINNING

BEFORE I SEND CORRECT INVOICE!

  BEFORE BIDDING, PLEASE

CAREFULLY READ BELOW THE CORRECT SHIPPING COST!

 THESE RATES ARE FOR BOXES UP TO 3 KG (1 to 5 LPs).

The shipping cost from Italy to UK and Europe from 1 up to 5 albums

[it is a question of weight, we have to stay under 3kg] is £13 with DHL courier 

[NOT for Norway, Russia, Ukraine,Switzerland, please ask for prices with registered letter],

 with a sturdy and well conceived box.

The shipping cost  also depends by the exchange euro/pounds. 

Still, starting from the 1st of December the Italian Post increased 

the price for the international & domestic shipment. 

We have done our best to absorb any handling fees in order 

to keep all international shipping rates as low as we can

PLEASE ASK FOR ANY INFORMATION

THE DOORS

 RAY MANZAREK, ROBBY KRIEGER, JIM MORRISON, JOHN DENSMORE

The Doors, one of the most influential and controversial rock bands of the 1960s, 

were formed in Los Angeles in 1965 by UCLA film students Ray Manzarek, keyboards, 

and Jim Morrison, vocals; with drummer John Densmore and guitarist Robby Krieger. 

The group never added a bass player, and their sound was dominated by Manzarek's electric organ work 

and Morrison's deep, sonorous voice, with which he sang and intoned his highly poetic lyrics

"MORRISON HOTEL"

Produced by Paul A. Rothchild

1970     LP     VEDETTE RECORDS      VPA 8109  STEREO

MADE IN ITALY    ORIGINAL FIRST PRESSING

UNLAMINATED GATEFOLD COVER + PROMOTIONAL PHOTO

WITH COMPANY INNER SLEEVE

This version: on the runout, the release date is: 5-2-70 (February 2, 1970).

On label: G. Pugliese plays mouth hap on Roadhouse Blues (instead of "harp")

Barcode and Other Identifiers

Barcode: none

LABEL: VEDETTE -  BLACK LABEL & SILVER LOGO - SILVER TEXT

Catalog on cover: (front, rear & spine) VPA 8109      

Catalog on labels: VPA 8109/A / VPA 8109/B

Matrix / Runout (Side A, Stamped): VPA 8109 A     (Etched): 5-2-70

Matrix / Runout (Side B, Stamped): VPA 8109 B     (Etched): 5-2-70

On labels: Made in Italy - Tutti i diritti riservati

?  1970   An ELEKTRA U.S.A. Recording   stereo    33 giri

S.I.A.E. (boxed)

Music by The Doors

Produced by Paul A. Rothchild

Rights Society: S.I.A.E.

On Company Inner: Vedette Records - Via Lumière, 2 Cinelandia 20093 Cologno Monzese (Milano) Italy

On back cover: Music by The Doors 

Lonnie Mack plays bass on Roadhouse Blues and Maggie M'Gill

G. Pugliese plays harp on Roadhouse Blues

Produced by Paul A. Rothchild

Vedette records   An Elektra U.S.A. recording

Distribuzione Vedette Records Via Lumière, 2 - Cinelandia - 20093 Cologno Monzese (Milano) - Italy

1970 Copyright © / Doors Music ASCAP

tracklisting

Side A: ROADHOUSE BLUES - WAITING FOR THE SUN

YOU MAKE ME REAL - PEACE FROG - BLUE SUNDAY - SHIP OF FOLLS

Side B: LAND HO - THE SPY - QUEEN OF THE HIGHWAY

INDIAN SUMMER - MAGGIE M'GILL

  grading

RECORD NEAR EX but (please, read above description)

SLEEVE VG+ but (please, see pictures and read above description)

 The Doors returned to crunching, straightforward hard rock on Morrison Hotel, an album that, 

despite yielding no major hit singles, returned them to critical favor with hip listeners. 

An increasingly bluesy flavor began to color the songwriting and arrangements, especially 

on the party'n'booze anthem "Roadhouse Blues." Airy mysticism was still present on 

"Waiting for the Sun," "Queen of the Highway," and "Indian Summer"; "Ship of Fools" 

and "Land Ho!" struck effective balances between the hard rock arrangements and the narrative 

reach of the lyrics. "Peace Frog" was the most political and controversial track, documenting 

the domestic unrest of late-'60s America before unexpectedly segueing into the restful 

ballad "Blue Sunday." "The Spy," by contrast, was a slow blues that pointed 

to the direction that would fully blossom on L.A. Woman...(AllMusic)


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